EVERY LITTLE THING WE SAID TODAY

RECORDING CHRONOLOGY:

PART SIX : LET IT GET BACK

Order of Data: Date, event or title, takes recorded, lead singer, writer (s), where recorded, unusual facts, instruments played (if other than Paul on bass, George on lead guitar, John on rhythm guitar and Ringo on drums), and release dates. BOLD TYPE = Released to the public in some form, i.e. single, album, CD or "bootleg" (album, CD or tape), regardless if it was a record, filmed concert, or a recorded and/or filmed interview or press conference.  S: = Who sang the lead  W: = Who wrote the song. (I’ve tried to determine who really wrote the song and how much he contributed.  Sometimes I might say “McCartney” alone when the record or CD gives “Lennon/McCartney” credit.  This is based on interviews with the Beatles, etc.)  S = Single  A = Album   Bootleg = Recordings that have not been officially released but can be obtained by the enterprising fan via the "underground", the Internet, etc.

Fri. 1/3/69 RECORDING and FILMING SESSIONS: Filming starts at 10:55am in Twickenham Studios. (George Martin's is 43 today.) Film-5/13/70
THE LONG AND WINDING ROAD  (0:20)  S:  Paul  W:  Paul McCartney  Bootleg
OH! DARLING  (1:14)  S:  Paul   W:  Paul McCartney Bootleg
MAXWELL’S SILVER HAMMER  (3:13)  S:  Paul  W:  Paul McCartney  Bootleg
PAUL'S PIANO INTRO aka PAUL'S PIANO TUNE (3:21) S: Instrumental W: Paul McCartney Paul is alone in the studio. Slowly the others arrive. Bootleg
INSTRUMENTAL aka ADAGIO FOR STRINGS (0:45) S: Instrumental W: Paul McCartney Paul at the piano. Bootleg
TEA FOR TWO (Cha Cha) (1:05 and 0:34) (Two takes) S: Paul W:  Caesar/Youmans Bootleg
“UNKNOWN" aka YVONNE’S THE ONE (0:28) Paul improvises. Bootleg DDSI 3.4.1
CHOPSTICKS (0:24) S: Instrumental W: De Lulli Liszt Bootleg
“UNKNOWN”  (0:39)  S:  UNK  W:  UNK  Bootleg
“Todgy, Todgy" aka “Torchy, The Battery Boy” aka “Torvhy, The Battery Boy”  (0:59)  Talking Bootleg
WHOLE LOTTA SHAKIN' GOING ON (0:49) S: Paul W: Williams/Sonny or Williams/David Bootleg
”UNKNOWN” aka WANDERLUST  (0:35)  S: Paul W: UNK Bootleg
LET IT BE (1:10) S: Paul W: Paul McCartney Rehearsal session. Bootleg
”UNKNOWN” aka ROCKSHOW S: Paul W: UNK Bootleg
TAKING A TRIP TO CAROLINA (ON AN OCEAN LINER) (0:34) S: Ringo W: Richard Starkey Bootleg
“UNKNOWN"  (0”16/2:12)  Bootleg
PLEASE MRS. HENRY (1:07) S: George W: Bob Dylan George talks about "those tapes" he got from Bob Dylan, including this song. Bootleg
DIALOGUE: George and Ringo talk about Bob Dylan's "Basement Tapes". Bootleg
RAMBLIN' WOMAN BLUES aka RAMBLIN' WOMAN (1:13) S: George W: Bob Dylan Bootleg
“Is It Discovered?" (0:37) George talking Bootleg
IMPROVISATION (0”16)  Bootleg
DIALOGUE: George, Ringo and Paul talk about Paul's new beard, the live concert where overseas is again ruled out, and the Band’s new album. Paul asks if Ringo has any new songs, Ringo talks of his troubles in writing songs and Paul and George want to run through one of Ringo's unfinished songs. Bootleg
I BOUGHT A PICASSO aka PICASSO (0:33) S: Ringo W: Richard Starkey Bootleg
TAKING A TRIP TO CAROLINA (ON AN OCEAN LINER) (Reprise) (0:22) S: Ringo W: Richard Starkey Bootleg
HEY JUDE  (0:09)  S: Paul W: Paul McCartney Bootleg
DIALOGUE aka "Thinking Of All The Tunes I Got" aka "All Things Must Pass": (2:31) Ideas for the documentary, wasting camera time, George to Paul about how his new songs seem to be “slowish” and how he could perform them live on his own. Bootleg
ALL THINGS MUST PASS (1:29) S: George W: George Harrison Bootleg
DON'T LET ME DOWN  (2:02)  S: John W: John Lennon Bootleg
IMPROVISATION “My Name Is Ted” (2:59)  S:  UNK  W:  Improvisation  Bootleg
“Ringo Testing Drums" Talking Bootleg
CRACKIN' UP  (2:01) S: Paul with John and George W: McDaniels Bootleg
INSTRUMENTAL FOLLOW-UP   (2:30)S: Instrumental W: UNK Bootleg
CRACKIN' UP  (0:24) S: Paul with John and George W: McDaniels Bootleg
ALL SHOOK UP (1:08) S: Paul and George W: Jerry Leiber/Mike Stoller Bootleg
YOUR TRUE LOVE  (1:40) S: Paul sometimes George W: Carl Perkins Bootleg
BLUE SUEDE SHOES (1:30) S: John then John and Paul W: Carl Perkins Bootleg
THREE COOL CATS (2:07) S: George w/John and Paul W: Jerry Leiber/Mike Stoller Bootleg
BLOWIN' IN THE WIND (0:32) S: George and Paul W: Bob Dylan Bootleg
LUCILLE (2:24)  S:  Paul W: Collins/Richard Penniman Ad-libbed by Paul, who has forgotten? the lyrics. Bootleg
I'M SO TIRED (2:14) S: Paul (NOT John) W: John Lennon-Paul McCartney Paul sings John’s song, laughing at some times, talking the lyrics at places where John screamed. Bootleg
OB-LA-DI, OB-LA-DA (1:19) S: John W: Paul McCartney Bootleg
"Get On The Phone" (0:46) S: John and Paul W: Bob Dylan Talking and then singing. Unreleased
OB-LA-DI, OB-LA-DA (0:06) S: Instrumental W: Paul McCartney Unreleased
DON'T LET ME DOWN (0:19) S: Paul W: John Lennon Unreleased
THE THIRD MAN THEME aka THIRD MAN THEME aka HARRY LIME THEME (1:47) S: Instrumental W: Anton Karas Bootleg
IMPROVISATION (0:17) Instrumental Bootleg
“My Words Are In My Heart" (0:08) John talks. Spoken Bootleg
NEGRO IN RESERVE aka HOLE IN THE HARDCASE aka HOLE IN MY HEART aka HOLE IN THE HEART (0:45) S: John and Paul W: John Lennon/Paul McCartney Bootleg
DON'T LET ME DOWN (1:44, 1:24 and 0:03) (Three takes) S: John w/Paul W: John Lennon Bootleg
OB-LA-DI, OB-LA-DA  (0:03) S: John W: Paul McCartney (One line parody) Bootleg
GOING UP COUNTRY (0:06) S: Paul W: Alan Wilson Bootleg
ON THE ROAD AGAIN (0:05) S: George W: Willie Nelson Bootleg
ONE AFTER 909  (3:01) S: Paul and John W: John Lennon Written when John and Paul were teenagers, this is the oldest song of theirs to be recorded. Bootleg
DIALOGUE: John, Paul and George talk about their liking the "One After 909"'s sound but John says he's not all that thrilled by it. Paul tells how it's a very early Lennon/McCartney song and George wants to rehearse it, but not too much. Bootleg
BECAUSE I LOVE YOU aka BECAUSE I KNOW YOU LOVE ME SO aka WAKE UP IN THE MORNING aka WOKE UP IN THE MORNING (2:27)S: John and Paul W: Paul McCartney Bootleg
ONE AFTER 909 (3:02) S: Paul and John W: John Lennon Bootleg
DIALOGUE: John, Paul and George continue to remember the early days when the "One After 909" was written. John feels that the words need work and George says that words are meaningless if the song has a good melody. Bootleg
IF TOMORROW EVER COMES aka I'LL WAIT 'TIL TOMORROW aka IF TOMORROW NEVER COMES (0:58) S: John and Paul W: John Lennon/Paul McCartney Bootleg
A PRETTY GIRL IS LIKE A MELODY (0:06) S: John W: Irving Berlin Bootleg
THINKING THAT YOU LOVE ME aka I’VE BEEN THINKING THAT YOU LOVE ME aka I’VE BEEN TICKLED THAT YOU LOVE ME  (0:15) (0:12) S: Paul and George W: UNK Bootleg
WON'T YOU PLEASE SAY GOODBYE  (0:50) S: John and Paul W: UNK Bootleg
BRING IT ON HOME TO ME   (1:51) S: John, Paul and George W: Sam Cooke Bootleg
HITCH HIKE aka HITCHHIKE  (1:48, 1:5, 1:52 or 1:59 depending on the bootleg.) S: George W: Gaye/W. Stevenson/Paul Bootleg DDSI 3.42
YOU CAN'T DO THAT  (2:14) S: George, Paul and John W: John Lennon Bootleg
THE HIPPY HIPPY SHAKE (2:27) S: Paul W: Chan Romero Bootleg
TWO OF US (1:42, 1:22, 2:45 and 1:03) (Four takes)  S: Paul and John W: Paul McCartney Rehearsal session. Bootleg
SUN KING (0:17) S: Instrumental W: John Lennon (Written in India) Bootleg
DIALOGUE: (Over the next song) John and Lindsay-Hogg talk about live concert. John suggests performing to only one person or at most, one special family. Bootleg
IMPROVISATION (0:24) Pauldoes an instrumental. Bootleg
"RHYTHM INSTRUMENTAL" (0:37) John and Ringo do an instrumental. Bootleg
SHORT FAT FANNIE aka SHORT FAT FANNY (2:48) S: George w/Paul W: Larry Williams Bootleg
MIDNIGHT SPECIAL (THE PRISONERS SONG) aka THE MIDNIGHT SPECIAL  (2:02) S: John and Paul W: Huddie Ledbetter Bootleg
WHEN YOU'RE DRUNK YOU THINK OF ME aka I’LL NEVER GET DRUNK ANYMORE  (0:12)  S: George W: UNK Bootleg
WHAT'S THE USE OF GETTING SOBER? aka WHAT'S THE USE OF GETTIN' BETTER? aka WHEN YOU’RE GONNA GET DRUNK AGAIN aka DRUNK AGAIN(0:07) S: John W: Busby Meyers or John Lennon Bootleg
WHAT DO YOU WANT TO MAKE THOSE EYES AT ME FOR? (When They Don’t Mean What They Say!)  (1:02) S: John, Paul and George W: Johnson/Manaco/Lane or McCarthy Bootleg
MONEY (THAT'S WHAT I WANT)   (0:36) S: Instrumental bass line only W: Janie Bradford/Berry Gordy Bootleg
DIALOGUE:  John, Paul and George talk about what songs to rehearse next. Each one mentions songs that they have available. George talks about a “solo album". George talks with John, Paul and Yoko about doing a solo album with all the songs that he has. Bootleg
GIVE ME SOME TRUTH aka GIMME SOME TRUTH  (1:21)  S: John w/Paul W: John Lennon Bootleg
ALL THINGS MUST PASS   (1:06, 4:19 and 2:47) (Three takes) S: George W: George Harrison Rehearsal session. Bootleg
WEIGHT, THE  (0:06) S: John W: Jaime Robbie Robertson Bootleg
I'M A TIGER aka I’M YOUR TIGER  (0:30) S: Instrumental by Paul W: UNK Bootleg

