EVERY LITTLE THING WE SAID TODAY

RECORDING CHRONOLOGY:

PART FIVE : THE LAST TOURS

Order of Data: Date, event or title, takes recorded, lead singer, writer (s), where recorded, unusual facts, instruments played (if other than Paul on bass, George on lead guitar, John on rhythm guitar and Ringo on drums), and release dates. BOLD TYPE = Released to the public in some form, i.e. single, album, CD or "bootleg" (album, CD or tape), regardless if it was a record, filmed concert, or a recorded and/or filmed interview or press conference.  S: = Who sang the lead  W: = Who wrote the song. (I’ve tried to determine who really wrote the song and how much he contributed.  Sometimes I might say “McCartney” alone when the record or CD gives “Lennon/McCartney” credit.  This is based on interviews with the Beatles, etc.)  S = Single  A = Album   Bootleg = Recordings that have not been officially released but can be obtained by the enterprising fan via the "underground", the Internet, etc

The Beatles begin their last European tour.  It was customary, at each stop, to film their arrival and hold a press conference.  The known ones are indicated below.  I list the other stops as "possible" recording/filming events:

Wed. 6/22/66 INTERVIEW RECORDING: Interview taping and filming upon arrival in Hamburg, Germany.  Hamburg Airport   Aired UNK  Unreleased

Thurs. 6/23/66 INTERVIEW RECORDINGS: Interview taping and filming upon arrival in Munich, Germany.  Munich Airport  Aired UNK  Unreleased
Acceptance speech by George (in German) for the 1966 Bravo award is recorded.  UNK location  Aired UNK  Bootleg

Fri. 6/24/66 CONCERT RECORDING and BROADCAST: ZDF-TV filming of "Die Beatles" at Circus-Krone-Bau, Munich, West Germany concert.  The Beatles did two shows for the concert.  It's unknown which one was recorded, the afternoon or the evening show.  On the program are the Rattles, Cliff Bennett and the Rebel Rousers and Peter and Gordon.  Aired 7/15/66 (A few songs were not aired.  They are indicated.)
TUNING  Circus-Krone-Bau, Munich, West Germany concert.  Bootleg
ROCK AND ROLL MUSIC  (2:20)     S:  John  W:  Chuck Berry  Bootleg
SHE'S A WOMAN   S: Paul  W:  Paul McCartney .9/John Lennon .1 (10/8/64)  Only a few seconds of this song were recorded.   Bootleg
IF I NEEDED SOMEONE  S:  George  W:  George Harrison  Not aired  Bootleg
DAY TRIPPER S:  John  W:  John Lennon .8/Paul McCartney .2  Not aired  Bootleg
BABY'S IN BLACK S:  John and Paul  W:  John Lennon .5/Paul McCartney  .5  Bootleg
I FEEL FINE (2:30)  S:  John  W:  John Lennon  Bootleg
YESTERDAY (2:45)  S:  Paul  W:  Paul McCartney  Bootleg
I WANNA BE YOUR MAN S:  Ringo  W:  Paul McCartney .7/John Lennon .3  Not aired  Bootleg
NOWHERE MAN (2:49)  S: John with Paul and George  W:  John Lennon (Shown on the “Anthology” video.)Video 1996  Bootleg
PAPERBACK WRITER   S:  Paul  W:  Paul McCartney .8/John Lennon .2  Not aired  Bootleg
I'M DOWN  (2:45)  S:  Paul  W:  Paul McCartney .9/John Lennon .1  Bootleg

Sat. 6/25/66 UNRECORDED:  The Beatles perform two shows at the Grugahalle in Essen, Germany with the Rattles, Cliff Bennett and the Rebel Rousers and Peter and Gordon. (A bootleg is available that claims to be the Beatles' Essen, Germany concert on this date.   But it appears to be only a "sped up" version of the Munich concert.)  Bootleg
INTERVIEW RECORDING: Press conference and interviews in Germany.  UNK location  Aired UNK  Released 5/16/92

Sun. 6/26/66   Arrival at the Hamburg Airport in Hamburg for concert at the Ernst Merck Halle.  This was for the last show on Germany tour.  Unreleased if filmed or recorded
CONCERT FILMING and BROADCAST: The Beatles perform two shows at the Ernst-Merck-Halle in Hamburg, Germany with the Rattles, Cliff Bennett and the Rebel Rousers and Peter and Gordon.    One of the shows is filmed and broadcast on German TV.
ROCK AND ROLL MUSIC  (2:20)  S:  John W:  Chuck Berry  Unreleased
SHE'S A WOMAN S: Paul  W:  Paul McCartney .9/John Lennon .1 (10/8/64)  Unreleased
IF I NEEDED SOMEONE S:  George  W:  George Harrison  Unreleased
DAY TRIPPER S:  John  W:  John Lennon .8/Paul McCartney .2  Unreleased
BABY'S IN BLACK S:  John and Paul  W:  John Lennon .5/Paul McCartney  .5  Unreleased
I FEEL FINE (2:30)  S:  John  W:  John Lennon  Unreleased
YESTERDAY  (2:45)  S:  Paul  W:  Paul McCartney Unreleased
I WANNA BE YOUR MAN S:  Ringo  W:  Paul McCartney .7/John Lennon .3  Unreleased
NOWHERE MAN (2:49)  S: John with Paul and George  W:  John Lennon  Unreleased
PAPERBACK WRITER S:  Paul  W:  Paul McCartney .8/John Lennon .2  Unreleased
I'M DOWN (2:45)  S:  Paul  W:  Paul McCartney .9/John Lennon .1  Unreleased

Mid/66   RECORDINGS?: There is no evidence these songs were ever recorded or if they were songs.  In fact, “Beatleologist” and "humorist” Martin Lewis "confessed" to starting the rumor of their existence in 1971 as a prank similar to the "Paul is dead" hoax.  Other hoax songs were "Deckchair" and "Left Is Right (And Right Is Wrong)".
PINK LITMUS PAPER SHIRT S: Thought to be George  W:  UNK  (Another source says it's a short edit of "Swan Lee" by Syd Barrett, formerly of "Pink Floyd", which was given vocals and mixed by someone to make it sound like the Beatles.)  Unreleased if recorded.
COLLIDING CIRCLES S:  John?  W:  John Lennon?  Unreleased if recorded.

Mon. 6/27/66 The Beatles leave Hamburg for Tokyo.  The plane is forced to land in Anchorage, Alaska to avoid a typhoon. Unreleased if filmed or recorded

Wed. 6/29/66 INTERVIEW RECORDINGS: Interview taping and filming upon arrival at Haneda Airport in Tokyo, Japan at 3:39 am and limo ride to hotel. (Shown on the "Anthology" video which gives the date as Thursday 6/30/66.)  Aired UNK  Released 1984  Video 1996
Press conference at the "room of beni-shinju (deep red pearl)" of the Toyota Hilton Hotel at 3:20pm.  Unreleased if filmed or recorded

Thurs. 6/30/66  INTERVIEW RECORDING: Interview in the lobby or hall at the hotel in Tokyo by the emcee for the concert. Shown on TV with subtitles. Shown on the “Anthology” video.  Tokyo Hilton.  Aired UNK  Released 1986,1995, 1996  CD-Bootleg 
CONCERT RECORDING and BROADCAST:Recorded live and filmed at Tokyo's Budo Kan judo arena for Japan's NTV-TV. (The afternoon performance was shown on the “Anthology” video with someone's color film shot from the front side inserted.) (Two shows, afternoon performance only recorded.) Brian Epstein didn't permit the broadcast because of Paul's faulty mike and he considered it a "bad performance".  So the July 1st afternoon show was re-recorded and broadcast.  The video has finally been released.  Budo Kan Hall
ROCK AND ROLL MUSIC  (1:36)  S:  John  W:  Chuck Berry  (Released on the “Anthology 2” CD.)  Bootleg
SHE'S A WOMAN  (3:22)  S: Paul  W:  Paul McCartney .9/John Lennon .1 (10/8/64) (Released on the “Anthology 2” CD.)                Bootleg
IF I NEEDED SOMEONE  (3:03)  S:  George  W:  George Harrison  Bootleg
DAY TRIPPER   (3:10)  S:  John  W:  John Lennon .8/Paul McCartney .2   Bootleg
BABY'S IN BLACK(2:43)  S:  John and Paul  W:  John Lennon .5/Paul McCartney  .5   Bootleg
I FEEL FINE  (2:37)  S:  John  W:  John Lennon  Bootleg
YESTERDAY  (2:31)  S:  Paul  W:  Paul McCartney  Bootleg
I WANNA BE YOUR MAN (2:34)   S:  Ringo  W:  Paul McCartney .7/John Lennon .3   Bootleg
PAPERBACK WRITER (2:47)  S:  Paul  W:  Paul McCartney .8/John Lennon .2  Bootleg

NOWHERE MAN (2:31)  S:  John with Paul and George  W:  John Lennon  Bootleg
I'M DOWN   (3:03)  S:  Paul  W:  Paul McCartney .9/John Lennon .1  Bootleg

7/66  INTERVIEW RECORDING: Interviews in Tokyo.  UNK location  Aired UNK  A-UNK/1995

Fri. 7/1/66  CONCERT RECORDING and BROADCAST: Recorded live at Tokyo's Budo Kan Hall judo arena. Filmed in color. (Two shows, afternoon performance only recorded.)  Budo Kan Hall Aired 7/1/66  CD-3/4/96 Video 1996 A, CD-Bootleg
ROCK AND ROLL MUSIC (1:35)  S:  John  W:  Chuck Berry  Bootleg
SHE'S A WOMAN  (3:15)  S: Paul  W:  Paul McCartney .9/John Lennon .1 (10/8/64) Bootleg
IF I NEEDED SOMEONE  (2:48)  S:  George  W:  George Harrison  Bootleg
DAY TRIPPER   (3:11)  S:  John  W:  John Lennon .8/Paul McCartney .2   Bootleg
BABY'S IN BLACK (2:43)  S:  John and Paul  W:  John Lennon .5/Paul McCartney  .5   Bootleg
I FEEL FINE  (2:26)  S:  John  W:  John Lennon   Bootleg
YESTERDAY  (2:31)  S:  Paul  W:  Paul McCartney  Bootleg
I WANNA BE YOUR MAN   (2:36)   S:  Ringo  W:  Paul McCartney .7/John Lennon .3   Bootleg
PAPERBACK WRITER  (1:57 or 2:43 depending on the bootleg)  S:  Paul  W:  Paul McCartney .8/John Lennon .2  Bootleg
NOWHERE MAN   (1:57 or 2:40 depending on the bootleg)  S:  John with Paul and George  W:  John Lennon  Bootleg
I'M DOWN   (2:42)  S:  Paul  W:  Paul McCartney .9/John Lennon .1  Bootleg

Sat. 7/2/66 UNRECORDED:  The Beatles perform two more concerts (afternoon and evening) at the Budo Kan Hall in Tokyo, Japan.

Sun. 7/3/66  FILMING: Departure from Japan at 10:43 am on JAL is filmed.  Tokyo Airport  Aired UNK  Unreleased

Mon. 7/4/66  INTERVIEW RECORDING: Interview taping and filming upon arrival in Manila, Philippines.  The Beatles are taken to a dock and separated from their luggage for half an hour.  Manila Airport Aired UNK  Unreleased
UNRECORDED:  The Beatles perform an afternoon and evening concert at Rizal Memorial Football Stadium or Aranesa Coliseum in Manilla, Philippines.
FILMING:  Partial filming of concert at the Rizal Memorial Football Stadium in Manila, with sound.  A segment without sound was shown on the "Anthology" video.  Aranesa Coliseum.   Aired UNK.  Released on video 1996

Tues. 7/5/66  FILMING: Filming of hurried departure from Manila to New Delhi after "Marcos party snub" incident.  Brian Epstein gets a sprained ankle, Mal Evans is kicked in the ribs and Alf Bicknell gets a fractured rib and a spinal injury.    Manila Airport  Aired UNK  Unreleased
INTERVIEW RECORDING: Interview taping and filming upon arrival in India.  India Airport  Aired UNK. CD-10/26/96

7/66   FILMING: Filming of the Beatles arriving back at the London airport from their "Far East" tour.  London Airport  Aired UNK  Released 1990

Fri. 7/8/66   FILMING: Arrival at the London airport with Brian who says he is canceling all tours to the Philippines by his other acts.  Newsreel "Beatles Like Home Best" is filmed.  London Airport  Aired UNK  UNK release
INTERVIEW RECORDINGS and FILMING: (Ringo was 26 yesterday.)
Interview of George and Ringo recorded for the U.K. radio show "Today".  UNK location.  Aired 7/8/66  Unreleased.
Interview (filmed) in London explaining "Manilla snub".  Shown on the quot;Anthology" video.  UNK location.  Aired UNK.  Released on video 1996

Mon. 7/11/66 UNRECORDED:  Paul does a lunch interview with Maureen Cleeve who becomes famous for the Lennon interview statement that the Beatles are more popular than Jesus.

Mon. 8/1/66   INTERVIEW RECORDING:  Interview taped with Paul for BBC Radio's "David Frost at the Phonograph". Studio B15  Aired 8/6/66  Unreleased

Sat. 8/6/66  INTERVIEW RECORDING: Interview of John and Paul at Paul's house by Keith Fordyce for BBC Radio special, "The Lennon and McCartney Songbook".  St. John's Wood  Aired 8/29/66  Unreleased

8/66  The Beatles began their last US tour.   It was customary, at each stop, to film their arrival and hold a press conference. Known ones are indicated below.  I list the other stops as "possible" recording/filming events.

Fri. 8/12/66  INTERVIEW RECORDINGS: Press conference at airport upon arrival in U.S. for the fourth time.  (Various interviews released on "Interview" CD Vol.2.)  JFK Airport  CD-3/4/96
Interview by Ken Douglas.  UNK location.  Aired UNK.  Released 10/14/66
Interview of Paul.  Talk about disturbance at the Cleveland concert.  UNK location  Aired UNK  CD-1995
Press Conference with John explaining his "Jesus" statement at Astor Tower Hotel, Chicago. ("Timeless" LP and "Interview" CD, "Anthology" video)  A-3/1/81  CDs-11/21/95, 10/26/96  Video 1996
"I Apologize” Interviews explaining John's "Jesus" statement.  Aired UNK.   A-Fall/66.  Bootleg.
FILMING: The Beatles perform twice in their third American tour in Chicago.  The Chicago concert at the International Amphitheatre is filmed but not tape-recorded.  Aired UNK.   Unreleased.

