The chords are presented in the cycle of fifths, which is a very useful
sequence for jazz.
| Name | Root | third | fifth | 7th | ma 7 | 9th | 13th | 6th |
| C | C | E | G | Bb | B | D | A | A |
| F | F | A | C | Eb | E | G | D | D |
| Bb | Bb | D | F | Ab | A | C | G | G |
| Eb | Eb | G | Bb | Db | D | F | C | C |
| Ab | Ab | C | Eb | Gb | G | Bb | F | F |
| Db | Db | F | Ab | Cb (or B) | C | Eb | Bb | Bb |
| Gb | Gb | Bb | Db | Fb (or E) | F | Ab | Eb | Eb |
| B | B | D# | F# | A | A# | C# | G# | G# |
| E | E | G# | B | D | D# | F# | C# | C# |
| A | A | C# | E | G | G# | B | F# | F# |
| D | D | F# | A | C | C# | E | B | B |
| G | G | B | D | F | F# | A | E | E |
The major chord (triad) is the root third and fifth.
So chord symbol
"F" = F A C
The seventh is normally the flat seventh so F7 = F A C Eb
But Fma7 chord symbol is F A C E
F9 assumes flat seventh so would be F A
C Eb G
But F ma9 indicates major seventh and is therefore F A C E G
F13
assumes flat seventh again and will be F A C Eb G D
F6 is the major triad
plus added sixth = F A C D
If flat ninth is specified lower the ninth by one semitone so F7 b9 = F A C Eb Gb
F+ indicates augmented chord - fifth is raised a semitone - F A C#
Other
possibilities are flat fifth (eg F7 b5) = F A B Eb
| Name | Root | third | fifth | 7th | ma 7 | 9th | 11th | 6th |
| Cm | C | Eb | G | Bb | B | D | F | A |
| Fm | F | Ab | C | Eb | E | G | Bb | D |
| Bbm | Bb | Db | F | Ab | A | C | Eb | G |
| Ebm | Eb | Gb | Bb | Db | D | F | Ab | C |
| Abm | Ab | Cb | Eb | Gb | G | Bb | Db | F |
| C#m | C# | E | G# | B | B# | D# | F# | A# |
| F#m | F# | A | C# | E | E# | G# | B | D# |
| Bm | B | D | F# | A | A# | C# | E | G# |
| Em | E | G | B | D | D# | F# | A | C# |
| Am | A | C | E | G | G# | B | D | F# |
| Dm | D | F | A | C | C# | E | G | B |
| Gm | G | Bb | D | F | F# | A | C | E |
Co = C Eb Gb A ---Ebo, Gbo, Ao have
the same notes !
Dbo = Db E G Bb ---Eo, Go,
Bbo have the same notes !
Do = D F Ab
B --- Fo, Abo, Bo, have same notes !