ALL THINGS MUST PASS (0:06 and 2:32) (Two takes) S: George W: George Harrison Rehearsal session. Bootleg
DIALOGUE: George gets shocked and is serious about it not happening again as the others are making fun of him. Bootleg
“ORGAN INSTRUMENTAL” (0:23) S: Instrumental by John W: UNK Bootleg
ALL THINGS MUST PASS (1:05, 4:41, 1:05, 1:10, 2:47 and 3:45) (Six takes)  S: George W: George Harrison Bootleg

DIALOGUE: George wants background singers for "All Things Must Pass" and he mentions how Timothy Leary inspired the song through a poem of his. Bootleg
ALL THINGS MUST PASS  (1:02) S: George W: George Harrison Bootleg
IMPROVISATION (0:25) Paul does an instrumental. Bootleg
ALL THINGS MUST PASS (0:08, 0:31, 1:05, 2:21 and 0:30) (Five takes) S:George w/Paul or John W: George Harrison Bootleg
“UNKNOWN" (0:06) George does an instrumental. Bootleg
BACK IN THE U.S.S.R. (0:11) S: Instrumental W: Paul McCartney Bootleg
DIALOGUE: George wonders if they should do some old songs in the concert. John says they should play older Beatles songs with new arrangements. Bootleg
EVERY LITTLE THING (0:24) S: George and Paul W: Paul McCartney .9/John Lennon .1 Bootleg
PIECE OF MY HEART aka PEACE OF MY HEART (0:32) S: George W: Berns/Ragovoy Bootleg
DIALOGUE: (Throughout the songs below)  John mentions using the songs they are rehearsing for the group's next album. George wants to keep rehearsing until everyone has all the songs down. Bootleg
SABRE DANCE aka SABRE DANCE BOOGIE (0:10)S: Instrumental W: Aram Khachaturian John on the organ. Bootleg
PIECE OF MY HEART aka PEACE OF MY HEART (0:12) S: George W: Berns/Ragovoy Bootleg
“Over And Over Again" (1:15) Paul Bootleg
DIALOGUE:  About what song to rehearse next.The group has mostly slow songs and wants some faster ones for the concert. Bootleg
ALL THINGS MUST PASS  (1:24) S: George w/ Paul and John W: George Harrison Unreleased
I'VE BEEN GOOD TO YOU (1:24) S: George w/John and Paul W: UNK Bootleg
MAXWELL'S SILVER HAMMER (0:47) S: Instrumental with Paul calling out the chords. W: Paul McCartney Practice seen in "Let It Be" film. Film-5/13/70 Bootleg
MAXWELL'S SILVER HAMMER (0:35) S: Paul W: Paul McCartney Unreleased
I WANT YOU (1:20) S: George W: Improvisation George records this song which is different from the Beatle's song of same name. This was an improvisation or it could be Bob Dylan’s song. Bootleg
"I'm Gonna Pay For His Ride" (3:42) Paul improvises. Bootleg
DON'T LET ME DOWN (0:52) S: John W: John Lennon Bootleg
DIALOGUE: Everyone says goodbye and says they'll be back Monday at 10:00am. Bootleg

Mon. 1/6/69 RECORDING and FILMING SESSIONS: Filming starts again in Twickenham Studios. Film-5/13/70
OH! DARLING   (3:13) S: Paul (alone on piano) W: Paul McCartney Bootleg
DIALOGUE: Paul talks with the film crew. Lindsay-Hogg likes "Maxwell's Silver Hammer" and a recent cover version of "Hey Jude". Paul is excited about “One After 909" and he discusses his and John's early compositions and how many are unreleased. Fats Domino's new album is discussed with his versions of "Lady Madonna" and "Lovely Rita". Lindsay-Hogg asks how many unreleased Beatles recordings there are. Paul only mentions the Decca auditions and the Hollywood Bowl concerts. Paul tells how he listened to "Sgt. Pepper" the night before. Ringo arrives and tells everyone that he isn't feeling too well. Lindsay-Hogg wonders if they have any hearing loss from the high volume at concerts. Ringo and Paul mention that the only thing that gets to them is feedback. John and Yoko arrive. Lindsay-Hogg brings up the live concert and proposes locations. Paul brings up a Cream TV special from the night before and everyone who saw it take part in criticizing it. Bootleg
C'MON MARIANNE (5:26) S: Paul W: Brown/Bloodworth Bootleg
DIALOGUE: George arrives and is greeted by Paul and everyone. Bootleg
I'VE GOT A FEELING (0:14) S: Paul and George (a capella) W: Paul McCartney Bootleg
DIALOGUE:  George brings up the Cream special also and asks what the others thought of it. George and Ringo discuss Ginger Baker. Bootleg
I'VE GOT A FEELING  (0:07) S: Paul and John W: Paul McCartney Bootleg
HIGH SCHOOL CONFIDENTIAL   (0:07) S: George W:  Jerry Lee Lewis/Hargrave Bootleg
I'VE GOT A FEELING   (0:50) S: George W: Paul McCartney Bootleg
HEAR ME LORD   (0:17, 1:17) (Two takes) S: George W: George Harrison Bootleg and Unreleased (second take)

CARRY THAT WEIGHT (1:28)  S:  John and Paul  W:  Paul McCartney   Bootleg

OCTOPUS’S GARDEN/CARRY THAT WEIGHT (0:56)   S: Paul W: Ringo Starr and Paul McCartney Bootleg

CARRY THAT WEIGHT  (1:46) S: John and Paul   W: Paul McCartney Organ is the only instrument. Bootleg
“Unknown” or CASTLE OF THE KING OF THE BIRDS   (12:45)  Instrumental Organ is the only instrument. Bootleg
LOUIE LOUIE (Part 1)   (0:06)  S: Instrumental W: Richard Berry Bootleg
LOUIE LOUIE (Part 2)   (1:55)  S:  Instrumental   W:  Richard Berry   Bootleg

IMAGINATION aka “My Imagination” (2:08)   S: Instrumental  W:  Improvisation  Bootleg

IMPROVISATION  (0:22)  S:  Instrumental  W:  Improvisation  Bootleg
LEANING ON A LAMPOST  (1:26) S: Paul W: George Formby  Paul singing with just the guitars. Bootleg
ANNIE   (0:22)  S: John W: UNK An improvisation? Bootleg
MAUREEN   (2:01)  S: George W: UNK An improvisation? Bootleg 
IMPROVISATIONS (1:32, 0:10, 3:31 and 2:56) Bootleg
TRACKS OF MY TEARS   (2:56) S: George w/John W: Smokey Robinson Mostly instrumental version, led by George.  Bootleg

IMPROVISATION  (0:23) Played solo on the organ, later guitar and drums join in.  Bootleg
DIZZY MISS LIZZY  (3:08) S: Instrumental W: Larry Williams Bootleg
MONEY (THAT'S WHAT I WANT)  (2:16) S: John W: Janie Bradford/Berry Gordy Bootleg
FOOLS LIKE ME aka A FOOL LIKE ME  (3:21) S: John W: Clement/Maddux Bootleg
SURE TO FALL  (2:38) S: Paul with John W: Perkins/Claunch/Cantrell Bootleg
RIGHT STRING BUT THE WRONG YO YO, THE  (3:23) S: Paul with John W: Rufus “Willie” Perryman Bootleg 
DIALOGUE aka "Live Show Dialogue": (9:04) Paul, George, Lindsay-Hogg, George Martin and Yoko discuss audiences for the live concert, what they'll do for the show and the group. George doesn't want anything to do with the audiences they used to have and points out that this is why they quit touring in the first place. Yoko suggests playing to an empty arena. Lindsay-Hogg says it would make it look like nobody's interested in coming. Paul disagrees. They discuss places for the concert. Lindsay-Hogg pushes for going abroad but Paul reminds him that they've already agreed to stay in England. Yoko says people will think less of the Beatles if they're not singing to screaming fans. George wants to create a new image for the group and there are more discussions of locations. Bootleg
DON'T LET ME DOWN   (14:56, 0:19, 0:02, 3:22, 3:11, 4:46, 0:59, 1:01, 1:20, 0:21, 0:33, and 6:09)  (Twelve takes)  (One bootleg consists of 28 takes of "Don't Let Me Down" from 0:04 to 2:47, with dialogue also, all supposedly recorded on this day.) S: Sometimes Paul and sometimes George W: John Lennon Bootleg