Sat. 8/13/66 UNRECORDED: The Beatles perform twice on their third American tour at the Olympia Stadium in Detroit, Michigan.

Sun. 8/14/66 UNRECORDED: The Beatles perform on their third American tour at the Cleveland or Municipal Stadium in Cleveland, Ohio.

Mon. 8/15/66 FILMING: The Beatle perform on their third American tour at D.C. Stadium in Washington D.C. The concert is filmed but not tape recorded.  Aired UNK  Unreleased

Tues. 8/16/66 INTERVIEW RECORDING: Interview by Ken Douglas.  UNK location.  Aired UNK.  Released 10/14/66
UNRECORDED: The Beatles perform at the JFK or Philadelphia Stadium in Philadelphia, Pennsylvania.

Wed. 8/17/66  INTERVIEW RECORDING:  Press conference in Toronto.  John encourages draft dodgers to move to Canada. UNK location.  Aired UNK.  Unreleased.
UNRECORDED: The Beatle perform an afternoon and an evening show on their third American tour at the Maple Leaf Gardens in Toronto, Ontario, Canada.

Thurs. 8/18/66  UNRECORDED:  The Beatles perform in the middle of a racetrack (Suffolk Downs Racetrack) in Boston, Massachusetts.

Fri. 8/19/66 INTERVIEW RECORDINGS: News Conference filming in Memphis - John apologizes for statement on Jesus - All the Beatles are present.  UNK location   Aired UNK Unreleased
The Beatles comment on the fact that only nine girls were at the Memphis airport when they arrived at 3:00am.  UNK location  Aired UNK   CD-3/4/96
FILMING: The Beatles Mid-South Coliseum, Memphis concert is partially filmed.  They perform twice.

Sat. 8/20/66 UNRECORDED: The Beatles are supposed to perform at Crosley Field in Cincinnati, Ohio.  The off and on rain and wet stage conditions force them to postpone the concert to Sunday at noon.

Sun. 8/21/66 UNRECORDED: Because of rain postponement, the Beatles do two concerts in two cities.  They perform in Cincinnati at Crosley Field at noon and St. Louis at Busch Memorial Stadium at 8:30pm.

Mon. 8/22/66  INTERVIEW RECORDING: Press conference in New York City.  The Beatles criticize Vietnam War effort of U.S.  UNK location  Aired UNK   Unreleased

Tues. 8/23/66  UNRECORDED:  The Beatles perform at Shea Stadium in New York, New York.
FILMING: Film of the Beatles setting up and running to stage at Shea Stadium.  Aired UNK.  UNK release.
RECORDING: Recording at Shea Stadium of "Beatles Blast at Stadium Described by Erupting Fans" LP (Fan reaction before, during and after) (Released on "Interview" CD Vol. 2")  A-UNK release  CD-3/4/96

Thurs. 8/25/66   INTERVIEW RECORDINGS: Press conference at Seattle.   UNK location  Aired UNK Released 11/15/78  A-1995
Interviews with each Beatle individually.  UNK location. Aired UNK. Released A-1995
UNRECORDED:  The Beatles perform twice at the Seattle Coliseum in Seattle, Washington.

Sun. 8/28/66   INTERVIEW RECORDINGS: Press conference in L.A.  (Filmed and released on video "The Beatles - Unauthorized".)  UNK location.   Aired UNK. Released 11/85 and 1996
UNRECORDED:  The Beatles perform at Dodger Stadium in Los Angeles, California.

Mon. 8/29/66  FILMING: Film of the Beatles coming on stage at Candlestick Park.  Shown on the “Anthology” video.  This was the 7th anniversary of the day George first appeared with the Quarrymen.  Aired UNK   Released on video 1996
CONCERT RECORDINGS: Candlestick Park, San Francisco concert recording.  It was the Beatles last public performance.  The concert recordings were made on a cassette recorder by Tony Barrow, NEMS press officer, because of a request by Paul.               The support act is the Ronettes.  The concert was also partially filmed.
ROCK AND ROLL MUSIC   S:  John  W:  Chuck Berry  Bootleg
SHE'S A WOMAN S:  Paul  W:  Paul McCartney .9/John Lennon .1 (10/8/64)  Bootleg
IF I NEEDED SOMEONE     S:  George  W:  George Harrison  Bootleg
DAY TRIPPER    S:  John  W:  John Lennon .8/Paul McCartney .2   Bootleg
BABY'S IN BLACK S:  John and Paul  W:  John Lennon .5/Paul McCartney  .5  Bootleg
I FEEL FINE S:  John  W:  John Lennon  Bootleg
YESTERDAY  S:  Paul  W:  Paul McCartney     Bootleg
I WANNA BE YOUR MAN S:  Ringo  W:  Paul McCartney .7/John Lennon .3  Bootleg
NOWHERE MAN (2:31)  S:  John with Paul and George  W:  John Lennon  Bootleg
PAPERBACK WRITER  (2:41)  S:  Paul  W:  Paul McCartney .8/John Lennon .2  Bootleg
LONG TALL SALLY S:  Paul  W:  E. Johnson/R. Penniman/R. Blackwell  Because this was the Beatles last public performance, this was the last song they ever performed together on a "paid" concert stage.  It's curious that this was performed as they were closing everywhere else with Paul's "I'm Down".  Bootleg
IN MY LIFE S:  John  W:  John Lennon .65/Paul McCartney .35  Candlestick Park recording, according to author Wiener.  The Beatles supposedly started this song, then stopped and left the stage.  Unreleased if recorded

Wed. 8/31/66   INTERVIEW RECORDING:  Interviews with the Beatles upon their arrival home in London after the last U.S. tour.  UNK location  Aired UNK  CD-10/26/96

UNK/66   INTERVIEW RECORDING:  Interview with Paul about not touring.   UNK location  Aired UNK Unreleased

Tu.9/6 -W.9/14/66  FILMING:Filming of "How I Won The War" in Celle, West Germany.  John only.  John and Neil Aspinall visit Hamburg also and then head for Paris, France. Film-10/18/67

9/66  RECORDINGS:
TUNING  John tuning his guitar for “home” demos of "Strawberry Fields Forever".  UNK Spain location (probably Santa Isabel, Spain)  Bootleg
IT'S NOT TOO BAD aka IT'S NOT SO BAD (Strawberry Fields Forever)  (0:47, 1:15 and1:27)  S:  John  W:  John Lennon  (Written in Spain on 9/10/66)  Three home demos, of the song that will become "Strawberry Fields"  are recorded in Santa Isabel, Spain by John.  Only parts of the melody and parts of the verses are the same. John sings “It’s not too bad.” every place where he will eventually sing “Strawberry Fields forever.”  One can instantly recognize that the song will become “Strawberry Fields Forever”.  UNK location. Bootleg

Mon. 9/19/66  INTERVIEW RECORDING: Press conference with George in Bombay, India.  Brian Epstein turns 32 today.   UNK location  Aired UNK Unreleased
UNRECORDED:  Ringo and Paul attend the presentation of prizes of "Melody Maker" where the Beatles are winner of "Best Group" award.

M.9/19-Su.11/6/66  FILMING: Filming of "How I Won The War" in Carboneras, Spain.  John only.  Neil Aspinall is along and he remembers John writing “Strawberry Fields Forever” on a beach in Almeria, Spain.  Film-10/18/67 

Tues. 9/20/66  INTERVIEW RECORDING: Interview with George taped by Donald Milner in Bombay for BBC Radio's "The Lively Arts" show.  Taj Mahal Hotel  Aired 12/11/66  Unreleased

9 or 10/66  RECORDING: Paul sings backing vocal on "Mellow Yellow" recording by Donovan.  UNK Studio  S-10/24/66

10/66  RECORDING: Paul plays tambourine on the "From Head to Toe" recording by the Escorts.  UNK  Studio  S-11/18/66
RECORDING SESSIONS:Soundtrack recordings.  EMI UNK Studio  (John turned 26 on the 9th.)
"THE FAMILY WAY" S: Instrumental  W:  Paul McCartney  A-1/6/67
LOVE IN THE OPEN AIR S:  Instrumental  W:  Paul McCartney  A-12/23/66
THEME FROM THE FAMILY WAY S:  Instrumental  W:  Paul McCartney  A-12/23/66
BAHAMA SOUND  S:  Instrumental  W:  Paul McCartney  A -4/24/67

F.9/10 or Sa. 9/11/66 INTERVIEW RECORDINGS: Interview with John on steps of EMI studios about film just completed ("How I Won The War") and future of the Beatles and projects.  EMI Studio  Aired UNK Released on video 1966 ("Anthology" video)
Interview with George on steps of EMI recording studios about the future of the Beatles and projects.  EMI Studio  Aired UNK  Released on video 1966  ("Anthology" video)
Separate interviews with Ringo and Paul on street in front of EMI about the future of the Beatles and further touring.  EMI Studio  Aired UNK Released on video 1966  ("Anthology" video)

11/66  FILMING: Home movies of Paul in Greece and Kenya, shot by Mal Evans.  Released 1992
RECORDING:
BACKWARDS SPEECH John records for possible inclusion with songs. EMI UNK Studio.   Bootleg

Wed. 11/9/66 UNRECORDED:  John meets Yoko at her art exhibition at Indica Gallery. It was re-enacted for a film.  This was also the date of Paul's supposed "death".

Early Nov./66   RECORDING SESSIONS:
STRAWBERRY FIELDS FOREVER  S:  John  W:  John Lennon  (Written in Spain on 9/10/66) John records demos (as many as four) on his home recorder.  The song was written on the beach in Almeria, Spain during the filming of How I Won The War."  (Released on "Anthology 2") (Possibly around Tuesday the 15th.)  UNK location  CD-3/4/96  Bootleg
STRAWBERRY FIELDS FOREVER BACKWARDS TALK EXPERIMENT John talks in pidgin pseudo-Czech to get the effect of backwards speech.  Bootleg

Thurs. 11/24/66 RECORDING SESSIONS: EMI Studio #2  Session time: 7pm-2:30am.
The Beatles start recording "Sgt. Pepper's Lonely Hearts Club Band" album, although "Strawberry Fields Forever" and "Penny Lane" are pulled to become a needed single. This is the first time the British and U.S. album versions are the same. It took 700 hours to record as opposed to 585 minutes for the "Please Please Me" album.  The album, thought to be the greatest of the rock era, received one Grammy.  Recording engineer Geoff Emerick received it for "Best Engineered Album".
MELLOTRON PIECE  John experiments with the new Mellotron for sounds for "Strawberry Fields Forever".   Bootleg
STRAWBERRY FIELDS FOREVER  (Take 1) S:  John  W:  John Lennon  (Written in Spain on 9/10/66) (Released on the "Anthology 2" CD and bootlegged.)  Introduction is by Paul on Mellotron.  Backward drums at the very end.  Probably Ringo's hi-hat, followed by snare and cymbal.  CD-3/4/96  Bootleg

Fri. 11/25/66 RECORDING SESSION: Dick James House
PANTOMINE: EVERYWHERE IT'S CHRISTMAS (THE BEATLES' FOURTH CHRISTMAS RECORD) (Takes UNK)  S:  All Beatles  W:  N/A   Paul on piano.  ("The Feast" 0:49)  S-12/16/66   A-12/18/70

Sun. 11/27/66   BROADCAST RECORDING: Appearance on BBC-TV's "Not Only - But Also".  John is in a skit with Dudley Moore and Peter Cook, reciting his poem, "Wrestling Dog".  ("Anthology" video.)  Aired 12/26/66  (11/19/95)  Released on video 1996

Mon. 11/28/66   RECORDING SESSION: EMI Studio #2  Session time:  7pm-1:30am.
STRAWBERRY FIELDS FOREVER (Takes 2-4) (Complete takes 2 and 4 and false start take 3 were bootlegged.) S:  John  W:  John Lennon  (Written in Spain on 9/10/66)  Bootleg

Tues. 11/29/66  RECORDING SESSION: EMI Studio #2. 35 years from today, at 1:30pm, George Harrison will die from cancer in Los Angeles, California at a friend's house.
STRAWBERRY FIELDS FOREVER (Takes 5-6) (Take 7, a reduction of 6.  This was coupled with take 26, a further reduction, to form the master take.)
S:  John  W:  John Lennon  (Written in Spain on 9/10/66)  (Take 7 was released on the “Anthology 2” CD.)  (Incomplete take 5, complete take 6 and remix take and complete takes 7 were bootlegged.)  CD-3/4/96  Bootleg

Tues. 12/6/66    RECORDING SESSIONS: EMI Studio #2  Session time: 6:45pm-1:50am.
CHRISTMAS MESSAGES FOR RADIO LONDON  (Takes 1-2)  Aired 12/66  Unreleased
CHRISTMAS MESSAGES FOR RADIO CAROLINE  (Takes 1-2)  Aired 12/66  Unreleased
WHEN I'M SIXTY-FOUR  (Takes 1-2) (Master: Reduction take 4)  S:  Paul  W:  Paul McCartney .85/John Lennon .15  Paul on piano, John on lead guitar, Ringo on bells, Robert Burns, Henry MacKenzie and Frank Reidy on clarinets.) (The track was sped up a key.) (Paul wrote most of this song at 15 or 16) (No takes were bootlegged.)  A-5/26/67 (UK), 6/2/67 (US)

