Problem
Child / Criminal Genius
[Suburban Motel]
by
George F. Walker |
Prime Cut
Productions, Dec 1999 - Jan 2000
Director Jackie Doyle / Set + Costume Stuart Marshall / Lighting Design
John Riddell



About
the set
There
are six plays in this series. They all take place in the same motel
room, on the outskirts of an unremarkable city. Some characters appear
in more than one play, most are just passing through. The aim of the
set is to be as uninteresting and anonymous as possible, whilst in its
detail conveying the proper sense of time and place. The daytime sky
has stripes of blurred clouds or airplane vapour-trails. At night
there is UV lighting that highlights the trails left by orange
automobile lights or clouds at sunset. I chose the name VELA because
it wouldn't suggest anything to the audience. To me it suggests the
1950s, the atomic era, something exotic, something a motel-owner might
have thought tempting. But that's just me.
I don't know if there ever was a Vela Motel, but there should have
been.
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