DON'T LET ME DOWN/SEND ME SOME LOVIN' (2:48) S: UNK W: Lennon-R. Penniman Bootleg

DON'T LET ME DOWN  (0:10 and 0:39) (Two takes)  S: John W: John Lennon Bootleg  
TWO OF US  (1:21, 1:10, 1:05 and 8:11) (Four takes) S: Paul and John W: Paul McCartney Bootleg
DIALOGUE: George and Paul "discuss" how they think "Two Of Us" should be rehearsed. Paul says he doesn't want to be the leader of the group. Paul believes that he irritates George when he tells him how he thinks they should rehearse. He mentions the short amount of time they have to learn all the songs and that a structured rehearsal is necessary. Paul says George can play the song his way when Paul isn't singing, such as the solo, and brings up the "Hey Jude" rehearsals as an example. George tells Paul that he will do whatever will make Paul happy. They discuss each other's rehearsal methods and can't seem to find a compromise. Paul suggests moving on to "Maxwell's Silver Hammer", but John wants to continue rehearsing "Two Of Us". Bootleg
TWO OF US  (1:36 and 1:44)(Two takes) S: John W: Paul McCartney John singing alone while Paul is talking. Bootleg
DIALOGUE:  Paul says that each Beatle should lead rehearsal for their own songs and the others agree. Bootleg
TWO OF US  (2:15) S: Paul and John W: Paul McCartney Rehearsal. Paul teaches rhythm arrangement. Bootleg
FRERE JACQUES (Intermezzo) (0:40) S: Instrumental W: Traditional Bootleg
IT AIN'T ME BABE  (0:20) S: George and Paul W: Bob Dylan Bootleg
TWO OF US  (4:52, 3:19 and 0:48) (Three takes) S: Paul and John W: Paul McCartney George harmonizes on one take. Bootleg
WHEN THE SAINTS GO MARCHING IN  (0:23) S: John W: Traditional Bootleg

TWO OF US  (0:16, 0:35 and 1:27) (Three takes) S: Paul and John W: Paul McCartney  Bootleg  (The first take is unreleased)

WHEN THE SAINTS GO MARCHING IN  (0:05) S: John W: Traditional Bootleg
LOOP DE LOOP (0:07) S: George W: Hart/Lucas Bootleg
TWO OF US  (3:14) S: Paul and John W: Paul McCartney Bootleg
HEAR ME LORD (0:08) S: George W: George Harrison Bootleg
ACROSS THE UNIVERSE  (3:19 and 0:38) (Two takes) S: John W: John Lennon Bootleg  (The second take is unreleased)
I WANT YOU  (0:53) S: George W: Bob Dylan Unreleased
HEAR ME LORD  (3:01) S: George W: George Harrison Unreleased
IMPROVISATION (0:23) John improvises. Unreleased
HEAR ME LORD (0:35, 1:48 and 2:18) (Three takes)  S: George W: George Harrison  Bootleg (The first take is unreleased)   
ALL THINGS MUST PASS  (5:59 and 3:22) (Two takes)  S: George W: George Harrison Bootleg

LET'S DANCE  (0:42) S: John W: Chris Montez Bootleg

ALL THINGS MUST PASS  (3:28, 1:25, 0:21 and 2:25) (Four takes)  S: George W: George Harrison Bootleg
SHE CAME IN THROUGH THE BATHROOM WINDOW  (0:26, 3:33, 1:56, UNK and 0:54)  (Five takes) S: Paul W: Paul McCartney (Written on 5/13/68 in New York.) Bootleg
CARRY THAT WEIGHT (1:49)  S: Paul W: Paul McCartney Bootleg      
DIALOGUE: Everyone says goodnight and Lindsay-Hogg reminds them to show up tomorrow. Bootleg