Thurs. 12/8/66  RECORDING SESSIONS: EMI Studio #2 unless otherwise indicated.
Dubbing session of Paul's lead vocal onto "When I'm Sixty-Four".  Session time: 2:30pm-5:30pm.    EMI #1   A-5/26/67 (UK), 6/2/67 (US)
STRAWBERRY FIELDS FOREVER   (Re-make, takes 9-24) (Master: Take 26, a reduction, coupled with the first minute of take 7 from 11/29/66.)   S:  John  W:  John Lennon  (Written in Spain on 9/10/66)  The introduction was done by Paul on a Mellotron.  Paul on piano, flute, timpani and bongos, John on lead guitar and harpsichord, George on lead guitar, tympani, svarmandel, Ringo on maracas, Tony Fisher, Greg Bowen, Derek Watkins and Stanley Rogerick on trumpet, John Hall, Derek Simman Jones on cellos, Mal Evans on tambourine.  This was the first Beatles record not to reach #1.  (Incomplete edit piece of take 26 was released on the “Anthology 2” CD.)  (Reduction takes 25 and 26 were bootlegged.  Take 25 was a reduction on an edit of 15 and 24 with overdubs and 26 was a reduction mix of 25.)  Of note:  John will be shot and killed exactly fourteen years from today.  Session time: 7pm-3:40am.  S-2/13/67  A-11/27/67  CD-3/4/96  Bootleg

Fri. 12/9/66  RECORDING SESSION: EMI Studio #2   Session time:  2:30pm-10pm. 
Dubbing session onto "Strawberry Fields Forever".  S-2/13/67  A-11/27/67  CD-3/4/96  Bootleg

Thurs. 12/15/66  RECORDING SESSION:EMI Studio #2   Session time:  2:30pm-12am.
Dubbing session of trumpets and cellos onto "Strawberry Fields Forever".  S-2/13/67  A-11/27/67  CD-3/4/96  Bootleg
FILMING: Each Beatle is filmed arriving at the Abbey Road studio for today's work.  Each had a new mustache (George had a beard too) and said the group was staying together.  UNK release

Tues. 12/20/66  RECORDING SESSION: EMI Studio #2  Session time: 7pm-1am.
Dubbing session of backing harmonies and bells onto "When I'm Sixty-Four".  A-5/26/67 (UK), 6/2/67 (US)
INTERVIEW RECORDING: EMI Studio #2
  Interview by John Edwards taped for Independent Television News' "Reporting '66" show.  Aired 12/28-29/66  Unreleased

Wed. 12/21/66  RECORDING SESSION: EMI Studio #2   Session time: 7pm-9pm and 10pm-11:45pm.
Dubbing session of clarinets onto "When I'm Sixty-Four" and dubbing onto  "Strawberry Fields Forever". A-5/26/67 (UK), 6/2/67 (US)-S-2/13/67  A-11/27/67

Wed. 12/28/66   RECORDING: John does “post-synching” for the movie “How I Won The War” at Twickenham Studios starting at 9am.  “Post-synching” is over-dubbing lines on the soundtrack where they were hard to understand because of background noise or slurring of words, etc.

Thurs. 12/29/66   RECORDING SESSION: EMI Studio #2 Session time: 7pm-2:15am. The engineer is Geoff Emerick.
PENNY LANE (Takes 1-6)  (Working title - "Untitled")  S: Paul  W:  Paul McCartney .8/John Lennon .2  Paul on the piano, the flute, the harmonium, the tambourine and effects, John on the piano, the conga drum and handclaps, George on the firebell?, Ringo on the handbell?, George Martin on the piano, David Mason, Leon Calvert, Freddy Clayton, Bert Courtley, Duncan Campbell and David Mason on the trumpets and the flugelhorn, Mason on the trumpet solo, Ray Swinfield, P. Goody, Manny Winters and Dennis Walton on the flutes and the piccolos, Dick Morgan and Mike Winfield on the oboes and the cor anglais and Frank Clarke on the double-bass. The Beatles continue tinkering on the guitar and the piano after the ending is recorded.  When they stop, John says, "A suitable ending, I think."   The words "Penny Lane" were in the original "In My Life" lyrics by John.  This was the first Beatles’ record not to reach #1.  Initial pressings sent to DJs and played on the radio had an extra two-bar phrase played by Mason in the final bars, closing the song in B major. (A combination or remix of several takes was released on the "Anthology 2" CD) (An overdub session take of the brass and various mixes was bootlegged.) S-2/13/67 (US), 2/17/67 (UK)  A-11/27/67 CD-3/4/96  Bootleg
RECORDING: John does “post-synching” for the movie “How I Won The War” at Twickenham Studios starting at 9am.

Fri. 12/30/66   RECORDING SESSION: EMI Studio #2   Session time: 7pm-3am. 
Dubbing session of Paul's lead vocal onto "Penny Lane".
Thirty-three years from today, Michael Abram will break into George's house in Henley-on-Thames and attempt to stab him to death, believing the Beatles are witches.  George and his wife, Olivia, hold the man until police arrive.  S-2/13/67 (US), 2/17/67 (UK)  A-11/27/67

UNK/64-66  "Timeless II"  This was interviews from '64 and '66.  UNK locations  A-UNK/82
"The Beatles' West Coast Invasion"   Interviews from '64 and '66.  UNK locations  A-10/85
"The Beatles Talk With Jerry G." Volumes 1 and 2   These were interviews from the '65 and '66 tours.   UNK locations  A-UNK/82

Early/67  RECORDINGS: Home demos made by John.   UNK locations.
ACROSS THE UNIVERSE  S:  John  W:  John Lennon  Bootleg
YOU KNOW MY NAME (LOOK UP THE NUMBER)   S:  John  W:  John Lennon  (Written in 1967) (Probably recorded in April or May of ’67.)  Bootleg
SHE'S WALKIN' PAST MY DOOR   S:  John  W:  John Lennon  Bootleg

Wed. 1/4/67  RECORDING SESSION: EMI Studio #2
Dubbing session of John's piano, George's lead guitar and Paul's vocal onto "Penny Lane".  S-2/13/67 (US), 2/17/67 (UK) A-11/27/67

Thurs. 1/5/67  RECORDING SESSIONS: EMI Studio #2
Dubbing session of another Paul vocal onto "Penny Lane".  S-2/13/67 (US), 2/17/67 (UK)  A-11/27/67

Thurs. 1/5/67  UNTITLED (Sound montage) (Take 1)  For Roundhouse Theater, London, "Carnival of Light Rave". (Not bootlegged.)  Unreleased

Fri. 1/6/67   RECORDING SESSION: EMI Studio #2
Dubbing session of Paul's bass, John's rhythm guitar, conga drums and piano with George Martin and Ringo's drums onto "Penny Lane".  S-2/13/67 (US), 2/17/67 (UK)  A-11/27/67

Mon. 1/9/67   RECORDING SESSION: EMI Studio #2
Dubbing session of flutes, trumpets, piccolos and flugel horn onto "Penny Lane".  S-2/13/67 (US), 2/17/67 (UK)  A-11/27/67

Tues. 1/10/67  RECORDING SESSION: EMI Studio #2
Dubbing session of sound effects and a hand bell onto "Penny Lane".  S-2/13/67 (US), 2/17/67 (UK)  A-11/27/67

Thurs. 1/12/67  RECORDING SESSION: EMI Studio #2
Dubbing session of trumpets, oboes, cor anglais and double bass onto "Penny Lane".  S-2/13/67 (US), 2/17/67 (UK) A-11/27/67

Tues. 1/17/67   RECORDING SESSION:EMI Studio #2
 Dubbing session of the piccolo trumpet solo onto "Penny Lane".  S-2/13/67 (US), 2/17/67 (UK)  A-11/27/67

Wed. 1/18/67   INTERVIEW RECORDING: Interview of Paul by Jo Durden-Smith for Granada TV's "Scene Special: It's So Far Out It's Straight Down".  Granada TV  Aired 3/17/67  Unreleased

Thurs. 1/19/67  RECORDING SESSION: EMI Studio #2
A DAY IN THE LIFE  (Takes 1-4) (Master: Reduction takes 6 and 7 edited together) (Working title - "In The Life Of...")  S: John and Paul  W:  John Lennon .6/Paul McCartney .4  (John said that Terry Doran came up with “fill” for “fill the Albert Hall”.  Paul wrote the “I’d love to turn you on” line and the entire middle part starting with “Woke up, got out of bed…”)  Paul on the piano, Ringo on the maracas and the tom toms?, John on lead guitar and the piano, George on the congas, Mal Evans on the alarm clock and counting, Erich Gruenberg, Granvill Jones, Bill Monro, Jurgen Hess, Hans Geiger, D. Bradley, Lionel Bentley, David McCallum, Donald Weekes, Henry Datyner, Sidney Sax and Ernest Scott on violins, John Underwood, Gwynne Edwards, Bernard Davis and John Meek on the violas, Francisco Gabarro, Dennis Vigay, Alan Dalziel and Alex Nifosi on the cello and Gordon Pearce on the double-basses, John Marston on the harp, Basil Tschaikov and Jack Brymer on the clarinets,  Roger Lord on the oboe, N. Fawcett and Alfred Waters on the bassoons, Clifford Seville and David Sandeman on the flutes, Alan Civil and Neil Sanders on the French horns, David Mason, Monty Montgomery and Harold Jackson on the trumpets, Raymond Brown, Raymond Premru and T. Moore on the trombones, Michael Barnes on the tuba, and Tristan Fry on the timpani and percussion.  All the Beatles and Mal Evans on the pianos, plus George Martin on the harmonium, for final chord, E major, which takes 45 seconds to play out on the record.  53-1/2 seconds were actually recorded.  (A composite of takes 1, 2 and 6, an overdub, was released on the "Anthology 2" CD and heard on the "Anthology" video.) (Alternate take 1 and alternate mix take 6 at 4:24 were bootlegged.)(A take where Paul makes a mistake singing the middle part followed by “Oh, shit!” and a giggle was bootlegged.)  A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96  Bootleg

Fri. 1/20/67 RECORDING SESSION: EMI Studio #2 
Dubbing session of John's vocal, Paul's bass and vocal and Ringo's drums onto "A Day In The Life".  A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96  Bootleg

Mon. 1/30/67  FILMING:
STRAWBERRY FIELDS FOREVER filming for TV release.  S: John  W:  John Lennon  (Written in Spain on 9/10/66) A night shoot at Knole Park, Sevenoaks, Kent.  The Beatles are seen romping around a tree and an old piano which they "paint".  It debuted on "Top of the Pops" TV show.  It was also shown on the "Ed Sullivan Show" and the "Hollywood Palace".   (Shown on the "Anthology" video with home movie inserts.)  Aired 2/9,16 and 25/67  UNK release Video 1996

Tues. 1/31/67  FILMING: STRAWBERRY FIELDS FOREVER filming for TV release.  S: John  W:  John Lennon (Written in Spain on 9/10/66)  A daytime shoot at Knole Park, Sevenoaks, Kent. The Beatles are seen romping around a tree and an old piano which they "paint".  It debuted on "Top of the Pops" TV show, the "Ed Sullivan" show and "Hollywood Palace".  (Shown on the “Anthology" video with home movie inserts.)  Today John buys a circus poster at an antique shop advertising a Mr. Kite, etc.  He later turns it into the song.  Aired 2/9,16 and 25/67  UNK release Video 1996

Early Feb.67  RECORDING: Home demo recording made by John  (One source says it was recorded in Mid/67.) UNK location.
GOOD MORNING GOOD MORNING (1:03) S:  John  W:  John Lennon  Bootleg

Wed. 2/1/67  RECORDING SESSION: EMI Studio #2   Session time: 7pm-2:30am.
SGT. PEPPER'S LONELY HEARTS CLUB BAND  (Takes 1-9) (Master: Reduction take 10)  S: Paul  W:  Paul McCartney  (Mal Evans claimed a co-write)  Paul on lead guitar, James W. Buck, Neil Sanders, Tony Randall and John Burden on French horns.) (This was the first use of "Direct Injection" on Beatle recordings.  That means Paul's bass was recorded directly into the console and tape recorder instead of being miked from his amplifier.  (Isolated tracks and crowd noise takes were bootlegged.)  A-5/26/67 (UK), 6/2/67 (US)  S-8/14/78  Bootleg

Thurs. 2/2/67  RECORDING SESSION: EMI Studio #2
Dubbing session of Paul's vocal and the group's backing vocals onto "Sgt. Pepper's Lonely Hearts Club Band".   A-5/26/67 (UK), 6/2/67 (US)  S-8/14/78  Bootleg

Fri. 2/3/67  RECORDING SESSION: EMI Studio #2
Dubbing session of Paul's vocal and bass and Ringo's drums onto "A Day In The Life".  A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96 Bootleg

Sun. 2/5/67  FILMING:
PENNY LANE Filming for TV release.  The Beatles are seen walking through the streets (Angel Lane), riding horses in Liverpool and drinking at a table in the middle of Knole field. They flip the table over.  Shown on ABC-TV's "Hollywood Palace".  (Shown on the "Anthology" video.)  Aired 2/9,16 and 25/67  UNK release  Video 1996

Tues.2/7/67  FILMING:
PENNYLANE Filming for TV release.  More filming for the 2/5/67 entry.

