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Presentation
about TOPLAP live algorithmic music at 7.30 pm followed by two
live performances by Alex McLean and Nick Collins at the Sussex
Arts Club, Brighton.
"Somehow
the music got messed up with the code. The music described the
shape of the code, the code described the shape of the music...
Until the code and the music became one thing. What I thought
and what I heard was the same. I typed what I heard, and heard
what I typed."
A TOPLAP performer, after writing his first TOPLAP computer program.
Nick
Collins and Alex
McLean are two of the founder members of a new movement
called TOPLAP
which explores the authorship of code during live performance.
You can read
their manifesto here. The audience sees and hears what
the TOPLAP programmer types, the same way you would see
and hear what a guitarist plays. The process is brought
to the fore and laid bare. They discussed the creative use
of programming as an interface for music making and demonstrated
their personal approaches to live coding. During the performances
Alex used Perl scripts (see image to the left for an example)
and Nick Supercollider.
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