Tues. 1/7/69 RECORDING and FILMING SESSIONS: Filming continues in Twickenham Studios starting at 10:10am. Film-5/13/70
THE LONG AND WINDING ROAD  (4:54 S: Paul W: Paul McCartney Bootleg
GOLDEN SLUMBERS/CARRY THAT WEIGHT  (4:02) S: Paul W: McCartney .7/T. Dekker .3-Paul McCartney "Golden Slumbers" was a poem from the 1500's which Paul altered and wrote music to. Bootleg
THE LONG AND WINDING ROAD (1:40) S: Paul W: Paul McCartney Bootleg
INSTRUMENTAL (CLASSICAL) (1:01) S: Instrumental W: UNK Bootleg
DIALOGUE: They talk more about the Cream TV special and compare Ringo's drumming to Ginger Baker's. Bootleg
INSTRUMENTAL (0:16) S: Instrumental by Paul at the piano W: UNK Bootleg
LADY MADONNA (2:04) S: Paul W: Paul McCartney Paul alone at the piano. Bootleg
INSTRUMENTAL  (0:42) S: Instrumental by Paul on piano W: UNK Bootleg
SHE CAME IN THROUGH THE BATHROOM WINDOW (0:54) S: Paul W: Paul McCartney (Written on 5/13/68) Paul and Ringo only play. Bootleg
DIALOGUE: George wonders if their talking is being recorded because he wants to make sure he doesn't swear and ruin a scene. Editing is explained to him. George and Ringo discuss their favorite sports. Ringo's is "draughts" and George doesn't "give a shit either way". Bootleg
IMPROVISATION (0:20) Paul on the piano. Bootleg
DIALOGUE: Glyn Johns is late and Lindsay-Hogg says that it's Ringo's turn to be late. Ringo says that he's never late. Bootleg
INSTRUMENTAL (1:20) Paul on the bass. Bootleg
“Mr. Epstein Said It Was White Gold" (0:57) Paul and Ringo only. Bootleg
DIALOGUE: Paul and George suggest that they get better mikes for the rehearsals. Lindsay-Hogg points out that better microphones would make it easier to pick up their conversations. Bootleg
LOWDOWN BLUES MACHINE aka BLUES MACHINE aka LOWDOWN BLUES (1:53) S: Paul w/George W: Hank Williams? or UNK Bootleg
WHAT'D I SAY/CARRY THAT WEIGHT/SHOUT (0:56) S: George and Paul/Paul W: Ray Charles-McCartney-Isley/Isley/Isley Bootleg
GET BACK  (1:40) S: Paul W: Paul McCartney The earliest known performance of this song. Bootleg
I'VE GOT RINGS ON MY FINGERS (BELLS ON MY TOES)  (0:12) S: Paul W: Weston/Scott Bootleg
FOR YOU BLUE (1:18 or 1:49) S: George W: George Harrison Bootleg DDSI 7.16
DIALOGUE: George asks if they should be doing other people's songs in their show. John says he doesn't know any. George says there are lots out there better than the Beatles' songs. John jokes that that's why he doesn't learn them. He can barely stand doing Beatles songs, let alone stranger's songs. Bootleg (No DDSI)
FOR YOU BLUE  (2:35) S: George W: George Harrison Film-5/13/70 Bootleg DDSI 7.17
DIALOGUE: "Maybe we should have a divorce": A conversation between John, Paul, George and Michael Lindsay-Hogg about doing a live show and the band and its future.Bootleg
MY BACK PAGES (0:04) S: George W: Bob Dylan Bootleg
I'VE GOT A FEELING (0:09) S: John on guitar W: John Lennon .5/Paul McCartney .5 Bootleg
SHE CAME IN THROUGH THE BATHROOM WINDOW  (0:07) S: Paul W: Paul McCartney (Written on 5/13/68) Bootleg
STUCK INSIDE OF MOBILE WITH THE MEMPHIS BLUES AGAIN (0:28) S: George and Paul S: Bob Dylan They switch to the words "Twickenham Blues Again". Bootleg
IMPROVISATION (0:35) Paul and George improvise. Bootleg
I SHALL BE RELEASED (1:27) S: George W: Bob Dylan Bootleg
TO KINGDOM COME (1:00) S: George W: Bob Dylan? Bootleg
FOR YOU BLUE  (1:18 and 0:56) (Two takes) S: George W: George Harrison Bootleg
IMPROVISATION (3:14) Instrumental Bootleg
BO DIDDLEY  (0:15) S: George W: McDaniel Bootleg
WHAT THE WORLD NEEDS NOW IS LOVE  (0:07) S: George W: Bacharach/David George sings two lines of Cilla Black's '68 hit. Bootleg
INSTRUMENTAL (0:22) W: Jam Bootleg
FIRST CALL  (0:09) S: Instrumental W: George W. Behn (John plays on the guitar.) Bootleg
SHE CAME IN THROUGH THE BATHROOM WINDOW (0:24) S: John W: Paul McCartney (Written on 5/13/68) Bootleg
I'VE GOT A FEELING (1:00 and 1:50) (Two takes)  S: Paul and John W: John Lennon .5/Paul McCartney .5 Bootleg
IMPROVISATION(0:50) Guitar instrumental Bootleg
MAXWELL'S SILVER HAMMER  (0:53) S: Paul on piano W: Paul McCartney Bootleg
"Woman Where You Been So Long" (3:29) Paul improvises. Bootleg
"Oh Julie, Julia" (2:31) Paul improvises to the tune of “Lucille”. Bootleg
OH! DARLING/ONE NIGHT (3:58) S: Paul W: Paul McCartney/UNK Bootleg
THE LONG AND WINDING ROAD (0:34) S: Instrumental W: Paul McCartney George on bass. Bootleg
MAXWELL'S SILVER HAMMER (2:11, 1:05, 14:38, 0:28, 1:42 and 0:52) (Six takes)  S: Paul W: Paul McCartney Bootleg
RULE, BRITANNIA  (0:12)S: Instrumental W: Thomas Arne Bootleg
IMPROVISATIONS  (0:13 and 0:08) (Two takes) Bootleg
MAXWELL'S SILVER HAMMER  (1:33) S: Paul W: Paul McCartney Ringo and Paul only. Bootleg
IMPROVISATION  (0:24) Paul jamming. Bootleg
SPEAK TO ME (riff) (0:18) S:  Instrumental W: George Harrison George on bass. Bootleg
WHEN I'M SIXTY-FOUR  (0:25) S: Paul W: Paul McCartney Bootleg
WHEN I’M SIXTY-FOUR/SPEAK TO ME aka GOSPEL INSTRUMENTAL  (1:07) S: Paul W: Paul McCartney/George Harrison  Bootleg
SPEAK TO ME (0:11) S: George W: George Harrison
OH! DARLING   (2:59) S: Paul W: Paul McCartney  Bootleg
MAXWELL'S SILVER HAMMER  (1:19, 3:48 and 13:33) (Three takes)  S: Paul W: Paul McCartney Bootleg
IMPROVISATION  (0:15) John improvises. Bootleg
A SHOT OF RHYTHM AND BLUES  (2:02) S: John W: Terry Thompson The instruments cover vocals. Bootleg
(YOU'RE SO SQUARE) BABY I DON'T CARE  (0:50)  S: John W: Jerry Leiber/Mike Stoller Bootleg
ACROSS THE UNIVERSE  ( 0:43, 3:00 and 1:23) (Three takes) S: John W:John Lennon Bootleg
DIALOGUE:  John says that "Across The Universe" isn't a fast enough number and that a faster number would improve the mood of the sessions. George disagrees and says that the speed doesn't matter. John says that he is too tired to write a fast number and Yoko suggests "Give Me Some Truth". Bootleg
GIVE ME SOME TRUTH aka GIMME SOME TRUTH (0:03) S: John W: John Lennon Bootleg
IMPROVISATION (0:39) George improvises. Bootleg
ACROSS THE UNIVERSE (4:34 and 0:44) (Two takes) S: John W: John Lennon Bootleg
IMPROVISATION  (0:16) Guitar improvisation. Bootleg
ACROSS THE UNIVERSE  (3:47) S: John W: John Lennon Bootleg
A CASE OF THE BLUES (0:35) S: John W: John Lennon Bootleg
"Cuddle Up" (0:06) Paul improvises. Bootleg
GIMME SOME TRUTH aka GIVE ME SOME TRUTH (0:09) S: John and Paul W: John Lennon Bootleg
ACROSS THE UNIVERSE  (0:07) S: John and Paul W: John Lennon Bootleg
GIVE ME SOME TRUTH aka GIMME SOME TRUTH  (0:52)S: John and Paul W:John Lennon Bootleg
FROM ME TO YOU  (0:06) S: Paul W: Lennon .5/McCartney .5 (Written 2/28/63) Bootleg
ACROSS THE UNIVERSE  (5:15 and 0:58) (Two takes) S: John W: John Lennon Bootleg
ROCK AND ROLL MUSIC  (2:05) S: John and Paul W: Chuck Berry Bootleg
LUCILLE  (1:22) S: Paul and John W: Collins/Richard Penniman Mostly instrumental. Bootleg
LOTTA LOVIN'   (0:10)  S: Paul W: Gene Vincent Bootleg
ACROSS THE UNIVERSE  (3:35) S: John with Paul W:John Lennon Section from 2:10 to 2:47 was used in the "Let It Be" film. Film-5/13/70 Bootleg
GONE GONE GONE (2:14) S: John W: Carl Perkins   John sings this old Perkins’ song. Bootleg
DIG A PONY aka ALL I WANT IS YOU  (1:20) S: John W: John Lennon Used in the "Let It Be" film. Film-5/13/70 Bootleg
ONE AFTER 909   (0:53, 1:13, 1:08 and 0:30) (Four takes)  S: Paul and John W: John Lennon Bootleg
WHAT'D I SAY  (0:16) S: UNK W: Ray Charles A loose improvisation. Bootleg
ONE AFTER 909  (2:40) S: Paul and John W: John Lennon Bootleg
IMPROVISATION (1:05) A jam around a riff played by John. He asks George not to play "wah-wah" pedal on every song. Bootleg
DON'T LET ME DOWN   (1:29, 0:54, 0:45 and 4:30) (One source gives only 0:54 as a very soft instrumental backing behind John and Paul.)(Four takes)  S: Paul W: John Lennon Bootleg
DON'T LET ME DOWN/DEVIL IN HER HEART (0:20) S: John W: John Lennon-Richard Drapkin Bootleg
DEVIL IN HER HEART (1:07) S: John, Paul and George W: Richard Drapkin Bootleg
DON'T LET ME DOWN (3:22 and 0:20) (Two takes) S: Paul W: John Lennon The second take is “a capella”. Bootleg
THIRTY DAYS  (0:49) S: John and Paul W: Chuck Berry Bootleg
REVOLUTION 1 (0:34) S: Instrumental on guitar W: John Lennon Bootleg
A CASE OF THE BLUES (0:07)  S: John W: John Lennon Bootleg
BE-BOP-A-LULA (1:42) S: John W: Gene Vincent/Sheriff Tex Davis Bootleg
LOTTA LOVIN' aka WHOLE LOTTA LOVIN'/SOMETHIN' ELSE  (1:09)  S: UNK/Paul W: Gene Vincent-Eddie Cochran Bootleg
(INSTRUMENTAL JAM)  (0:21, 0:58 and 1:11)  (Three takes) Bootleg
SCHOOL DAYS (Riff) (0:20) S: John W: Chuck Berry Bootleg
F.B.I. (0:45) S: Instrumental W: Marvin/Welch/Harris Bootleg
SHE CAME IN THROUGH THE BATHROOM WINDOW  (3:19) S: Paul W: Paul McCartney (Written on 5/13/68) Bootleg
IMPROVISATIONS   (1:41)  Instrumental jam.  Bootleg

Wed. 1/8/69RECORDING and FILMING SESSIONS: Filming continues in Twickenham Studios. The Beatles are obviously unaware that today, 1/8/69, is Elvis' thirty-fourth birthday or they would have played one or more of his songs. Film-5/13/70
I ME MINE   (1:32, 2:47, 0:31 and 3:13) (Four takes)  S: George W: George Harrison Billy Preston on organ. John and Yoko waltzed while the others played. George slips into “The Time They Are A-Changin’”. Film-5/13/70 Bootleg
DIALOGUE: "My Guitar, by Henry Gibson": Ringo starts a poem like they did on TV's Laugh-In'. George finishes it. Bootleg (No DDSI)
IMPROVISATIONS (SOUL FINGER, LUCILLE, HITCH HIKE) aka SAUSAGES AND FRENCH FRIES/ HONEY HUSH aka HI HO SILVER/“EARLY IN THE MORNING"  (3:48) S: Paul with John and George W: Improvisation.-Leander/Seago-Waller/Kirkeby Bootleg
HONEY HUSH  (0:20) S: Paul W: Johnny Burnette
STAND BY ME (2:25) S: Paul W: Ben E. King Paul sings "Marriage of Figaro" lyrics into the song. Bootleg
HARE KRISHNA MANTRA (Parody lyrics) aka HARRY PINKSTER aka HARRY DRISCOLL  (1:50) S: Instrumental W: Paul McCartney An instrumental. Bootleg
"Well, If You're Ready"  (0:29) S: Paul W: UNK An instrumental. Bootleg
HARE KRISHNA MANTRA (0:38) S: Instrumental W: Paul McCartney An instrumental. Paul goes into the song below. Bootleg
TWO OF US  (3:29) S: Paul with John W: Paul McCartney This was the take used in the film, "Let It Be". Film-5/13/70 Bootleg
YOU GOT ME GOING (0:24) S: Paul with John W: Improvisation by Paul Bootleg
TWIST AND SHOUT  (0:07) S: Instrumental W: B. Berns (B. Medley)/B. Russell Bootleg
DON'T LET ME DOWN  (3:27) S: John with Paul W: John Lennon Bootleg
I'VE GOT A FEELING  (3:21) S: Paul and John W: John Lennon .5/Paul McCartney .5 This was used in the film, "Let It Be". Film-5/13/70 Bootleg
ST. LOUIS BLUES  (0:10) S: Instrumental W: W.C. Handy Bootleg
ONE AFTER 909 (3:45) S: Paul and John W: John Lennon Bootleg
TOO BAD ABOUT SORROWS  (0:45) S: John W: John Lennon/Paul McCartney (Mostly Paul) Bootleg
DIALOGUE: "Queen says no to pot smoking FBI members": John reads the headline off the paper. This ends up on the "Let It Be" album and in the film. A-5/8/70 (UK), 5/18/70 (US) Film-5/13/70 Bootleg
JUST FUN aka JUST FOR FUN  (0:25)  S: John W: UNK Bootleg
SHE SAID SHE SAID (0:43) S: John W: John Lennon Bootleg

SHE CAME IN THROUGH THE BATHROOM WINDOW  (0:42) S: Paul W: Paul McCartney (Written on 5/13/68) Bootleg