Wed. 2/8/67  RECORDING SESSION: EMI Studio #2
GOOD MORNING GOOD MORNING  (Takes 1-8) (Master: Take 11 which was dubs and reductions on take 8.)  S:  John  W:  John Lennon   John and George on lead guitar except for Paul who plays the lead solo on his Fender Esquire, Ringo on tambourine, Barrie Cameron, David Glyde and Alan Holmes on saxes, John Lee and UNK on trombones, UNK on French horn.  (Take 8 released on the “Anthology 2” CD.) (Isolated tracks and animal sounds were released on bootleg.)  A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96  Bootleg

Thurs. 2/9/67   RECORDING SESSION:  Regent Sound Studio  (Note the change in recording studio.)  Session time: 7pm-2:15am.
FIXING A HOLE  (Takes 1-3) (Master: Take 2, one source says 3)  S: Paul  W:  Paul McCartney  (Mal Evans claimed a co-write)  Paul on the harpsichord? and the lead guitar, his Fender Sunburst Telecaster called the Esquire, except for the solo, which George plays on his Sonic Blue Fender Strat.   Ringo on maracas, George Martin on the harpsichord?.  It was recorded at the Regent Sound Studios, making this session the first EMI Beatles’ recording session at a different London studio. Paul brings a man to the session who claimed he was Christ.  This was the only track on the album NOT to have the bass dubbed in later, and a mistake is left on at 1:09.  (No takes were bootlegged.)  A-5/26/67 (UK), 6/2/67 (US)

UNK/67 FILMINGS:  Several "Sgt. Pepper" recording sessions were filmed.  EMI #2  Aired UNK UNK release

Fri. 2/10/67 FILMING: Filming of the London Symphony Orchestra (see names in the song entry) and the Beatles recording the ending to "A Day In The Life" in EMI Studio #1. Ringo shoots the film.  Paul is conducting the orchestra. Also present: Mick Jagger, Keith Richard, Pattie Harrison, Marianne Faithful, Donovan, Mike Nesmith and Mickey Dolenz.  (Shown on the “Anthology” video.)
RECORDING SESSIONS:  EMI Studio #2
HUMMMMMM  (Takes 1-11)  Eight beats of humming by the Beatles and friends, with three overdubs, to be used as the ending for "A Day In The Life".  It was scrapped later for the piano chord crash ending. Unreleased
Dubbing session onto "A Day In The Life" and "Hummmmmm". A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96  Bootleg

Mon. 2/13/67  RECORDING SESSION:   EMI Studio #2
ONLY A NORTHERN SONG (Takes 1-9)  (Master: Takes 3 and 11, a reduction take) (Working title - "Not Known")  S: George  W:  George Harrison   John on the piano, the glockenspiel?, tape-effects and noises, George on the organ, tape-effects and noises, Paul on the trumpet?, tape-effects and noises.  (Take 3 was released on the Anthology 2" CD.) (A mono mix take was bootlegged.)  (Some instruments are backwards.) A-1/13/69 (US), 1/17/69 (UK)  CD-3/4/96  Bootleg

Tues. 2/14/67  RECORDING SESSION:   EMI Studio #2
Dubbing session onto "Only A Northern Song". A-1/13/69 (US), 1/17/69 (UK)  CD-3/4/96  Bootleg

Thurs. 2/16/67   RECORDING SESSION:   EMI Studio #2  
Dubbing session of vocals and bass onto "Good Morning Good Morning".  A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96  Bootleg

Fri. 2/17/67  RECORDING SESSIONS: EMI Studio #2   
BEING FOR THE BENEFIT OF MR. KITE! (Takes 1-7) (Master: Take 9, a reduction take.)  S: John  W:  John Lennon (The words were taken verbatim off an old Circus poster.)  Paul on the lead guitar and solo, John on the Hammond organ, Paul on the guitar, Ringo on tambourine, and George Martin on the Wurlitzer organ, the harmonium, the glockenspiel? and tape-effects, and George, Ringo, and Mal Evans and Neil Aspinall on harmonicas. (Some parts backwards.)  (Takes 1, 2 and 7 released on the “Anthology 2” CD. and isolated tracks bootlegged.) A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96  Bootleg
Dubbing session of John's vocal onto "Being For The Benefit Of Mr. Kite". A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96  Bootleg
FILMING: Filming of recording sessions, UNK songs except for "Being For The Benefit Of Mr. Kite".  EMI #2  Aired UNK. UNK release.

2 or 3/67  INTERVIEW RECORDING: Interview of Paul on BBC by Brian Mathews about "Penny Lane" not making number one in England for the first time. (The interview was heard on the "Anthology" video.)  UNK location. Aired UNK. UNK release. Video 1996

Mon. 2/20/67   RECORDING SESSION:   EMI Studio #3
Dubbing session of calliope noises onto "Being For The Benefit Of Mr. Kite".   A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96 Bootleg

Tues. 2/21/67  RECORDING SESSION: EMI Studio #2
Dubbing session onto "Fixing A Hole". A-5/26/67 (UK), 6/2/67 (US)

Wed. 2/22/67  RECORDING SESSIONS: EMI Studio #2
ANYTHING aka DRUM TRACK-1 (Take 1) S:  Instrumental  W:  Paul McCartney/Richard Starkey  A 22 minute and 10 seconds track of Ringo and Paul drumming, playing tambourine and congas. CD-3/4/96  Bootleg
Dubbing session of final piano chord onto "A Day In The Life".  A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96  Bootleg

Thurs. 2/23/67  RECORDING SESSION: EMI Studio #2  
LOVELY RITA  (Takes 1-8) (Master: Reduction take 11)  S:  Paul  W:  Paul McCartney   Paul on the piano, John on “vocal percussion”, John, Paul, George and Ringo? on the comb and paper, George Martin on the honky-tonk piano solo recorded slow and played back fast, as was Paul's lead vocal.  (George Harrison will be 24 in two days.)  (No takes were bootlegged.)  A-5/26/67 (UK), 6/2/67 (US)

Fri. 2/24/67  RECORDING SESSION: EMI Studio #2
Dubbing session of Paul's lead vocal onto "Lovely Rita".  A-5/26/67 (UK), 6/2/67 (US)

Tues. 2/28/67  RECORDING SESSION:  EMI Studio #2   Session time: 7pm-3am.
LUCY IN THE SKY WITH DIAMONDS S: John  W:  John Lennon .8/Paul McCartney .2  A rehearsal take.  Lucy was Julian's friend, Lucy O'Donnell, who was the subject of one of his school paintings.  Paul said he wrote “cellophane flowers” and “newspaper taxis”.  Unreleased

Wed. 3/1/67  RECORDING SESSIONS: EMI Studio #2
Dubbing session of piano onto "A Day In The Life".  A-5/26/67 (UK), 6/2/67 (US), CD-3/4/96  Bootleg
LUCY IN THE SKY WITH DIAMONDS  (Takes 1-7) (Master: Reduction take 8)  S:  John  W:  John Lennon .8/Paul McCartney .2  Paul on the Lowery organ for the intro, John on lead guitar on his Sonic Blue Fender Strat played through a Leslie speaker, George on fuzzed lead guitar and tamboura, and Ringo on maracas.  (Bad lead vocal track at 1:32.) (An early take and one with different vocals were bootlegged.  A combination of takes 6, 7 and 8 were released on the "Anthology 2" CD.) (No takes bootlegged.)  A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96  Bootleg

Thurs. 3/2/67   RECORDING SESSION: EMI Studio #2
Dubbing session onto "Lucy In The Sky With Diamonds".  A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96  Bootleg

Fri. 3/3/67  RECORDING SESSION: EMI Studio #2
Dubbing session of French horns and George's lead guitar onto "Sgt. Pepper's Lonely Hearts Club Band".  A-5/26/67 (UK), 6/2/67 (US)  S-8/14/78  Bootleg

Mon. 3/6/67  RECORDING SESSION: EMI Studio #2  
Dubbing session of sound effects onto "Sgt. Pepper's Lonely Hearts Club Band".  A-5/26/67 (UK), 6/2/67 (US)  S-8/14/78 Bootleg

Tues. 3/7/67   RECORDING SESSION: EMI Studio #2
Dubbing session of harmony vocals and hair combs onto "Lovely Rita".  A-5/26/67 (UK), 6/2/67 (US)

Thurs. 3/9/67  RECORDING SESSION: EMI Studio #2
GETTING BETTER  (Takes 1-7) (Master: Reduction take 15)  S:  Paul  W:  Paul McCartney .65/John Lennon .35 (Written on 3/8/67)  John and George on lead guitar with their Sonic Blue Fender Strats, George on the tamboura, Ringo on the bongos or congas, George Martin on the piano and the pianette.  During dubbing for this track on March 21, John "flashed back" to an LSD trip and was taken up on the roof for "air" by George Martin who didn't know John was "tripping" or he wouldn't have taken him to such an unsafe place.  (No takes bootlegged.)  A-5/26/67 (UK), 6/2/67 (US)

Fri. 3/10/67  RECORDING SESSION: EMI Studio #2
Dubbing session of George's tamboura, Paul's bass and Ringo's drums onto "Getting Better".  A-5/26/67 (UK), 6/2/67 (US)

Mon. 3/13/67  RECORDING SESSION: EMI Studio #2
Dubbing session of brass onto "Good Morning Good Morning".  A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96  Bootleg

Wed. 3/15/67   RECORDING SESSION: EMI Studio #2   Session time: 7pm-1:30am.
WITHIN YOU WITHOUT YOU  (Take 1) (Master: Reduction take 2) (Working title: "Untitled")  S:  George  W:  George Harrison (The song was written on the harmonium in early '67.)   Unknown Indian musicians on dilrubas, svarmandal, tabla and tamboura, Erich Gruenberg, Alan Loveday, Julien Gaillard, Paul Scherman, Ralph Elman, David Wolfsthal, Jack Ropthstein and Jack Greene on violins, Reginald Kilbey, Allen Ford and Peter Beavan on cellos, and George dubbed in a little sitar, acoustic guitar and tamboura, Neil Aspinall on tamboura.  At 3:46, George can be heard counting in the tabla.  (Master take of instrumental backing was released on the “Anthology 2” CD.) (Isolated tracks were bootlegged.)  A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96  Bootleg

Fri. 3/17/67   RECORDING SESSION:  EMI Studio #2  Session time: 7pm-12:45am.
SHE'S LEAVING HOME (Takes 1-6) (Master take:1.  One source says Master: Reduction take 9)   S: Paul and John  W:  Paul McCartney .65/John Lennon .35  No Beatles played on this track.  Sheila Bromberg, a harpist, became the first woman to play on a Beatles record.  Erich Gruenberg, Derek Jacobs, Trevor Williams and Jose Luis Garcia on violins, John Underwood and Stephen Shingles on violas, Dennis Vigay and Alan Dalziel on cellos, Gordon Pearce on double-bass.  (No takes were bootlegged.)  A-5/26/67 (UK), 6/2/67 (US)

Mon. 3/20/67   RECORDING SESSION: EMI Studio #2
Dubbing session of Paul and John's vocals onto "She's Leaving Home". A-5/26/67 (UK), 6/2/67 (US)
INTERVIEW RECORDING and FILMING:
BEATLE TALK  (Take 1)  John and Paul are interviewed by Brian Matthew for BBC's "Top of the Pops".  Also acceptance speeches for the Ivor Novello Awards ceremony were taped and an interview to sell to overseas radio stations.  "Penny Lane/Strawberry Fields Forever" is certified gold in the U.S.  EMI #2 Aired 3/30/67  Bootleg

Tues. 3/21/67   RECORDING SESSIONS: EMI Studio #2
EDELWEISS   S: Paul and/or George  W:  Rogers/Hammerstein   An impromptu version of current hit by Paul and George.  I'm uncertain if it ended up on tape.   Unreleased if recorded
Dubbing session of piano onto "Lovely Rita" and vocals on "Getting Better".  A-5/26/67 (UK), 6/2/67 (US)

Wed. 3/22/67  RECORDING SESSION: EMI Studio #2
Dubbing session of dilruba and swordmandel onto "Within You Without You."  A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96 Bootleg

Thurs. 3/23/67  RECORDING SESSION: EMI Studio #2
Dubbing session of vocals onto "Getting Better". A-5/26/67 (UK), 6/2/67 (US)

Tues. 3/28/67  RECORDING SESSION:  EMI Studio #2
Dubbing session of John's lead vocal and Paul lead guitar onto "Good Morning Good Morning" and George, Ringo, Mal Evans and Neil Aspinall on harmonica, John's organ and Paul's guitar solo on "Being For The Benefit Of Mr. Kite".  A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96  Bootleg

Wed. 3/29/67   RECORDING SESSIONS: EMI Studio #2
WITH A LITTLE HELP FROM MY FRIENDS  (Takes 1-10) (Master: Reduction take 11) (Working title - "Bad Finger Boogie")  S: Ringo  W:  Paul McCartney .75/John Lennon .25  Ringo on the tambourine, Paul on the piano, John on cowbell, George Martin on Hammond organ.  (No takes were bootlegged.)  Before the session, the cover for "Sgt. Pepper" is shot.  A-5/26/67 (UK), 6/2/67 (US)  S-8/14/78
Dubbing session onto "Good Morning Good Morning" and "Being For The Benefit Of Mr. Kite".  A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96  Bootleg

Thurs. 3/30/67   RECORDING SESSION: EMI Studio #2
  Dubbing session of guitars, bass, tambourine and backing vocals onto "With A Little Help From My Friends". A-5/26/67 (UK), 6/2/67 (US)  S-8/14/78

Fri. 3/31/67   RECORDING SESSION:   EMI Studio #2
  Dubbing session onto "Being For The Benefit Of Mr. Kite".   A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96  Bootleg

3/67  FILMINGS: Filming of promotional film for "Lucy In The Sky With Diamonds".  EMI UNK Studio  Aired UNK. UNK release
Filming of a promotional film for "Sgt. Pepper's Lonely Heart's Club Band".  EMI UNK Studio.  Aired UNK. UNK release.

Sat. 4/1/67   RECORDING SESSION: EMI Studio #1
SGT. PEPPER'S LONELY HEARTS CLUB BAND (REPRISE) (Takes 1-9) (Master take: 9)  S: Paul with John and George  W:  Paul McCartney (Mal Evans claims co-write)  Paul on the organ, John and George on lead guitar, Ringo on the tambourine and the maracas. Some talking at end is backwards.  (Take 5 was released on the “Anthology 2” CD.) (No takes were bootlegged.)  A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96

Mon. 4/3/67   RECORDING SESSION: EMI Studio #2
Dubbing session of strings, George's lead vocal, sitar and acoustic guitar onto "Within You Without You."  A-5/26/67 (UK), 6/2/67 (US)  CD-3/4/96  Bootleg

Wed. 4/5/67  FILMING: Home movie of Paul and Jane Asher in Denver, shot by Mal Evans.  UNK location  Released 1992

F. 4/7- Tu. 4/11/67  FILMING: Home movie of Paul at Derek Taylor's L.A. home, shot by Mal Evans.  Released 1992

Tues. 4/11/67 UNRECORDED: Paul flies from the US back to Britain.  On the plane, he conceives the idea for the "Magical Mystery Tour".

