Brief summary

of main points to be learnt from photos that have been sent me:


Hints and tips
by Philip Grosset



If you'd like to submit photos for criticism,
click here.


The most common mistake of all is not to come in close enough. Select the most interesting part of the scene, then come in really close. This way you can place the emphasis where you want it, and exclude all that is irrelevant or distracting.
Lilies Lily
Above left: The problem with this photo is that the photographer has not really decided whether he wants to photograph the flowers or the garden. If the main point of interest was meant to be the lilies, it would have been better to have moved in closer (top right).
Belvedere palace, Vienna
The best place for your subject is not usually right in the middle of the picture. And it is not a good idea to position the skyline exactly halfway up the picture, as in this photo of the Belvedere Palace, Vienna.
Belvedere Palace, Vienna
This makes a much more attractive composition. The daffodils provide strong foreground interest and lead the eye into the picture, up to the man taking the photo, then on to the palace. Irrelevancies such as the extreme edges of the scene and the people partially blocking the view in the middle of the picture have been removed. The moral: spend some time searching out the best position.
Intersection of thirdsLandscapes always need careful composition. Here I have marked in the so-called intersection of thirds. Notice how the church tower and the main boat have both been positioned where these lines cross. Using at least one of these intersections is often a good idea. Failing that, try positioning your main subject (or, for example, the horizon) along one of these lines. This illustration comes from my Landscapes page.
Lake and mountain
With landscape pictures, always try to include some foreground framing, even if it is only a hedge, as in Vic Gregorini's photo on the left here, as this gives a feeling of depth. Overhanging leaves too are often used to provide effective foreground framing, or, if possible, try to include some interesting foreground object that is really typical of the scene, such as the daffodils in the Belvedere Palace picture.

There's more about this on my Travel Photos pages.
Girl
Try to photograph children (and other people) from slightly below. The result is not only more flattering, but we can see the subject's face much more clearly. Notice again the advantage of getting in really close. This excellent picture was sent me by Jenny Irvin. It's always a good idea to have one main point of interest, as here, then to concentrate our attention on that.
Girl
Girl
When taking a side view portrait, as here, always allow more space in front of the eyes (as on the right), or it looks as though the subject is falling out of the picture (as on the left).
Try to avoid using flash whenever possible. In large rooms, it usually produces bright foreground objects but a dark background in which all detail is lost.
If you want to show the interior of a hall or church, as seen below, switch the flash off and prop the camera on some convenient support.
Church
If you'd used flash, you'd have ended up by lighting just those figures and walls in the immediate foreground. This is the little cathedral at Kalocsa in Hungary.


Finally, a (not too serious!) test question: below are two photos of an old gargoyle in Ely Cathedral. Which makes the more pleasing photo - and why?
Gargoyle cropped
Gargoyle
I much prefer the version on the right. First, because it's much better to concentrate on the main subject and exclude all irrelevancies such as the black pipe and grey cables that are so distracting in the photo on the left. Secondly, because the shape of the gargoyle is much better suited to a portrait shaped format than a landscape one (look at all the wasted space on each side of the photo on the left). Thirdly, because the head looks more interesting when not positioned right in the middle of the picture. The only problem that remains is the ugly shadow, so dark that it looks like a black hole....
Gargoyle amended
.... so here I've used Photoshop to lighten the shadow. A much simpler solution would have been to have avoided it in the first place! Choose a cloudy bright day for portraits and harsh shadows disappear.
So, to sum up the three main points:

1. Get in really close.
2. Do not always position your subject right in the middle of the picture.
3. Switch off the flash whenever possible.

You'll be surprised at the difference it makes!


To find out how to send me photos for review please click HERE.

Go on now to some useful PHOTO SITE LINKS.


Please don't forget to sign my GUEST BOOK before you leave the site!
Finding your way around this site

NEXT PAGE