ONE WAY OUT  (1:05)  S:  UNK  W:  UNK  Bootleg

MAC ARTHUR PARK  (1:23)  S.  UNK  W:  Jimmy Webb  Bootleg

“UNKNOWN” IMPROVISATION (2:22) Instrumental Bootleg 
ALL THINGS MUST PASS   (3:38, 0:02, 0:14, 0:23, 0:34, 0:49, 1:54, 0:01 and 1:59)(Nine takes)  S:George W: George Harrison Bootleg (except the 0:01 take which was unreleased.)
ALL ALONG THE WATCHTOWER  (0:15)  S: George W: Bob Dylan Bootleg DDSI 8.30
MEAN MR. MUSTARD aka MADMAN (3:40) S: John W: John Lennon John coughs through lyrics of "Mustard" while playing the grand piano. Bootleg
DON'T LET ME DOWN  (1:40) S: John W: John Lennon Only the song's “middle eight”. Bootleg
ALL THINGS MUST PASS  (3:25) S: George with John and Paul W: George Harrison Best version of the song done by the Beatles with three-part harmonies. John plays the piano. Bootleg
FOOLS LIKE ME aka A FOOL LIKE ME  (2:23) S: John with George W: Clement/Maddux   Bootleg
YOU WIN AGAIN (1:35) S: John with George W: Hank Williams Bootleg
(INSTRUMENTAL IMPROVISATION) (1:13) Bootleg

SHE CAME IN THROUGH THE BATHROOM WINDOW  (1:43) S: Paul W: Paul McCartney (Written on 5/13/68) Bootleg
MAXWELL'S SILVER HAMMER (2:47) S: Paul W: Paul McCartney Unreleased
I ME MINE   (0:34 and 1:27)(Two takes)  S: George with Paul and John W: George Harrison Rehearsal with Billy Preston on the organ. Bootleg
HOW DO YOU THINK I FEEL?  (0:11) S: UNK W: Walker/Pierce Bootleg
THE BALLAD OF BONNIE AND CLYDE aka THE BALLAD OF JOHNNY AND CLYDE  (0:03) S: John W: Parody of song by Murray/Callander Bootleg
HELLO MUDDAH, HELLO FADDAH  (0:06)S: John and Paul W: Sherman/Busch Bootleg
I ME MINE  (0:14) S: John W: George Harrison Bootleg

F.B.I. (0:06) S: Instrumental W: Marvin/Welch/Harris  Unreleased

"I'm Going To Knock Him Down Dead" (0:27) S: John and Paul W: UNK Unreleased
OVER THE WAVES/MR. BASS MAN (0:19) S: Paul W: Jonventino Rosas/Johnny Cymbal Unreleased
OH! DARLING (1:51) S: Paul W: Paul McCartney Unreleased
I ME MINE  (0:03) S: John (a capela) W: George Harrison Rehearsal session. Bootleg
LET IT BE (7:48) S: Paul W: Paul McCartney Rehearsal session. Bootleg
I ME MINE   (0:55 and 1:01) (Two takes)   S: Instrumental W: George Harrison Bootleg
I ME MINE/DOMINO (1:25)  S: Paul W: Ferrari Bootleg
I ME MINE   (1:19, 0:21, 2:23, 0:47 and 0:53)  (Five takes)  S: Four takes are instrumental and Paul sings the other W: George Harrison Bootleg
THE LONG AND WINDING ROAD (1:01) S: Paul on piano W: Paul McCartney George on bass. Unreleased
INSTRUMENTAL BAROQUE aka ADAGIO FOR STRINGS  (0:11) S: Instrumental with Paul on piano W: UNK Unreleased
I ME MINE/DON’T BOTHER ME  (0:27) S: George/George with Paul W: George Harrison Bootleg
“Tell All The Folks Back Home” (1:30) S: Paul W: Improvisation Unreleased
I ME MINE  (1:25 and 1:24) (Two takes)  S: George W: George Harrison Bootleg
DIALOGUE: George explains to John and Yoko how to waltz. Bootleg (No DDSI)
TRUE LOVE (0:24) S: John and Paul W: Cole Porter Unreleased
"UNKNOWN" (0:21) S: Piano instrumental W: UNK Unreleased
SHOUT !(0:13) S: John W: Isley/Isley/Isley Unreleased
SWEET LITTLE SIXTEEN (0:57) S: John W: Chuck Berry Unreleased
MALAGUENA (0:29) S: Instrumental by John W: Ernesto Lecuona Unreleased
ALMOST GROWN  (1:52) S: John and Paul W: Chuck Berry Bootleg
WHAT AM I LIVING FOR (2:08) S: John and George W: Fred Jay/Art Harris Bootleg
ROCK AND ROLL MUSIC (1:31) S: John W: Chuck Berry  Bootleg
I ME MINE  (0:59, 2:25, 1:02, 1:08, 1:18, 3:14, 1:10, 0:55, 0:23 and 1:40) (Ten takes) S: George  (One take is instrumental and Paul sings one take.) W: George Harrison Rehearsal session. Bootleg
THE LONG AND WINDING ROAD (3:11, 0:04, 0:04, and 0:04) (Four takes) S: Paul W: Paul McCartney George on bass. Bootleg and Unreleased (The 0:04 takes)
LET IT BE  (2:54) S: Paul and John W: Paul McCartney Bootleg
TO KINGDOM COME (2:14) S: George W: Jaime Robbie Robertson Bootleg
DIALOGUE: "Boat Show Dialogue":  (10:00, 10:01 or 10:05 depending on the bootleg.) The Beatles talk about how to do a live concert on a boat. Bootleg

Thurs. 1/9/69RECORDING and FILMING SESSIONS: Filming continues in Twickenham Studios from 10am to 5:30pm. Film-5/13/70
ANOTHER DAY and STUDIO CHAT  (6:00) S: Paul W: Paul McCartney Paul at piano. This is first known performance of "Another Day". Bootleg
"UNKNOWN" (0:33) S: Instrumental on piano by Paul W: UNK Bootleg
INSTRUMENTAL aka CASTLE OF THE KING OF THE BIRDS (1:57) S: Instrumental on piano by Paul W: UNK Bootleg
LET IT BE  (9:42) S: Paul on piano W: Paul McCartney Bootleg
THE LONG AND WINDING ROAD (6:43) S: Paul on piano W: Paul McCartney (George on bass) Bootleg
LET IT BE (3:46) S: Paul on piano W: Paul McCartney Bootleg
HER MAJESTY  (2:02) S: Paul on piano W: Paul McCartney Bootleg
GOLDEN SLUMBERS (4:15) S: Paul on piano W: McCartney .7/Thomas Dekker .3 Bootleg
CARRY THAT WEIGHT (3:29) S: Paul on piano W: Paul McCartney Bootleg
THE LONG AND WINDING ROAD  (2:46 and 5:34) (Two takes) S: Paul on piano W: Paul McCartney Bootleg

OH! DARLING  (2:27) S: Paul on piano W: Paul McCartney Bootleg
TAPS/FIRST CALL S: Instrumental by Paul on piano W: Traditional Unreleased
INSTRUMENTALS  (2:34 and 5:34) (Two takes) S: Instrumentals on piano by Paul W: UNK Bootleg

“UNKNOWN”/CASTLE OF THE KING OF THE BIRDS  (3:27)  S:  Instrumental  W:  UNK  Bootleg

INSTRUMENTAL  (0:43)  S:  Instrumental  W:  UNK  Bootleg
FOR YOU BLUE  (3:06, 5:27, 1:39, 1:41, 2:30, and 4:41) (Six takes) S: George W: George Harrison Bootleg
DIALOGUE: John, Ringo, Lindsay-Hogg and Linda McCartney talk. Bootleg 
IMPROVISATION  (2:11) S: Instrumental W: Improvisation Bootleg
DIALOGUE:  Paul admonishes the others. This was used in the film, "Let It Be". Film-5/13/70 Bootleg 
TWO OF US (1:15, 2:14, 0:13, 2:49 and 0:27)(Five takes)  S: Paul and John W: Paul McCartney Bootleg
“UNKNOWN" (0:16) S: John W: UNK Bootleg
TWO OF US  (0:16 and 4:05) (Two takes)  S: Paul and John W: Paul McCartney Bootleg
THE WIFFENPOOF SONG aka BAA BAA BLACK SHEEP  (0:59)S: UNK W: Minnigerode/Pomeroy/Galloway Bootleg
DON'T LET ME DOWN  (4:05) S: John and Paul W: John Lennon With "Leslied" guitar. Bootleg
SUZIE'S PARLOR aka SUZY'S PARLOR aka SUZY PARKER  (2:25) S: John with George and Paul W: Lennon/McCartney/Harrison/Starkey Clean versions make one believe John was singing "Suzie's Parlor" not "Suzy Parker". Film-5/13/70 Bootleg
I'VE GOT A FEELING aka OH YEAH  (4:17, 0:43, 0:23 and 0:40)  (Four takes, one is the "facelift" version.) S: Paul and John W: John Lennon .5/Paul McCartney .5 Rehearsal session used in the film. Film-5/13/70 Bootleg
ONE AFTER 909  (0:57, 0:22, 0:16 and 0:11)  (Four takes)  S: Paul and John (last three takes are instrumental) W: John Lennon Used in the film. Film-5/13/70 Bootleg
NORWEGIAN WOOD (THIS BIRD HAS FLOWN) (0:36, 0:35) S: John with Paul and George W: John Lennon .8/Paul McCartney .2 Bootleg
SHE CAME IN THROUGH THE BATHROOM WINDOW   (0:14, 1:54 and 0:08)(Three takes, the last being instrumental)  S: Paul and John W: Paul McCartney Bootleg
BE-BOP-A-LULA/BABY BLUE  (0:31) S: Paul W: Gene Vincent/Sheriff Tex Davis-Gene Vincent Bootleg
SHE CAME IN THROUGH THE BATHROOM WINDOW  (0:10, 2:00, 2:10, 0:18, and 2:52) (Five takes) S: Paul and John W: Paul McCartney (Written on 5/13/68) Extended rehearsal including "Get A Job, Cop!" version with German countdown, "Daniel LaRue" version, and "Happened To Me Quite Recently" version. Bootleg
THE RIGHT STRING BUT THE WRONG YO YO  (0:05) S: John (a capella) W: Rufus “Willie” Perryman Bootleg
BOOGIE WOOGIE  (0:07) S: Instrumental by John on the piano W: Clarence "Pine Top" Smith Bootleg
THE WIFFENPOOF SONG aka BAA BAA BLACK SHEEP  (0:25) S: John and Ringo W: Minnigerode/Pomeroy/Galloway Bootleg
HEY, MR. BASS MAN aka MR. BASS MAN  (0:05) S: John W: Johnny Cymbal Bootleg