Thurs. 4/20/67   RECORDING SESSION: EMI Studio #2
Dubbing session onto "Only A Northern Song". A-1/13/69 (US), 1/17/69 (UK)  CD-3/4/96  Bootleg

Fri. 4/21/67  RECORDING SESSION: EMI Studio #2
EDIT FOR LP END  (Take 1)   15 kilocycles whistle that only dog's can hear is recorded by John for the end of “Sgt. Pepper” album.  A-6/1/67 (UK), 6/2/67 (US)

UNK/67   RECORDING SESSIONS: EMI UNK Studio
THE BUS aka MAGICAL MELLOTRON MUSIC (0:42, 0:47 and 0:52 depending on the bootleg)   S: Instrumental  W:  Lennon/McCartney/Harrison/Starkey  Instrumental for the "Magical Mystery Tour" film with a spoken part by John.  Bootleg
SING ALONG MEDLEY Bootlegged from the "Magical Mystery Tour" film.  Bootleg

Tues. 4/25/67  RECORDING SESSION: EMI Studio #3
The Beatles start recording what will become the "Magical Mystery Tour" album.
MAGICAL MYSTERY TOUR  (Takes 1-3) (Master take:3)  S: Paul  W:  Paul McCartney .9/John Lennon .1(Started 4/11/67)   Paul on the piano, Ringo on the tambourine, Mal Evans and Neil Aspinall on the cowbell, the maracas and the tambourine, David Mason, Elgar Howarth, and Roy Copestake and John Wilbraham on the trumpets.  It aired 12/26/67.  (An early mix take at "2:46 is bootlegged.)  A-11/27/67 (US)  EP-12/8/67 (UK)  Bootleg

Wed. 4/26/67   RECORDING SESSION: EMI Studio #3
Dubbing session of bass, maracas, cowbell, tambourines and backing vocal shouts onto "Magical Mystery Tour".  A-11/27/67 (US)  EP-12/8/67 (UK)  Bootleg

Thurs. 4/27/67  RECORDING SESSION: EMI Studio #3
Dubbing session of vocal overdubs onto "Magical Mystery Tour".  A-11/27/67 (US)  EP-12/8/67 (UK)  Bootleg

Sat. 4/29/67  FILMING: John is filmed attending the "14-Hour Technicolor Dream" event at Alexandra Palace.  Yoko was a performer.  Film of John was shown on BBC2's "Man Alive.”  Aired 5/17/67  UNK release

5/67   INTERVIEW RECORDING: Interview taped by DJ Kenny Everett on upcoming release of "Sgt. Pepper" album for "Where It's At" broadcast.  Taped at Brian Epstein's home.  Aired 5/20/67  Bootleg

Wed. 5/3/67  RECORDING SESSION: EMI Studio #3 Session time:  7pm-12:15am.
Dubbing session of brass onto take 9 of "Magical Mystery Tour".  A-11/27/67 (US)  EP-12/8/67 (UK)  Bootleg

Tues. 5/9/67  RECORDING SESSION: EMI Studio #2   Session time: 11pm-6:15am.
UNTITLED (Take 1)  S: Instrumental  W:  N/A  Out of tune instrumental jamming for 16 minutes recorded during 7 hours in Abbey Road's Studio 2.  Unreleased

Thurs. 5/11/67  RECORDING SESSION:    Olympic Sound Studios #1  (Note change of recording studio.)  Session time:  9pm-3am.
BABY, YOU'RE A RICH MAN  (Takes 1-12)  S: John  W:  John Lennon .5/Paul McCartney .5  Paul on the piano, John on the clavioline and the piano, George on handclaps, Ringo on the tambourine, the maracas and handclaps, engineer Eddie Kramer on vibraphone and possibly Mick Jagger on backing chorus.  It was recorded at Olympic Sound Studios.  There are some backward guitar riffs in the song.  (No takes bootlegged.)  S-7/7/67 (UK), 7/17/67 (US)  A-11/27/67 (US)

Fri. 5/12/67  RECORDING SESSION: EMI Studio #2   Session time: 7pm-12:30am.
ALL TOGETHER NOW  (Takes 1-9) (Master take:9)   S: Paul and John  W:  Paul McCartney  Paul on acoustic lead guitar, John on the banjo or the ukulele and the harmonica, George on the harmonica?, Ringo on finger cymbals and all on handclaps.  (No takes were bootlegged.) A-1/13/69 (US), 1/17/69 (UK)

Wed. 5/17/67  RECORDING SESSION: EMI Studio #2
YOU KNOW MY NAME (LOOK UP THE NUMBER)  (Part 1, Takes 1-14) (Master take:10)  S: John, Paul and Ringo  W:  John Lennon  (Written in 1967)   This was first recorded as just an instrumental.  John on the maracas, Paul on the piano, George on the vibes, Ringo on the bongos, Mal Evans on a spade in gravel and, once and for all, it WAS Brian Jones of the Rolling Stones playing the alto sax. Paul McCartney definitely confirmed it in an interview.  (A mix/edit was released on the “Anthology 2” CD.) (No takes were bootlegged.) S-3/6/70 (UK), 3/11/70 (US) A-10/12/79 (UK)  CD-3/4/96

Thurs. 5/18/67  RECORDING:  John and Paul do backing vocals on the Rolling Stones’ recording of "'We Love You".  Olympic Sound Studios  S-8/18/67

Wed. 5/24/67   An excerpt of "Strawberry Fields Forever" clip is introduced by Liberace and shown on "The Best On Record" as the Beatles Grammy appearance.  Aired 5/24/67  Unreleased

Thurs. 5/25/67   RECORDING SESSION: De Lane Lea Music Recording Studios, London
IT'S ALL TOO MUCH  (Takes 1-4)  ("Working Title - Too Much")  S: George  W:  George Harrison   George on the organ and lead guitar (backwards in intro), John on lead guitar, Ringo on tambourine, David Mason and 3 UNK others on trumpets, Paul Harvey on the bass clarinet.  It was recorded at the De Lane Lea Music Recording Studios, London. The album version has one less verse than the film version.  (A mono mix was bootlegged.)  A-1/13/69 (US), 1/17/69 (UK)  Bootleg 
FILMING: Newsreel is filmed of John taking delivery of his psychedelically painted Rolls Royce from J P Fallon Coachworks. Weybridge home.  Aired UNK. UNK release.

Wed. 5/31/67  RECORDING SESSIONS: De Lane Lea Music Recording Studios, London
Dubbing session onto "It's All Too Much". A-1/13/69 (US), 1/17/69 (UK)  Bootleg
SORROW S:  George  W:  UNK  Small bit sung at the end of "It's All Too Much" vocal dubbing.  A-1/13/69

Thurs. 6/1/67  RECORDING SESSION: De Lane Lea Music Recording Studios, London
UNTITLED  (No numbered takes)  Instrumental jamming.  (Not bootlegged.)  Unreleased
INTERVIEW RECORDING: Press conference and reception marking the release of the "Sgt. Pepper's Lonely Hearts Club Band" album.  UNK location.  Unreleased if filmed or recorded

Fri. 6/2/67   RECORDING SESSIONS: De Lane Lea Music Recording Studios, London
Dubbing session of brass and woodwinds onto "It's All Too Much".  A-1/13/69 (US), 1/17/69 (UK)  Bootleg
UNTITLED  (No numbered takes)   S: Instrumental  W:  N/A   Jamming.  (Not bootlegged.)   Unreleased

Wed. 6/7/67   RECORDING SESSION: EMI  Studio #2
Dubbing session of flute, guitar, drums, organ and tambourine onto "You Know My Name (Look Up The Number)".   S-3/6/70 (UK), 3/11/70(US), A-10/12/79 (UK)

Thurs. 6/8/67  RECORDING SESSION: EMI  Studio #2 
YOU KNOW MY NAME (LOOK UP THE NUMBER) (Part 2, Takes 1-12)  Dubbing session.  Brian Jones of the Rolling Stones plays saxophone.   S-3/2/70  A-11/27/67

Wed. 6/14/67   RECORDING SESSION:Olympic Sound Studios and EMI Studio #3  The engineers are Geoff Emerick and Eddie Kramer.
ALL YOU NEED IS LOVE  (Takes 1-33)   S: John  W:  John Lennon  (5/67)   John on the harpsichord and the banjo, George on the violin, Paul on the string bass, George Martin on the piano, Sidney Sax, Patrick Halling, Eric Bowie and Jack Holmes on violins, Rex Morris and Don Honeywell on tenor saxes, Stanley Woods and David Mason on the trumpets, Evan Watkins and Harry Spain on the trombones, Jack Emblow on the accordion, Mike Vickers conducting and the all-star chorus below at the live TV  session.  (Take 10 and remix 11 were bootlegged.)   The song reached number one on 8/19/67.  S-7/7/67 (UK), 7/17/67 (US)  A-11/27/67 (US)  Bootleg

Sun. 6/18/67  RECORDING: Paul helps his brother Mike start recording with Roger McGough as "McGough and McGear". It's unknown if Paul played any instruments or sang.
INTERVIEW FILMING and RECORDING: Filmed interview for ITN with Paul in his backyard.  He's asked about "ever taking LSD", etc.  He admits to having four "trips". (He turned 25 yesterday.)  Paul's home  Aired 6/19/67  Released on video 1996   (Shown on the “Anthology” video.)

Mon. 6/19/67   RECORDING SESSION:EMI  Studio #3
Dubbing session of lead and backing vocals, drums, piano and banjo onto "All You Need Is Love".   S-7/7/67 (UK), 7/17/67 (US)  A-11/27/67 (US)

Fri. 6/23/67 RECORDING SESSION: EMI  Studio #3
Dubbing session of orchestra onto "All You Need Is Love".  S-7/7/67 (UK), 7/17/67 (US)  A-11/27/67 (US)

Sat. 6/24/67  RECORDING: Recording for the BBC from 2pm to 4pm.   EMI #1  Aired UNK  Unreleased
RECORDING SESSION: EMI UNK Studio  Dubbing session onto "All You Need Is Love".  The Beatles are photographed wearing "Love" sandwich boards in the alley to the left of the studios.  S-7/7/67 (UK), 7/17/67 (US)  A-11/27/67 (US)

Sun. 6/25/67 BROADCAST APPEARANCE AND RECORDING:  EMI Studio #1  Live broadcast.  Session time:  2pm-1am.
ALL YOU NEED IS LOVE  (Takes 48-50, 51-53, 54-58, 58 was the live broadcast)  S: John  W:  John Lennon   Attending were Mick Jagger, Marianne Faithful, Keith Moon, Keith Richard, Eric Clapton, Pattie Boyd Harrison, Jane Asher, Mike McCartney, Graham Nash, Gary Leeds and Hunter Davies.  This was the only hit record with the French national anthem played in the intro.  It was televised to 400 million viewers.  (Take 58 was bootlegged.)  S-7/7/67 (UK), 7/17/67 (US)  A-11/27/67 (US)  A-1/17/69 (UK)  Bootleg

Mon. 6/26/57  RECORDING SESSION: EMI  Studio #2
Dubbing session of Ringo's drums on "All You Need Is Love".  S-7/7/67 (UK), 7/17/67 (US)  A-11/27/67 (US)  A-1/17/69 (UK)  Bootleg

M. 6/26-F.6/30/67  INTERVIEW RECORDING: Interview of Paul taped with Kenny Everett for BBC Radio's "Where It's At". EMI UNK Studio.  Aired 7/1/67  Unreleased

5 or 6/67  RECORDINGS:  UNK location
NOT UNKNOWN S: George  W:  George Harrison  (One source lists as a "studio out-take". It's not logged.) (Not known if it was recorded or even the Beatles if recorded.) Unreleased if recorded
ANYTHING    S: George  W:  George Harrison   A studio outtake or warm-up.  (Not known if it was recorded or even the Beatles if recorded.)  Bootleg
INDIA (3:14) S: John W: John Lennon A demo John recorded probably by himself. He plays acoustic guitar on this very Hawaiian sounding song. Another instrument is dubbed lightly in the background with a counter melody. Bootleg
ANNIE S: Paul W: Paul McCartney A studio outtake or warm-up. (See entry for Mon. 1/6/69 during "Get Back" sessions.) (Not known if it was recorded or even the Beatles.) Bootleg
WHAT'S THE NEW MARY JANE S: John W: John Lennon The first version, probably recorded without Paul. Unreleased if recorded
PEACE OF MIND aka A CANDLE BURNS aka THE CANDLE BURNS S: Thought to be John W: John Lennon   A studio outtake or warm-up.   Unreleased if recorded   NOW KNOWN TO BE A FAKE

7/67  FILMING: Film of the Beatles in Greece on their trip to view an island they were trying to buy.  They didn't buy it.  Film shot by the Beatles party. (Shown on the "Anthology" video.) Video 1996

Thurs. 7/13/67  The "Today" show airs "A Day In The Life" along with stills of the Beatles and a strange commentary.  Aired 7/13/67  Unreleased

Thurs. 7/20/67  RECORDING: Paul plays piano and does background whoops and yells for "The Chris Barber Band" recording of his composition.  UNK studio
CATCALL S: Instrumental W:  Paul McCartney  S-10/20/67 (UK)

Mon. 7/31/67  RECORDING: Farewell message" to pirate radio station, Radio London, recorded by Ringo for airing on station's last day on air.  Radio London. Aired 8/5/67  Unreleased

7 or 8/67  RECORDING: Paul does munching sounds on the recording by the "Beach Boys".
VEGETABLES S:  UNK  W:  UNK  S-9/18/67

Mid-Aug./67  INTERVIEW RECORDING: Interview with George taped by Barry Miles.  UNK location.  Aired UNK.  Released 12/91

Tues. 8/22/67  RECORDING SESSION: Chappell Studios
YOUR MOTHER SHOULD KNOW (Takes 1-8)  S: Paul  W:  Paul McCartney   Paul on piano, John on organ, George on tabla?, Ringo on tambourine.  (Early mix, 2:29, bootlegged.)  A-11/27/67 (US)  EP-12/8/67 (UK)  Bootleg

Wed. 8/23/67  RECORDING SESSION: Chappell Studios
Dubbing session onto "Your Mother Should Know". A-11/27/67 (US)  EP-12/8/67 (UK)  Bootleg

Thurs. 8/24/67  UNRECORDED: Pattie Harrison urges the Beatles to take in Maharishi's lecture in London at the Hilton Hotel on his "Last Tour" before a vow of silence.