GET BACK  (0:47, 3:17 and 5:19)  (Three takes)  S: Paul (with George on first take) W: Paul McCartney Unreleased
GET BACK aka NO PAKISTANIS (4:10) S: Paul  W: Paul McCartney This is the "No Pakistanis" version. Bootleg

LET IT BE  (2:23)  S:  Paul  W:  Paul McCartney  Bootleg
INSTRUMENTALS (3:29 and 0:55) Instrumental jams. Bootleg
LA PENINA aka PENINA aka (LA) PENINA  (2:29)S: Paul W: Paul McCartney Bootleg
INSTRUMENTAL/ NEW ORLEANS  (1:1) S: Blues instrumental/John and George W: UNK/Frank J. Guida/Joseph F. Royster Bootleg
ACROSS THE UNIVERSE (1:04, 1:32, 0:07, 0:05 and 0:01) (Five takes) S: John (Sometimes Paul and George and sometimes just Paul) W: John Lennon Bootleg
TEDDY BOY (0:14) S: Paul W: Paul McCartney Later included on "McCartney" solo album. It came up in the middle of "Across The Universe" rehearsal. Bootleg
JUNK aka JUBILEE (0:16) S: Paul and John W: Paul McCartney (Written in India) It came up in the middle of "Across The Universe" rehearsal. Bootleg
ACROSS THE UNIVERSE  (3:42 and 3:29) (Two takes) S: John with Paul and George W: John Lennon Bootleg
“Shakin' In The Sixties"  (0:37) S: John W: Lennon improvisation Bootleg
MOVE IT aka C'MON EVERYBODY  (0:55) (Mislabeled as "C'mon Everybody" on some bootlegs) S: John W: Ian Samwell/Brown Bootleg
GOOD ROCKIN' TONIGHT  (0:50) S: John and Paul W: Brown Bootleg
TENNESSEE aka OLD HILLBILLY WAY  (2:33) (Different from the Carl Perkins song of the same name.) S: John, George and Paul W: John Lennon Bootleg
ACROSS THE UNIVERSE  (0:20) S: Paul W: John Lennon The last version. Paul just starts singing this and John says he doesn't want to do it. He goes into his “retarded, spastic man” talk that he used to do on stage, until Brian cautioned him to stop. To stop Paul, John goes into the following song. Bootleg
THE HOUSE OF THE RISING SUN  (3:07) S: John and Paul W: Alan Price, adapted folk song John sings this to stop Paul from doing "Across the Universe". He screams nonsense words and Paul joins him. Finally Paul goes into the “retarded man” singing himself. Bootleg
COMMONWEALTH aka BACK TO COMMONWEALTH (GET BACK)  (3:33) S: Paul with John W: Paul McCartney These are early versions of "Get Back". Bootleg
AW, ENOCH POWELL aka ENOUGH POWELL aka ENOCH POWELL (GET BACK)  (0:37) S: Paul W: Paul McCartney Bootleg
GET OFF ! aka PROMENADE aka GET OFF WHITE POWER aka WHITE POWER aka WINSTON, RICHARD, JOHN  (5:45 and 0:23) (Two takes)  S: Paul with John W: Paul McCartney Including "Why Don't We Do It In The Road" as "Why Don't You Put It On The Toast". Bootleg and Unreleased (the second take)
FOR YOU BLUE (1:13) S: George W: George Harrison Unreleased
GET OFF ! aka PROMENADE aka GET OFF WHITE POWER aka WHITE POWER (0:52) S: Paul with John W: Paul McCartney Bootleg
HONEY HUSH aka HI HO SILVER aka YACKETY YACK  (2:12) S: Paul and John W: Johnny Burnette Bootleg
FOR YOU BLUE  (0:58, 2:50 and 0:41) (Three takes) S: George W: George Harrison Bootleg
BASS IMPROVISATION (0:20) Instrumental Bootleg

FOR YOU BLUE  (2:10 and 2:62) (Two takes) S: George W: George Harrison Bootleg
RAMBLIN' WOMAN BLUES aka RAMBLIN' WOMAN/ I THREW IT ALL AWAY (2:00 and 2:03) S: George W: Bob Dylan Bootleg
MAMA, YOU BEEN ON MY MIND aka MAMA, YOU’RE JUST ON MY MIND (1:55) S: George W: Bob Dylan Bootleg
LET IT BE   (8:05, 1:34, 0:58 and 2:12) (Four takes)  S: Paul on piano W: Paul McCartney Rehearsal session. Bootleg
THAT'LL BE THE DAY  (1:38) S: Paul W: Allison/Holly/Petty Bootleg
The Beatles loved Buddy Holly. For a similar book on Buddy Holly written by this author, go to http://www.pmoorcroft.freeserve.co.uk/tshaw1.htm
I'VE GOT A FEELING (0:30) S: Guitar instrumental W: John Lennon .5/Paul McCartney .5 Bootleg
JENNY JENNY/SLIPPIN' AND SLIDIN'  (3:43) S: Paul W: Johnson/Penniman-Penniman/Bocage/Smith/Collins Bootleg
LET IT BE   (3:50, 2:41 and 2:33) (Three takes)  S: Paul W: Paul McCartney "God Bless You" version. Bootleg

Fri. 1/10/69 RECORDING and FILMING SESSIONS: Filming continues in Twickenham Studios. Film-5/13/70
“UNKNOWN”  (0:18)  Paul warms up on the piano  Bootleg

INSTRUMENTALS  (0:16, 1:21 and 0:37)  (Three takes)  Paul continues to jam on the piano.  Bootleg
THE LONG AND WINDING ROAD  (2:37)  S:  Paul  W:  Paul McCartney  Bootleg
LET IT BE  (0:51)  S:  Paul  W:  Paul McCartney  Bootleg
DON'T LET ME DOWN  (1:56) S: John and Paul W: John Lennon Bootleg
MAXWELL'S SILVER HAMMER (1:49) S: Paul W: Paul McCartney Bootleg
I'VE GOT A FEELING  (2:46)  S: Paul and John W: John Lennon .5/Paul McCartney .5 Bootleg
THE LONG AND WINDING ROAD  (2:06)  S:  Paul  W:  Paul McCartney  Bootleg
INSTRUMENTAL JAM  (2:32)  S:  N/A  W:  UNK  Bootleg
GET BACK  (2:05 and 0:55)  (Two takes)  S:  Paul  W:  Paul McCartney  Bootleg
I'VE GOT A FEELING  (1:36 and 1:15) (Two takes)   S: Paul and John W: John Lennon .5/Paul McCartney .5 Bootleg

GET BACK  (3:32 and 3:08)  (Two takes)  S:  Paul and George (George sings the 2^nd take.)  W:  Paul McCartney  Bootleg
ALL TOGETHER NOW (0:08) S: John W: Paul McCartney Unreleased
TWO OF US (2:05) S: Paul and John W: Paul McCartney Bootleg
GET BACK  (2:46, 1:36 and 3:43)(Three takes) S: Paul and John (John sings the 3^rd take.) W: Paul McCartney Bootleg
HIGH HEELED SNEAKERS aka HI-HEEL SNEAKERS aka HI HEELED SNEAKERS (2:03 and 0:58) (Two takes, the second one is instrumental) S: John and Paul W: Robert Higgenbotham Bootleg
LONG TALL SALLY  (0:35)  S:  Paul  W:  Richard Penniman  Bootleg
GET BACK  (0:24) S: John W: Paul McCartney Bootleg
INSTRUMENTAL JAM  (1:04)  S:  N/A  W:  UNK  Bootleg
GET BACK  (5:52) S: John W: Paul McCartney Bootleg
I'M TALKING ABOUT YOU  (0:11) S: Guitar instrumental W: Chuck Berry Bootleg
DIALOGUE: After a lunch break, George "quits" the Beatles and leaves. The other Beatles don't seem to react as they carry on. So the remaining songs today are "George-less". At home George writes “Wah Wah”. Bootleg
A QUICK ONE aka A QUICK ONE WHILE HE'S AWAY aka COWBOY MUSEUM (1:22 and 0:51)  (Two takes)  S: John and Paul/Jam W: George Harrison-Townsend (First is a fuzz-box version of George's song. Then a jam with Yoko.) Bootleg

IMPROVISATIONS  ((2:36 and 0:27)  (Two takes)  S:  UNK  W:  Improvisation  Bootleg
IMPROVISATION/DON’T WORRY KYOKO  (1:00)  S:  UNK/Yoko  W:  Improvisation/Yoko Ono  Bootleg
JOHN, JOHN (LET’S HOPE FOR PEACE)  (3:01 and 0:46) (Two takes)  S: Yoko Ono W: Lennon/Ono/McCartney/Starkey   After George walked out, with Yoko "singing". Bootleg
I'VE GOT A FEELING (4:34) S: Paul W: John Lennon .5/Paul McCartney .5
DON'T LET ME DOWN  (3:47) S: John and Paul W: John Lennon Bootleg
TILL THERE WAS YOU  (0:21) S: Paul W: Meredith Willson Bootleg
C’MON EVERYBODY  (1:34)  S:  Paul  W:  Eddie Cochran  Bootleg
MAXWELL'S SILVER HAMMER (0:06) S: Instrumental W: Paul McCartney Bootleg
MACK THE KNIFE (0:17) S: John W: Kurt Weill/Marc Blitzstein Bootleg
TEDDY BOY  (0:05)  S:  Paul  W:  Paul McCartney  Bootleg
MAXWELL'S SILVER HAMMER   (0:44 and 1:22)(Two takes)  S: John-Paul W: Paul McCartney John sings the first take.  Bootleg
DON'T BE CRUEL (2:34) S: John with Paul on the chorus W: Jerry Leiber/Mike Stoller In the middle, John goes into the song below. Bootleg
IN THE MIDDLE OF AN ISLAND aka ON A SUNNY ISLAND aka SUNNY ISLAND aka TINY BOSSANOVA aka COSTA DEL SOL/BRAZIL/THE PEANUT VENDOR/GROOVIN'/I GOT STUNG  (3:41) S: John-Paul W: Acqvva/Vrnck-Cvlre/Louis Armstrong?/Brigati-Schroeder/Hill  Bootleg
THE PEANUT VENDOR  (0:21)  S:  UNK  W:  Louis Armstrong? Bootleg
DIALOGUE: Lindsay-Hogg, Neil Aspinall and George Martin discuss George's leaving the group. Lindsay-Hogg wonders if it will be hard for George to return considering the way he left. Aspinall points out that the band will be getting together on Sunday. Martin and Aspinall discuss George's role in the Lennon/McCartney partnership. Bootleg
IT'S ONLY MAKE BELIEVE (2:43) S: John and Paul W: Conway Twitty/Nance Bootleg
“Through A London Window" aka "Window Window"  (1:29) S: Paul W: Paul McCartney? Bootleg
DIALOGUE: More talk of George's departure. Bootleg
THE LONG AND WINDING ROAD (4:28) S: Piano instrumental W: Paul McCartney Bootleg
INSTRUMENTAL aka ADAGIO FOR STRINGS  (2:17) S: Instrumental by Paul on piano W: UNK Bootleg
DIALOGUE: John and Lindsay-Hogg discuss the live concert and how George's leaving will affect it. Lindsay-Hogg suggests saying that George is sick. John says that if he doesn't return by Tuesday, they'll simply get Eric Clapton to replace him. Bootleg
MARTHA MY DEAR/"John John"  (5:26) S: Instrumental by Paul on piano/Yoko and John W: Paul McCartney/Improvisation (Yoko screams John's name over and over at the top of her lungs.) Bootleg

IMPROVISATION/MARTHA MY DEAR  (4:40)  More of the same (above).  Bootleg
IMPROVISATION  (5:04)  Yoko improvises a “song”.  Bootleg
IMPROVISATION  (6:20)  Yoko improvises a “song”.  Bootleg
IMPROVISATION  (0:24)  Yoko improvises a “song”.  Bootleg

1/10 -Tu. 1/21/69WAH-WAH S: George W: George Harrison Written during "Let It Be" filming when George skipped out. He recorded it later for his "All Things Must Pass" solo album. Unreleased if recorded (Also during this time, the rest of the Beatles go to George’s house and talk him into coming back. They decide to abandon the “barn-like” atmosphere of Twickenham and go into their own studios at Apple.)

Mon. 1/13/69RECORDING and FILMING SESSIONS: Filming continues in Twickenham Studios from 1am to 5pm. Film-5/13/70
OB-LA-DI, OB-LA-DA (0:13 and 2:00) (Two takes) S: Paul (a capella) and Paul and Ringo W: Paul McCartney Unreleased
SLEEP ON OTIS (2:00) S: Paul and Ringo W: Beckett/Crowley Unreleased
BABY COME BACK (0:04) S: Paul (a capella) W: Edmund Grant Unreleased
BUILD ME UP, BUTTERCUP  (0:18, 0:11 and 0:16) (Three takes)  S: Paul and Linda (a capella) W: McCauley/D'Abo Unreleased
DIG A PONY (0:03) S: John W: John Lennon Bootleg
GET BACK  (0:26, 0:12 and 1:10) (Three takes) S: Paul W: Paul McCartney Bootleg
IMPROVISATIONS  (2:16 and 2:53)  (Two takes)  S:  UNK  W:  Improvisation  Bootleg
GET BACK  (3:07, 0:52, 1:09, 5:43, 0:31, 0:50, 0:10, 0:48, 0:03, 2:23, 1:01, 0:16, 0:41, 1:08, 2:30 and 0:22)  (Sixteen takes) S: Paul and one time John sings (the 0:31 take is an instrumental) W: Paul McCartney Bootleg and Unreleased (the last take)

ON THE ROAD AGAIN (0:25) S: Instrumental W: Willie Nelson Unreleased
IMPROVISATION (0:41) Unreleased

Tues. 1/14/69RECORDING and FILMING SESSIONS: Filming continues in Twickenham Studios until 4:30pm. Film-5/13/70
IMPROVISATIONS  (0:41 and 0:52) (Two takes) S: Paul on piano. W: Improvisation This song was played in background of film "Magical Mystery Tour" by the band, Bonzo Dog Band. Bootleg
MARTHA MY DEAR (1:14) S: Paul on piano W: Paul McCartney Bootleg
SAN FRANCISCO BAY BLUES (1:12) S: Paul on piano W: Jessie Fuller Bootleg

IMPROVISATION aka OH BABY I NEED YOU (1:07) Paul on piano. Bootleg
IMPROVISATIONS   (0:56 and 0:54) (Two takes) Paul on piano Bootleg
THE DAY I WENT BACK TO SCHOOL aka WENT BACK TO SCHOOL (3:18) S: Instrumental with Paul on piano. W: UNK Bootleg
LADY JANE (2:26 and 0:34) (Two takes)  S: Paul on piano W: Mick Jagger/Keith Richard Bootleg
DIALOGUE: Ringo arrives. “Ritchie!” This was used in the film, "Let It Be". Film-5/13/70 Bootleg
JAZZ PIANO SONG aka PIANO BOOGIE  (0:46 and 1:14)  (Two takes) S: Instrumentals by Paul and Ringo on the same piano W: McCartney/Starkey Paul sings one line. This was used in the film, "Let It Be". Film-5/13/70 Bootleg
PIANO INSTRUMENTAL  (0:44) Paul on the piano Bootleg
WOMAN (0:38, 2:00 and 1:35) (Three takes) S: Paul W: Paul McCartney (as Bernard Webb) Paul only at piano. Bootleg

COCAINE BLUES (0:31) S: Paul W: T.J. Arnell Bootleg
FLUSHED FROM THE BATHROOM OF YOUR HEART (0:56) S: Ringo W: Jack Clement Bootleg
ON A CLEAR DAY (YOU CAN SEE FOREVER)   (0:02) S: Paul W: Lerner/Lane Bootleg
INSTRUMENTAL IMPROVISATION  (0:56) Paul on piano Bootleg
THE BACK SEAT OF MY CAR  (3:40 and 0:56) (Two takes)  S: Paul W: Paul McCartney Paul alone at the piano. Bootleg
PAUL'S IMPROVISATION ON PIANO  (0:12) S: Paul W: Paul McCartney Bootleg
IT'S JUST FOR YOU aka IT'S JUST YOU aka THIS SONG OF LOVE  (2:24 and 3:22)  (Two takes) S: Paul on piano W: McCartney (Words)/J. Brahms (Music) Paul alone at the piano singing words to a melody used in a scene in the 1947 movie "Song Of Love". Bootleg
IMPROVISATION aka "As Clear As A Bell Says La Scala, Milan" aka "Clear As A Bell" or "As Clear As A Bell"  (0:24) S: Paul alone at the piano W: UNK Bootleg
HELLO DOLLY  (2:26) S: Paul on piano W: Jerry Herman Paul alone at the piano. Bootleg
DIALOGUE: "Making a film with a script": (17:19) John, Paul, Ringo and Lindsay-Hogg talk about doing a more scripted film. Partly serious, partly not. Bootleg
DEFINITELY INCLINED TOWARDS IT  (2:50) S: John W: John Lennon A mock song John sings at the end of the above dialogue. Bootleg
DIALOGUE: "A Visit From Peter Sellers":  (6:55, 7:40, 10:59 or 16:11 depending on bootleg.) Talk between the Beatles and Peter Sellers, who pays them a visit. According to one source during the interview John (sometimes with Paul) sings parts of “Long Tall Sally”, “Help!”, “Tutti Frutti”, “Within You, Without You”, “Canyons Of Your Mind”, “Mr. Tambourine Man”, “I Want To Hold Your Hand”, and “Ask Me Why”. Bootleg
MADMAN   (1:02 and 7:25) S: John W: John Lennon   John on the organ. Bootleg
MEAN MR. MUSTARD/MADMAN aka MADMAN-A-COMING (3:56) S: John W: John Lennon Bootleg
WATCHING RAINBOWS  (3:51 and 0:58)(Two takes)  S: John W: John Lennon John plays the chords opening chords to “I’ve Got A Feeling” on the electric piano, and improvises three verses of this song based on one of the lines in "I Am The Walrus". Then he breaks into a riff (much like the “Bulldog” one) singing "Shoot me. You gotta shoot me." Bootleg
INSTRUMENTAL IMPROVISATIONS   (1:26 and 7:14) (Two takes)  Jam with “You Can’t Catch Me”. Bootleg
TAKE THIS HAMMER (Prisoner’s Work Song)  (3:42) S: John W: Terry/McGhee Bootleg
JOHNNY B. GOODE  (1:50 and 1:28) (Two takes)  S: John W: Chuck Berry Bootleg
INSTRUMENTAL IMPROVISATION   (1:35)  Jam   Bootleg
INSTRUMENTAL IMPROVISATION/”UNKNOWN”  (4:53)  Jam  Bootleg
MADMAN aka MADMAN-A-COMING  (0:41) S: John and Paul W: John Lennon Bootleg
YOU KNOW MY NAME (LOOK UP THE NUMBER)  (1:20) S: John and Paul W: John Lennon (Written in 1967) Bootleg