Fri. 8/25/67  FILMINGS: Filming of Beatles leaving by train for and arriving in Bangor,  North Wales and at a college for Maharishi's lecture.  (Shown on the "Anthology" video.)  Cynthia Lennon gets left at the train station.  An omen?  Ringo doesn’t go as Maureen is in the hospital giving birth to Jason.  Aired UNK  Released on video 1996
Filming the Beatles arriving at the lecture hall. Then on stage with and listening to the Maharishi Mahesh Yogi's lecture in Bangor. Aired UNK  Released on video 1996

Sat. 8/26/67   INTERVIEW RECORDING and FILMING: Filming and recording of press conference in Bangor where the Beatles announce they are giving up drugs.  UNK location.  Aired UNK.  Unreleased.

Sun. 8/27/67  FILMINGS: Filming of Paul leaving North Wales by car after hearing of Brian's death. (Shown on the "Anthology" video.)  Aired UNK  Released on video 1996
Filming John, George and Ringo talking in evening about news of Brian Epstein's death.  Audio version released on Interview CD. ("Anthology." video)  UNK location  Aired UNK  CD-10/26/96  Video 1996

Fri. 9/1/67 UNRECORDED:  The Beatles meet at Paul's house in St. John's Wood where they decide to continue with "Magical Mystery Tour" and not go to India.

Tues. 9/5/67  RECORDING SESSION: EMI Studio #1  Session time:  7:00pm-1:00am.
I AM THE WALRUS  (Takes 1-16) (Master: Take 16)  S: John   W:  John Lennon   John on Mellotron? or electric piano, Sidney Sax, Jack Rothstein, Ralph Elman, Andrew McGee, Jack Greene, Louis Stevens, John Jezzard and Jack Richards on violins, Lionel Ross, Eldon Fox, Bram Martin and Terry Weil on cellos, Gordon Lewin on clarinet, Neil Sanders, Tony Tunstall and Morris Miller on horns and the Mike Sammes Singers on backing vocals.  (Take 16, without overdubs, was released on the “Anthology 2” CD) (Incomplete takes 7 and 8, take 9, a mix and complete take 17, at 4:29, were bootlegged.)  S-11/24/67 (UK), 11/27/67 (US)  A-11/27/67 (US)  CD-3/4/96  Bootleg

Wed. 9/6/67  RECORDING SESSIONS: EMI Studio #1 and Studio #2  Session time:  7:00pm-3:00am.
Dubbing session of bass, Ringo's drums and John's vocal onto "I Am The Walrus".  S-11/24/67 (UK), 11/27/67 (US),  A-11/27/67 (US)
THE FOOL ON THE HILL  (Take 1) (2:44 or 2:50)  S: Paul  W:  Paul McCartney  (written in March of 1967)  A demo with Paul alone on the piano.  (Released on the "Anthology 2" CD. and also bootlegged.)  CD-3/4/96  Bootleg  (Bootleg source says 9/5/67)
BLUE JAY WAY (Take 1)   S: George  W:  George Harrison  (Written on 8/1/67)  George on the Hammond organ, Ringo on the tambourine, unknown on the cello.  It was written on a small electric organ.  (An early mix at 3:48 was bootlegged.)(The backwards "don't belong" is sung.)  A-11/27/67 (US),  EP-12/8/67 (UK).  Bootleg

Thurs. 9/7/67 RECORDING SESSION: EMI # 2
Dubbing session of vocals onto "Blue Jay Way". A-11/27/67 (US)  EP-12/8/67 (UK)  Bootleg

Fri. 9/8/67  RECORDING SESSION: EMI # 3 Session time:  7:00pm-2:45am.
FLYING  (Takes 1-6) (Working title - "Aerial Tour Instrumental")  S: Instrumental W: Harrison/Lennon/McCartney/Starkey   John on the organ and the Mellotron, the first use of one by the Beatles, Ringo on the maracas.   The first Beatles instrumental released for EMI and the first theme credited to them.  (An extended version and a different mix, 6, were bootlegged.)  (Backward drums throughout)  A-11/27/67 (US)  EP-12/8/67 (UK)  Bootleg

Mon. 9/11/67  FILMINGS: Filming begins on "Magical Mystery Tour".  The bus leaves from Allsop Place, London at 10:45am.  The bus goes to Somerset, Cornwall, Devon, West Malling Airport and Kent.  "All You Need Is Love" is certified gold in the U.S.  Film-Aired 12/26/67 and 1/5/68
Home movie of the Beatles on the set of "Magical Mystery Tour", shot by Mal Evans.  (Some shown on the "Anthology" video.) UNK location. Released 1992

Tues. 9/12/67  FILMING: More filming of the bus for “Magical Mystery Tour”.  Heading north, they cause traffic jams.  So John gets out and rips off the posters on the side of the bus.   Film-Aired 12/26/67 and 1/5/68

Tues. 9/12/67  INTERVIEW RECORDING: Interview with John and Paul by Hugh Scully for BBC1 TV's "Spotlight South West".  UNK location. Aired 9/13/67  Unreleased

Wed. 9/13/67  FILMING: More filming of “Magical Mystery Tour”.   Film-Aired 12/26/67 and 1/5/68
INTERVIEW RECORDING: Interview with George by Miranda Ward for BBC Radio One's "Scene and Heard" show.  Aired in two parts.  UNK location  Aired 9/30 and 10/7/67 Unreleased

Thurs. 9/14/67  FILMING: More filming of “Magical Mystery Tour” in Newquay. (Two hub caps or wheel discs are stolen off the bus.) Film-Aired 12/26/67 and 1/5/68
INTERVIEW RECORDING: Interview with Ringo by Miranda Ward for BBC Radio One's "Scene and Heard" show. UNK location.  Aired 10/14/67  Unreleased

Fri. 9/15/67  FILMING: More filming of “Magical Mystery Tour”.  Today is the drive from Newquay to London.  Film-Aired 12/26/67 and 1/5/68

Sat. 9/16/67  RECORDING SESSION: EMI # 3  Time for the session:  7:00pm-3:45am.
YOUR MOTHER SHOULD KNOW  (Re-make, takes 20-30) (Takes not used)  S:  Paul  W:  Paul McCartney (Take 27 released on the “Anthology 2” CD.) (A mono mix was bootlegged.) CD-3/4/96  Bootleg

Mon. 9/18/67 FILMING: Strip-tease scene for "Magical Mystery Tour" filmed with topless stripper, Jan Carson at Raymond Revuebar, London.  Film-Aired 12/26/67 and 1/5/68

Tues. 9/19/67  FILMING: More filming of “Magical Mystery Tour”.  West Malling Air Strip  Film-Aired 12/26/67 and 1/5/68

Wed. 9/20/67  FILMING: More filming of “Magical Mystery Tour”.  West Malling Air Strip  Film-Aired 12/26/67 and 1/5/68

Thurs. 9/21/67FILMING: More filming of “Magical Mystery Tour”.  West Malling Air Strip  Film-Aired 12/26/67 and 1/5/68

Fri. 9/22/67  FILMING: Filming continues on "Magical Mystery Tour" with a scene where Ringo buys tickets from John at the Town News Agency Limited, High Street, West Malling, Kent  Film-Aired 12/26/67 and 1/5/68

Sat. 9/23/67  FILMING: More filming of “Magical Mystery Tour”.  West Malling Air Strip  Film-Aired 12/26/67 and 1/5/68

Sun. 9/24/67  FILMING: The final day of filming "Magical Mystery Tour" footage at an old Air Station hanger southeast of London.  West Malling Air Strip  Film-Aired 12/26/67 and 1/5/68

Mon. 9/25/67  RECORDING SESSION: EMI # 2  Session time: 7:00pm-3:00am.
THE FOOL ON THE HILL  (Takes 1-3) (Master: Take 4, a reduction of 3)   S:  Paul  W:  Paul McCartney  (written in March of 1967)  Paul on the flute or the recorder, acoustic guitar and the piano, John on the jaw's harp?, John and George on the harmonica, Ringo on the maracas and finger cymbals, Christopher Taylor, and Richard Taylor and Jack Ellory on flutes.  (Released on the “Anthology 2” CD.) (Rehearsal takes bootlegged.)  A-11/27/67 (US)  EP-12/8/67 (UK)  CD-3/4/96  Bootleg

Tues. 9/26/67  RECORDING SESSION: EMI # 2
Dubbing session (actually a remake of the basic track) onto "The Fool On The Hill".  A-11/27/67 (US),  EP-12/8/67 (UK), CD-3/4/96

Wed. 9/27/67 RECORDING SESSION: EMI #1 and #3
Dubbing session onto "I Am The Walrus" and "The Fool On The Hill".  S-11/24/67 (UK), 11/27/67 (US), A-11/27/67 (US).

Thurs. 9/28/67  RECORDING SESSION: EMI # 2 
Dubbing session onto "I Am The Walrus" and "Flying".  S-11/24/67 (UK), 11/27/67 (US)  A-11/27/67 (US)

Fri. 9/29/67  BROADCAST APPEARANCE: John and George appear live on "The Frost Programme" with the Maharishi.  Wembley TV #1  Aired 9/29/67  Unreleased
RECORDING SESSION: EMI UNK Studio   Dubbing session onto "Your Mother Should Know".  A-11/27/67 (US)  EP-12/8/67 (UK)  Bootleg

Sun. 10/1/67  FILMING: More filming of “Magical Mystery Tour”.   West Malling Air Strip  Film-Aired 12/26/67 and 1/5/68

Mon. 10/2/67  RECORDING SESSION: EMI # 2  Session time: 10pm-2:30am.  The engineers are Geoff Emerick and Ken Scott.
HELLO, GOODBYE  (Takes 1-14) (Master: Take 16, a reduction of 14) (Working title - "Hello Hello")   S:  Paul  W:  Paul McCartney  Paul on the piano, the conga and the bongos, John on the organ, John and George on lead guitar, Ringo on the maracas and the tambourine and Kenneth Essex and Leo Birnbaum on the violas.  (Take 1 was bootlegged.) (Take 16 was released on the “Anthology 2” CD.)  The song reached #1 on 12/30/67.  S-11/24/67 (UK), 11/27/67 (US)  A-11/27/67 (US)  CD-3/4/96  Bootleg

Wed. 10/4/67 BROADCAST APPEARANCE: Interview of John and George (again) for TV's "The Frost Programme" Wembley TV #1  Aired 10/4/67  Unreleased

Fri. 10/6/67  RECORDING SESSION: EMI # 2
Dubbing session of cello and tambourine onto "Blue Jay Way".  Session time:  7pm-12pm.  A-11/27/67 (US)  EP-12/8/67 (UK) Bootleg

Thurs. 10/12/67  RECORDING SESSIONS: EMI # 3  Time: 6:30pm-2am.
SHIRLEY'S WILD ACCORDION  (Takes 1-8) (Working title - "Accordion (Wild)")   S:  Instrumental  W:  John Lennon .5/Paul McCartney .5  Background music.  Accordion by Shirley Evans.  A small portion was used in the film, “Magical Mystery Tour”.   Unreleased
WALTZ    S:  Instrumental  W:  John Lennon .5/Paul McCartney .5  A remix from "Shirley's Wild Accordion" from different takes.  (John turned 27 three days ago.)  Film-Aired 12/26/67
FREAKY ROCK   S:  Instrumental  W:  John Lennon .5/Paul McCartney .5  A remix from "Shirley's Wild Accordion" from different takes. Film-Aired 12/26/67
RECORDING SESSION: Possibly a home recording. (Recorded privately, not at EMI.)
JESSIE'S DREAM aka THE BUS  (Takes UNK)  S: Instrumental W:  McCartney/Starkey/Harrison/Lennon   This was used for the gluttony scene in the “Magical Mystery Tour” movie.  Film-Aired 12/26/67  Bootleg

Sa.10/14-Su.10/15/67  UNRECORDED:  Paul and George visit Falsterbohus, Sweden to visit Maharishi Mahesh.

Tues. 10/17/67 FILMING: Filming the Beatles arriving at the memorial service for Brian at the New London Synagogue.  Aired UNK  Unreleased

Wed. 10/18/67  Premiere of "How I Won The War", John's movie, at the London Pavilion.  All 4 Beatles attend, according to one source.  It's unknown if a film or video was shot or an interview taped.  Aired UNK  Unreleased

Thurs. 10/19/67  RECORDING SESSION: EMI # 2  Session time:  7pm-3:30am.
Dubbing session of guitars and Paul's lead vocal and John and George's backing vocals onto "Hello, Goodbye".  S-11/24/67(UK), 11/27/67(US)  A-11/27/67 (US)

Fri. 10/20/67  RECORDING SESSION: EMI # 2    Session time: 7pm-3:45am.
Dubbing session of flutes onto "The Fool On The Hill" and viola onto "Hello, Goodbye”.  A-11/27/67 (US)  EP-12/8/67 (UK)  CD-3/4/96

Wed. 10/25/67  RECORDING SESSION: EMI # 2 Session time:  7pm-3am.
Dubbing session of bass onto "Hello, Goodbye". S-11/24/67 (UK), 11/27/67 (US)  A-11/27/67 (US)

Sun. 10/29/67   FILMING: Filming of "Magical Mystery Tour" scene on Acanthus Road., Clapham, Battersea, London in which Ringo and "Aunt Jessie" go up a street to board the bus. Film-Aired 12/26/67

M.10/30-Tu.10/31/67  FILMING: Paul films a scene with the song in Nice, France.
THE FOOL ON THE HILL   S:  Paul  W:  Paul McCartney  (written in March of 1967)  Film-Aired 12/26/67

11/67  FILMING: Filming of the Beatles at TV Cartoons Ltd. studio in London.  This film and other footage are used in the seven-minute film short "A Mod Odyssey".  Aired 10/12/68  Unreleased
RECORDING: Paul sings and plays the piano behind Kenny Everett on BBC Radio One's "Where It's At" program. (One source says it was recorded on Thursday 10/12/67.) UNK location.  Aired 11/25/67
ALL TOGETHER ON THE WIRELESS MACHINE  (52 seconds)   S:  Kenny and Paul  W:  Kenny Everett/Paul McCartney  Bootleg
INTERVIEW RECORDING: John is interviewed by Kenny Everett and Chris Denning for BBC Radio 1's "Where It's At" program.  UNK location  Aired 11/25/67  Bootleg