Wed. 1/15/69FILMING and RECORDING SESSIONS: Another day, although short, of filming at Twickenham Studios. This would be the last day of filming there. Film-5/13/70
INSTRUMENTAL IMPROVISATION  (0:15)  Paul on the piano.  Bootleg
OH! DARLING   (0:43 and 3:34) (Two takes)  S: Paul alone on piano W: Paul McCartney Bootleg
OB-LA-DI, OB-LA-DA  (0:21) S: Paul alone on piano W: Paul McCartney Bootleg
“ENDING”  (6:34)   Paul on piano   Bootleg

Sat. 1/18/69INTERVIEW RECORDING: John is interviewed and he speaks about the financial problems of Apple. Aired UNK UNK release

Tues. 1/21/69INTERVIEW RECORDING: Interview of Ringo, in Ringo’s car, by David Wigg for BBC Radio 1's "Scene and Heard". Aired 1/25/69 A-7/30/76

Wed. 1/22/69 FILMING and RECORDING SESSIONS: Upset with the inconveniences and bad acoustics in the Twickenham studio, the Beatles move into the basement studio at Apple, where the following songs were recorded and partially filmed from 10am to 5pm. Billy Preston, visiting in Apple's reception area, is talked into joining the sessions and playing, by George. This conversation was filmed and shown in the "Anthology" video. He sat in and remained for the rest of the "Get Back"/"Let It Be" album sessions. You might call this the start of the "Let It Be" album.
SOMETHIN’ ELSE aka DRUM SOLO (1:00) S:  Paul on drums.W:  Eddie Cochran  Bootleg
DAYDREAM/WHISPERING/YOU ARE MY SUNSHINE  (0:49/1:28/0:14) S: UNK W: John Sebastian/Davis-Schonberger/Coburn/Rose-Mitchell  Bootleg
INSTRUMENTAL IMPROVISATION  (2:34)  Jam  Bootleg
I SHALL BE RELEASED (1:47) S: George W: Bob Dylan Bootleg
INSTRUMENTAL JAM (1:07) Bootleg
DIALOGUE ON MAHARISHI   Bootleg
ACT NATURALLY (0:13) S: Paul and John W: J. Russell/V. Morrison  Bootleg
DON'T LET ME DOWN   (0:16, 0:36, 0:24 and 3:06) (Four takes)  S: George and then John W: John Lennon Bootleg
I'VE GOT A FEELING  (6:07, 2:05, 3:39 and 0:17) (Four takes) S: Paul and John W: John Lennon .5/Paul McCartney .5 Bootleg
“News Report"/"I've Got My Blue Fingers" (0:57) S: UNK W: N/A An improvisation. Bootleg
EVERY NIGHT  (1:13 depending on the bootleg.) S: Paul W: Paul McCartney Paul sings his song, which he will eventually put on his "McCartney" album. Bootleg
DIG A PONY  (0:20, 2:01 and 0:04) (Three takes) Rehearsal fragments. S: John and instrumentals W: John Lennon Bootleg
WATCH YOUR STEP  (0:19)  S: Instrumental W: Nadel Bootleg
NEW ORLEANS  (3:34) S: John and George W: Guida/Royster Bootleg
MADMAN aka MADMAN-A-COMING  (1:56) S: John W: John Lennon Bootleg
DIG A PONY (1:03) S: John W: John Lennon Bootleg
HIGH HEELED SNEAKERS aka HI-HEEL SNEAKERS  (2:00) S: John and Paul W: Robert Higgenbotham Bootleg
MY BABY LEFT ME/THAT'S ALL RIGHT (MAMA)/MY BABY LEFT ME (3:01)(Medley)  S: John W: Arthur Crudup Bootleg
HALLELUJAH, I LOVE HER SO (1:12) S: John W: Ray Charles Bootleg

MILKCOW BLUES aka MILK COW BLUES  (0:44 and 0:03)  (Two takes)  S: John W: Arnold Bootleg
LITTLE QUEENIE  (0:55) S: John W: Chuck Berry Bootleg
WHEN IRISH EYES ARE SMILING  (0:16)S: John W: C. Olcott/G. Graff Jr./Ernest R. Ball Bootleg
QUEEN OF THE HOP  (0:45) S: Paul and John W: Bobby Darin/Harris Bootleg
DIG A PONY aka ALL I WANT IS YOU (Working title) (0:47) S: John W: John Lennon CD-10/26/96
IN THE MIDDLE OF AN ISLAND/GILLY GILLY OSSENFEFFER KATZENELEEN BOGEN BY THE SEA (0:52) S: John/Paul and John W: Acquaviva/Varnick- Hoffman/Wayne or Hoffman/Manning Bootleg
IMPROVISATION/ROLL OVER BEETHOVEN/HULLY GULLY/GOOD ROCKIN' TONIGHT/DOWN IN THE FLOOD  (4:43) S: John/George/John/George W: Improvisation-Chuck Berry-Fred Smith/Cliff Goldsmith-Brown-Bob Dylan Bootleg
FORTY DAYS/MILKCOW BLUES BOOGIE  (1:23 or 1:57) S: Paul and John/Paul spoken W: Chuck Berry-“Sleepy” John Estes Bootleg
TOO BAD ABOUT SORROWS  (0:57) S: Paul W: John Lennon/Paul McCartney (Mostly Paul) Bootleg
DIG A PONY (1:52 or 1:00) (Two takes) S: Paul W: John Lennon Bootleg
”You Got The Message" (0:03 or 0:39 depending on the bootleg.) S: John W: UNK Bootleg
I'M READY  (0:08) S: Paul W: King/Durand/Robichaux Bootleg
DIG A PONY  (0:28) S: John and Paul W: John Lennon Loose rehearsal. Bootleg
YOU'VE GOT ME THINKING  (1:07) S: Paul and George W: Jackie Lomax Bootleg
PAPA'S GOT A BRAND NEW BAG  (0:03) S: Paul (a capella) W: James Brown Bootleg

DIG A PONY  (0:03 and 1:19)  (Two takes)  S:  John and Paul  W:  John Lennon   Bootleg
SHOUT (Parody lyrics)  (0:12) S: John and Paul W: Isley/Isley/Isley Bootleg
“Charles Hawtrey and the Deaf-aids” INTRO S: John spoken W: N/A Bootleg
DIG A PONY  (0:07) S: John and Paul W: John Lennon Bootleg
DIG A PONY/WILLIAM SMITH BOOGIE (0:46) S: John and Paul W: John Lennon/UNK Bootleg
YOU GOTTA GET BACK aka YOU GOTTA GIVE BACK  (0:22) S: Paul W: UNK Bootleg
DIG A PONY  (0:06, 3:52 and 4:03)(Three takes)  S: John W: John Lennon Bootleg
I'M READY/DOWN THE ROAD APIECE/WIGGLE WOBBLE aka ROCKER aka INSTRUMENTAL NO. 42 aka LINK TRACK (0:34) S: Instrumental W: King/Durand/Robichaux-Don Raye-Les Cooper Bootleg
SAVE THE LAST DANCE FOR ME/DON'T LET ME DOWN (0:38) S: Jerome "DOC" Pomus & Mort Shuman Only about 30 seconds of "Save..." Bootleg
DON'T LET ME DOWN  (3:49) S: John and Paul W: John Lennon Fragment. Bootleg
I'VE GOT A FEELING  (0:31, 0:11 and 0:27) (Three takes) S: Paul and John W: John Lennon .5/Paul McCartney .5 Bootleg
DIG A PONY  (0:19) S: John W: John Lennon Bootleg
I'VE GOT A FEELING/ROADRUNNER/I’VE GOT A FEELING  (3:18, 1:23, 3:30, 3:10 and 3:11) (Five takes of "I’ve Got A Feeling" with “Road Runner” in the fourth take) S: Paul and John W: Lennon .5/McCartney .5-Improvisation Bootleg
DON'T LET ME DOWN (0:06) S: John W: John Lennon Fragment of a playback. Bootleg
SHE CAME IN THROUGH THE BATHROOM WINDOW  (3:05) (Working title - "Bathroom Window") S: Paul with John and George W: Paul McCartney (Written on 5/13/68) Billy Preston on piano. Rehearsal. CD-10/26/96 Bootleg

BOOK 5 - The Last Tours	BOOK 7 - And In The End
Other Beatle Sites	Bibliography

Copyright © 2001 Terry R. Shaw All rights reserved.

The information on these pages is presented for educational and research purposes only. As it deals with a historical subject, specific items of information are necessarily derived from many other sources. I have attempted to give those sources the credit due them. However, the combination, layout and presentation of the information is original, copyrighted and may not be copied or reproduced in any form or medium without the express permission of the author. Anyone who feels that any item in these pages may have inadvertently breached their own copyright should advise the author at this e-mail address: tandlshaw@charter.net so that appropriate remedial action can be taken.