Wed. 11/1/67  RECORDING SESSION: EMI # 3  Session time:  2:30pm-6pm.
UNTITLED SOUND EFFECTS  (Take 20)  For the "Yellow Submarine" movie. Film-7/17/68  S-3/4/96

Thurs. 11/2/67  RECORDING SESSION: EMI # 3
Dubbing session of bass onto "Hello, Goodbye". Session time:  2:30pm-6pm. S-11/24/67 (UK), 11/27/67 (US)  A-11/27/67 (US)

Fri. 11/3/67  FILMING: "Magical Mystery Tour" filming completed.  George shoots the "Blue Jay Way" sequence at "Sunny Heights" rock garden.  Shown on BBC-1 and BBC-2 TV.  Film-Aired 12/26/67 and 1/5/68

Wed. 11/7/67   RECORDING SESSION: EMI # 1
Dubbing session of sound effects and Paul's vocal onto "Magical Mystery Tour".  A-11/27/67 (US)  EP-12/8/67 (UK)  Bootleg

Fri. 11/10/67  FILMING: Filming of three promotional clips, directed by Paul, at the Saville Theater in West End, London.  One had them in their "Pepper" costumes, one in their regular "hippie" clothes, and one with the Beatles in their famous collarless suits, dancing to the tune. John did the twist.   The “Pepper costume" film aired on the "Ed Sullivan Show".  George plays his Epiphone DE320TD Sunburst Casino guitar, John plays his Vox Custom.  Aired 11/26/67
HELLO, GOODBYE S:  Paul  W:  Paul McCartney   UNK release

Wed. 11/21/67  FILMING: The Beatles are filmed by the BBC at Norman's Film Production, London, cutting and editing the "Magical Mystery Tour" film.  Aired UNK  Unreleased
RECORDING and FILMING:  EMI UNK Studio
STEP INSIDE LOVE   S:  Paul  W:  Paul McCartney   Paul's demo of the theme for Cilla Black’s BBC-TV series.  This session was filmed and was used in the promo for the song.  Bootleg

Thurs. 11/22/67  RECORDING SESSION: EMI # 2
George's first session for "Wonderwall".  He records sound effects, "India', and "Swordfencing".  A-11/1/68 (UK), 12/2/67 (US)  Film-1/20/69

F.11/23-Sa.11/24/67  RECORDING SESSION: EMI # 2
George records "Wonderwall" tracks. Sitting in were members of "The Remo Four", Eric Clapton, John Lennon and Ringo Starr.
IN THE FIRST PLACE  S:  George   W:  Colin Manley/Tony Ashton  This was a song recorded for the "Wonderwall" soundtrack by George and members of "The Remo Four".  It was not used in the film because it was a vocal and the film just used instrumental background.  George discovered it 30 years later and gave it to director Joe Massot who was putting together a "director's cut" of the film for re-release.  The song is in the style of George's "Blue Jay Way".  S-1/20/99  Film-(new version) 6/25/99

Sat. 11/24/67  RECORDING John's 1st solo session. He records and/or compiles sound effects for the National Theatre production of its play based on a story from "In His Own Write".  EMI UNK Studio  Unreleased

Tues. 11/28/67  RECORDING SESSIONS: EMI # 3  Session time:  6pm-2:45am.
CHRISTMAS TIME (IS HERE AGAIN) S:  UNK  W:  Lennon/McCartney/Harrison/Starkey (Take 1 music, takes 1-10 speech)  John on the timpani, Paul on the piano.  Only parts were played during the fan Christmas record".  The entire song was never released until the "Free As A Bird" CD single contained a remix/edit.   CD liner notes incorrectly state that it was recorded on 12/6/66.  (A take at 5:47 and/or 6:37 and a remix were  bootlegged.) S-12/15/67   A-12/18/70  Bootleg
PLENTY OF JAM JARS  (Take UNK - short burst)   S:  UNK  W:  The “Ravellers" (Beatles on piano/vocals)  Part of Christmas record above.  S-12/15/67   A-12/18/70
WONDERLUST JINGLE (Take UNK)  S:  UNK  W:  Beatles   Fictitious ad jingle on Christmas record above, "ideal for your trousers and your hair !"  S-12/15/67   A-12/18/70
John's second solo session. He records and/or compiles sound effects for National Theatre production of its play based on a story from "In His Own Write".  Unreleased

UNK/67  RECORDING: Bootlegged as the Beatles but it was actually Peter Cook and Dudley Moore. It's offered here to clear up the misconception.  UNK location
L.S. BUMBLEBEE  S:  Cook/Moore  W:  Peter Cook/Dudley Moore  A- Bootleg 1/67

Sat. 12/2/67  INTERVIEW RECORDING: Interview of John by Kenny Everett for BBC radio's "Where It's At".  UNK location  Aired UNK  Unreleased
INTERVIEW RECORDING:  An unknown person interviews Paul.  During the interview he is reported to have sung this song according to one source.
BYE BYE BYE  S:  Paul  W:  UNK  This song is reported in Book Seven as an unknown instrumental.

Sun. 12/3/67  FILMING: Filming of "Candy" begins.   Ringo only.  UNK location  Film-12/17/68

Tues. 12/5/67 INTERVIEW RECORDING: Interview of John on BBC Radio 2's "Late Night Extra" UNK location.  Aired 12/5/67.  Unreleased.

Thurs. 12/7/67  FILMING: George and John are filmed at the opening of the Beatle's Apple Boutique. (Shown on the "Anthology" video.)  Aired UNK  Released 2/14/86, 1996

Th.12/7-Sa.12/16/67  FILMING: Ringo films his part in the movie "Candy"  UNK location  Film-12/17/68

Wed. 12/27/67   BROADCAST APPEARANCE: Appearance by Paul on U.K. TV's "The Frost Programme" defending the "Magical Mystery Tour" film.  Wembley #1 Aired 12/27/67  Unreleased

12/67  RECORDING: ome recording by John and Ringo.
DADDY'S LITTLE SUNSHINE BOY  (0:30 or 0:31)  S:  Ringo  W:  Richard Starkey  Ad-lib by Ringo with prompting by John.  UNK location (Probably John’ home)  Bootleg

Late year/67  RECORDINGS: Home recordings by John and Ringo.
CHI CHI'S CAFE S:  John  W:  John Lennon   Improvisational recording by Ringo and John at John's home.  UNK location. Bootleg
SAILOR COME BACK TO ME aka PEDRO THE FISHERMAN   S:  Ringo  W:  Richard Starkey   A demo of Ringo's song recorded at John's home.         UNK location.  Bootleg
EL TANGO TERRIBLE aka DOWN IN CUBA   S:  John  W:  John Lennon   A demo of John's song recorded at his home.  UNK location  Bootleg

12/67  RECORDING:  A demo recorded at John's home.
CRY BABY CRY  (5:55 or 5:56 depending on the bootleg.)  S:  John  W:  John Lennon  John alone on piano.  John’s home at UNK location  Bootleg

UNK/68  RECORDINGS:  Demo recordings.
Demo recordings made, according to Tommy James, by John and Paul of 12-14 songs written for Tommy James and the Shondells. He claims he still has the tape.  UNK location  Unreleased

Fri. 1/5/68  RECORDING SESSION: EMI  Studio #2
George does session work on his "Wonderwall" album at Abbey Road. A-11/1/68 (UK), 12/2/67 (US)

Sun. 1/7/68  UNRECORDED:  George flies to India to continue work on his "Wonderwall" album and record "The Inner Light" with Indian musicians.  The musicians used on the album were the musicians:Ashish Kahn, sarod, Mahapurush Misra, tabla and pakavaj, Sharad and Hanuman Jadev, shanghais, Shambu-Das, sitar, Indrill Bhattacharya, sitar, Shankar Ghosh, sitar, Chandra Shakher, sur-bahar, Shiv Kumar Shermar, santoor, S.R. Kenkare, flute, Vinaik Vora, thar-shanhai, Rij Ram Desad, harmonium and tabla-tarang, John Barham, piano and flugel horn, Tommy Reilly, harmonica, Colin Manley, guitar and steel guitar, Edward Antony Ashton, jangle piano and organ, Philip Rogers, bass, and Roy Dyke, drums.  George arrives on 1/8/68.  Unreleased if recorded.

Tues. 1/9/68  RECORDING SESSION: EMI (India) Session time:  10am-7pm.
George records in Bombay, India's EMI studio. A-11/1/68
The songs recorded during all the sessions were: Microbes, Red Lady Too Duration, Tabla And Pakavaj, In The Park Duration, Drilling A Home, Guru Vandana, Greasy Legs, Ski-ing, Gat Kirwani, Dream Scene, Party Seacombe, Love Scene, Crying, Cowboy Music, Fantasy Sequins, On The Bed, Glass Box, Wonderwall To Be Here, and Om.

Wed. 1/10/68 RECORDING SESSION: EMI (India)
George records in Bombay, India's EMI studio. A-11/1/68

Thurs. 1/11/68  RECORDING SESSION: EMI (India)
George records in Bombay, India's EMI studio. A-11/1/68

Fri. 1/12/68  RECORDING SESSION: EMI (India)
THE INNER LIGHT (Takes 1-5) (Working title - "Untitled")   S:  George  W:  George Harrison (The words were from the translation of the "Tao Te Ching (XLVII)”.)  Sharad Ghosh or Hanuman Jadev on shehnai, Hariprasad Chaurasia or S.R. Kenkare on flute, Ashish Khan on sarod, Mahapurush Misra on tabla and plakavaj and Rij Ram Desad on harmonium.  It was recorded in Bombay, India with vocals dubbed in at Abbey Road studios.  This was George Harrison's first song to appear as a single.  (Take 5, a monitor mix, was bootlegged.)  S-3/15/68 (UK), 3/18/68 (US)  A-12/7/81  Bootleg

Sat. 1/13/68  RECORDING SESSION: EMI (India)
George records in Bombay, India's EMI studio. A-11/1/68

Wed. 1/17/68   George returns to London from India.    Unreleased if filmed or recorded

Thurs. 1/18/68  FILMING:  Newsreel is filmed of John and George attending a Fashion Show at the Revolution Club, London, England.  Aired UNK  UNK release

Thurs. 1/25/68  FILMING: A cameo appearance at the end of "Yellow Submarine" is filmed.  It was also shown on the "Ed Sullivan Show" with a clip from the movie.  (Shown on the "Anthology" video.)  Twickenham Studio  Aired 11/3/68  Film-7/17/68  Video 1996

Sat. 1/27/68   INTERVIEW RECORDING: Interview of John at his home by Kenny Everett for BBC Radio 1's "The Kenny Everett Show".  John’s Kenwood home.   Aired 2/4/68  Unreleased

Tues. 1/30/68 RECORDING SESSION:  EMI UNK Studio
George finishes his "Wonderwall" album. A-11/1/68 (UK), 12/2/67 (US)

Early/68  INTERVIEW RECORDING: Interview recorded by two fans, now owned by the Hard Rock Cafe in London.  UNK location  Bootleg

1 or 2/68 RECORDING: Paul plays drums on "And the Sun Will Shine" recording by Paul Jones. UNK studio  S-3/8/68

Thurs. 2/1/68  UNRECORDED:  Ringo rehearses his appearance on the upcoming "Cilla" TV show at the BBC Television Rehearsal Rooms in London.  TV Rehearsal Rooms

Fri. 2/2/68  UNRECORDED:  Ringo rehearses his appearance on the upcoming "Cilla" TV show at the BBC Television Rehearsal Rooms in London.  TV Rehearsal Rooms

Sat. 2/3/68  RECORDING SESSION: EMI Studio #3  Session time:  2:30pm-6pm and 7pm-1:30am.  The engineers are Geoff Emerick and Ken Scott.
LADY MADONNA  (Takes 1-3) (Master take: 5, a dub)  S:  Paul  W:  Paul McCartney  Paul on the piano, John and George on lead guitar, all on handclaps.  Ronnie Scott, who did the solo, and Bill Povey on the tenor saxes, and Harry Klein and Bill Jackman on the baritone saxes.  This was the last record for Parlophone.  The brass solo was originally "sung" by John, Paul and George.  (Complete take 3, overdub take 3 and a monitor mix were bootlegged.) (Takes 3 and 4, a reduction mix, were released on the “Anthology 2” CD.)  S-3/15/68 (UK), 3/18/68 (US) A-2/26/70  CD-3/4/96. Bootleg

Sun. 2/4/68  RECORDING SESSIONS:  EMI Studio # 3  Session time:  2:30pm-5:30pm.
ACROSS THE UNIVERSE  (Takes 1-7)   S:  John  W:  John Lennon   Paul on piano, John on the organ? and lead guitar on the intro, George on the sitar and the tamboura,  Ringo on the tom toms and the maracas, George Martin on the organ, two fans, Lizzie Bravo and Gayleen Pease, picked at random, sing on the chorus, and unknown on the strings and the choir added three months later.  (Remix takes were bootlegged. Take 2 was released on the “Anthology 2” CD. The CD booklet says this song was recorded on 2/3/68.  Abbey Road logs contradict this.   It is an obvious mistake, which is put correctly in " Past Masters Vol. Two" booklet.  The same take was     re-worked in March 1970 by Phil Spector for "Let It Be" album.  He omitted some instruments, sound effects, slowed it down and added orchestra and choir.)  A dubbing session was conducted today on this also.  A-12/12/69 (US and UK)  A-5/8/70 (UK), 5/18/70 (US)  CD-3/4/96  Bootleg
HUMS WILD  S:  John Lennon  A fifteen second take of humming overdubbed three times for inclusion on "Across The Universe".   It wasn't used. Bootleg

Tues. 2/6/68  BROADCAST RECORDINGS: Ringo is a guest on Cilla Black’s BBC-TV show “Cilla”. BBC-TV Studios  Aired 2/6/68
NELLIE DEAN   S:  Ringo and Cilla Black  W:  UNK   Ringo duets with Cilla Black on her BBC-TV special, "Cilla". Unreleased
DO YOU LIKE ME   S:  Ringo and Cilla Black  W:  UNK   Ringo duets with Cilla Black on her BBC-TV special, "Cilla".  Bootleg
ACT NATURALLY    S:  Ringo  W:  Johnny Russell/Vonie Morrison  Ringo sings on Cilla Black's BBC-TV special, "Cilla".  Bootleg
RECORDING SESSION: EMI Studio # 1
Dubbing session onto "The Inner Light" and "Lady Madonna".

Thurs. 2/8/68 RECORDING SESSION: EMI Studio # 1
Dubbing session onto "The Inner Light" and "Across The Universe".

2/68  RECORDING: Demo recording by John.  UNK location
SHE CAN TALK TO ME aka HEY BULLDOG (0:50 or 0:51 depending on bootleg.)   S:  John  W:  John Lennon .95/Paul McCartney .05  John, on piano, records a demo which will become "Hey Bulldog".  Bootleg

Sun. 2/11/68 RECORDING SESSION:EMI Studio # 3 Session time:  4pm-2am.
HEY BULLDOG (Takes 1-10) (Working title: "Hey Bullfrog")   S:  John  W:  John Lennon .95/Paul McCartney .05  John on piano and lead guitar, and Ringo on tambourine.  (No takes were bootlegged.)  A-1/13/69 (US), 1/17/69 (UK)
FILMINGS:
EMI #3
Filming of the Beatles recording backing for "Hey Bullfrog".  This was the first Beatles session attended by Yoko Ono.  Aired UNK  UNK releaseFilming of a promotional film for "Lady Madonna", lip-syncing in the recording studio.  However they're really playing "Hey Bulldog"!  The film was shown on "Top of the Pops" on 3/14/68 and 4/4/68, "All Systems Freeman" on 3/15/68, "The Hollywood Palace" on 3/30/68, and "Top of the Pops '68" on 12/25/68.(Shown on the “Anthology” video.) Aired 3/14/68  Released on video 1996

Thurs. 2/15/68 FILMING: Filming of John and George, their wives, Donovan, Jenny Boyd (Pattie's sister), and Mal Evans leaving for Rishikesh, India.  Aired UNK  Unreleased

Fri. 2/16/68  FILMING: Filming their arrival and greeting with "lei"s of flowers.  UNK location  Aired UNK  Unreleased

2/68  FILMING: Color movies of the Beatles and others at Rishikesh listening to lectures, posing for the camera, eating, etc.  Many clips of Paul playing guitar.  Aired UNK  Released on video 1996  ("Anthology" video.)

Sat. 2/17/68 FILMING:Filming of the Beatles (John and George) at Maharishi's resort in Rishikesh, India, walking while playing guitars.  Aired UNK  Unreleased

Sun. 2/18/68  FILMING: Filming of Ringo, Paul, Maureen and Jane leaving for India.  (Some sources give Monday 2/19/68.)  Aired UNK  Unreleased

Late Feb./68  FILMING and RECORDINGS: Filming, in India, of a jam session with the Beatles, the Beach Boys, Donovan and others by Italian TV.  Aired UNK 
WHEN THE SAINTS GO MARCHING IN   S:  John  W:  Traditional  Bootleg
YOU ARE MY SUNSHINE  S:  UNK  W:  Davis/Mitchell  Bootleg
JINGLE BELLS S:  UNK  W:  John Pierpont  Bootleg
SHE'LL BE COMING AROUND THE MOUNTAIN  S:  UNK  W:  Traditional  Bootleg
GUITAR INSTRUMENTAL aka UNTITLED INSTRUMENTAL aka DONOVAN INSTRUMENTAL  (0:46 or 3:00 depending on the bootleg.)  S:  Instrumental  W:  Improvised  Bootleg
BLOWING IN THE WIND aka BLOWIN' IN THE WIND S:  UNK  W:  Bob Dylan  Bootleg
HARE KRISHNA MANTRA  (1:17)  S:  Paul with John  W:  Paul McCartney and/or Mukunda Das Adhikary  Bootleg
CATCH THE WIND   S:  Donovan  W:  Donovan Leitch    Bootleg

Sat. 2/24/68 UNRECORDED: George turns 25.  A big party is thrown in Rishikesh.  Maharishi makes George play his sitar.  Everyone got dressed up and painted red or yellow on their foreheads.

Wed. 2/28/68 UNRECORDED:  The Cavern Club closes.  Cilla Black records Paul's "Step Inside Love" at Abbey Road studios.

Thurs. 2/29/68  RECORDING: Yoko records this piece with John on guitar at the Royal Albert Hall.  The date is in question because it would seem that John is still in India at this time.
AOS    S:  Yoko Ono  W:  UNK   UNK release

Fri. 3/1/68  INTERVIEW FILMING and RECORDING: Filming and interview of Ringo and Maureen arriving back home in London because of Ringo's stomach problems.  Paul returned too.  UNK location  Aired UNK  Unreleased

Fri. 3/15/68  FILMING and RECORDING: Filming, in India, of a jam session with the Beatles, the Beach Boys, Donovan, Marianne Faithful and others by Italian TV.  Ringo is not present.  An unidentified person recorded it.
THANK YOU GURU DEV aka SPIRITUAL REGENERATION aka WHAT WE DID ON OUR MEDITATION COURSE/HAPPY BIRTHDAY MICHAEL BIRTHDAY, MICHAEL LOVE LOVE aka INDIAN ROPE TRICK (2:15, 2:17, 2:27 or 2:40 depending on the bootleg.)  S:  UNK  W:  Lennon/McCartney or just Paul McCartney  In honor of Beach Boy Mike Love’s birthday. It appears that the Beatles had rehearsed these songs.  Bootleg

Tues. 3/26/68  INTERVIEW RECORDING: Interview in London with Paul and Jane Asher about meditation as Paul returns to London.  UNK location   Aired UNK  CD-10/26/96

4/68  INTERVIEW RECORDING: Filmed interview with Paul and George about being over the "phase" of the Maharishi.  UNK location  Aired UNK  Unreleased
RECORDING: Demo recording.  UNK location
HAPPY RISHIKESH SONG (1:50 or 1:56 depending on the bootleg)   S: John  W:  John Lennon John wrote and demoed this upon returning to London from India.  He was still upbeat about India.  Bootleg

Fri. 4/12/68  FILMING: Filming George's return to London from India.  (One source says Monday 4/22/68.)  UNK location  Aired UNK  Unreleased

Sat. 4/20/68 UNRECORDED: John and Cynthia return to London from India.

Mon. 4/22/68 UNRECORDED: George returns to London from India.

Late 4/68  INTERVIEW RECORDING: News Conference unveiling Apple Corps.  UNK location  Aired UNK UNK release

Wed. 5/8/68  INTERVIEW RECORDING: Larry Kane in New York interviews John and Paul for TV.  Unknown to Kane, it is the last time the two Beatles are interviewed together for TV.  NYC Hotel room. Outtakes are shown on the "Inside Edition" TV program on 6/5/98 for the first time.  Aired UNK, 6/5/98 (outtakes)  UNK release

Sat. 5/11/68  INTERVIEW RECORDING: NBC-TV covering of the Apple Press Conference in New York City. Interview with John and Paul where they said,  "We made a mistake. (In reference to the Maharishi)  We're human you know !"  UNK location  Aired UNK UNK/1995 release

Tues. 5/14/68  INTERVIEW RECORDING: Press conference in New York about Apple.  Date given on the "Anthology" video.  Could be same press conference above dated 5/11/68.  Americana Hotel  Aired UNK Released on video 1996
BROADCAST APPEARANCE:  NBC-TV's "The Tonight Show", guest host Joe Garagiola.  John and Paul announce formation of Apple Corps.  NBC-TV  Aired 5/14/68  Unreleased

Tues. 5/14/68  INTERVIEW RECORDING: Interview with John and Paul taped for PBS-TV station WNDT 's "Newsfront".  Aired 5/15/68  Unreleased

Fri. 5/17/68   "Wonderwall" premieres in Cannes.  George, Ringo, Pattie and Maureen attend.  It's unknown if they were filmed there but it's likely someone caught them.   Unknown if taped or filmed

5/68  RECORDINGS: John's home recordings.  John's home.
MELLOTRON MUSIC NO. 1  (1:30)  S:  Instrumental  W:   John Lennon   Bootleg
MELLOTRON MUSIC NO. 2  (0:29) S:  Instrumental  W:   John Lennon   Bootleg
MELLOTRON MUSIC NO. 3  (0:21) S:  Instrumental  W:   John Lennon   Bootleg
STRANGER IN MY ARMS   S: John  W:  John Lennon    Mellotron based unfinished song.  Bootleg
JULIA   S: John  W:  John Lennon   John tapes at least three takes of this song which he demos at his Kinfauns home.    Bootleg

5-12/68  RECORDING:A demo made by John, eventually used in "I've Got A Feeling".  UNK location.
EVERYONE HAD A HARD YEAR (1:24, 1:40 or 1:44 depending on the bootleg.)  S:  John  W:  John Lennon  Bootleg 

M. 5/20-W. 5/22/68 RECORDINGS: The Beatles had written a lot of songs in India.  They met at George's house in Esher to get them down on tape.  They were used mostly for "The White Album”.   George had a small studio in the house.
CRY BABY CRY  (2:25) S:  John  W:  John Lennon  Bootleg
CHILD OF NATURE aka ON THE ROAD TO RISHIKESH aka JEALOUS GUY aka HAPPY RISHIKESH SONG(with different lyrics) (2:33 or 2:36)  S:  John  W:  John Lennon  Bootleg
(THE CONTINUING STORY OF) BUNGALOW BILL (2:35)  S:  John  W:  John Lennon  (Written in India)  Bootleg
I'M SO TIRED (3:17)  S:  John  W:  John Lennon (Written in India)  Bootleg
YER BLUES (3:35)  S:  John  W:  John Lennon (Written in India) Bootleg
EVERYBODY'S GOT SOMETHING TO HIDE EXCEPT FOR ME AND MY MONKEY (2:57)   John  W:  John Lennon (and Maharishi)  Bootleg
WHAT'S THE NEW MARY JANE? (2:35, 3:12, 6:27 or 6:53 depending on the bootleg.)  S:  John  W:  John Lennon  Bootleg
REVOLUTION 1 (4:02)  S:  John  W:  John Lennon (Written in India)  Guitar and handclaps only.  Bootleg
WHILE MY GUITAR GENTLY WEEPS   S:  George  W:  George Harrison  Bootleg
CIRCLES or COLLIDING CIRCLES (2:13, 2:14 or 2:16 depending on the bootleg.)  S: George  W:  George Harrison   Some sources think that this is a fake, but George did it on an ’82 album.    Bootleg
SOUR MILK SEA  (3:33) S:  George  W:  George Harrison  (Written in India)     Bootleg
NOT GUILTY  (0:47 or 3:10 depending on the bootleg.) S:  George  W:  George Harrison  Bootleg
PIGGIES (2:00 or 2:06 depending on the bootleg) S:  George  W:  George Harrison .85/Lennon .1/Louise Harrison .05  Bootleg  CD-10/26/96
JULIA  (2:36 or 3:21 depending on the bootleg)  S:  John  W:  Lennon .75/Ono .2/Kahlil Gibran .05  Bootleg
JULIA  (12:53 or 22:55 depending on the bootleg.)  S:  Instrumental  W:  Lennon .75/Ono .2/Kahlil Gibran .05  Bootleg
BLACKBIRD   S:  Paul  W:  Paul McCartney .95/John Lennon .05  Bootleg
ROCKY RACCOON   S: Paul  W:  Paul McCartney (Written in India)  Piano version.  Bootleg
BACK IN THE U.S.S.R.  (2:56 or 3:03 depending on the bootleg)  S:  Paul  W:  Paul McCartney  Bootleg
HONEY PIE   S:  Paul  W:  Paul McCartney  Bootleg  CD-10/26/96
MOTHER NATURE'S SON  (2:11)  S:  Paul  W:  Paul McCartney  (Written in India and originally called “Country Boy”.)  Bootleg
OB-LA-DI, OB-LA-DA   S:  Paul  W:  Paul McCartney  Bootleg
JUNK aka JUBILEE aka SCRAP HEAP   (2:33 or 2:37 depending on the bootleg.)  S:  Paul  W:  Paul McCartney (Written in India)  Bootleg  CD-10/26/96
DEAR PRUDENCE  (4:34 or 4:43 depending on the bootleg.)  S:  John  W:  John Lennon (Written in India)  Prudence was Mia Farrow's sister, who spent most of her time in meditation instead of joining the Beatles and others during their daily "outings".                Bootleg
SEXY SADIE aka MAHARISHI  (2:23)  S:  John  W:  John Lennon  Bootleg
GLASS ONION S:  John  W:  John Lennon (Written in India)  CD-10/26/96
NEED A FIX / MOTHER SUPERIOR JUMPED THE GUN aka HAPPINESS IS A WARM GUN  (0:40)  S:  John  W:  John Lennon  Bootleg  CD-10/26/96
MEAN MR. MUSTARD   S:  John  W:  John Lennon (Written in India)  CD-10/26/96
POLYTHENE PAM   S: John  W:  John Lennon (Written in India) Pam is thought to be a fan from Cavern Club, Pat Hodgetts, or "Polythene Pat".  CD-10/26/96

Wed. 5/22/68 In an interview shown in the US, John declares that the Vietnam war is a matter of insane people.  I'm not sure when the interview was taped.  Aired 5/22/68  Unreleased

Thurs. 5/23/68 INTERVIEW RECORDING: Interview with Paul and Ringo by Tony Palmer filmed at Abbey Road Studios for BBC-TV  Documentary "All My Loving".  EMI UNK Studio Aired 11/3/68  Unreleased

Thurs. 5/30/68  RECORDING SESSION:  EMI Studio #2  Session time: 2:30pm-2:40am.  The Beatles start recording "The Beatles" double-album, known as "The White Album", with the working title of " A Doll's House".  Paul either had just made a list in India of the songs he had written there OR he had thought of a track listing for the “White Album” of nothing but his own songs OR he had already been thinking of a solo album, because a list was found with these songs in this order:  1. Obla-dee Obla-da (Paul’s spelling) 2. Scrap Heap (Junk) 3. Ballad (I Will) 4. Back In The U.S.S.R. 5. Country Boy (Mother Nature’s Son) 6. Martha My Dear 7. Silly Girl (Unknown song, the phrase is used in “Martha My Dear”) and 8. Rocky Racoon (Paul’s spelling).
REVOLUTION 1  (Takes 1-18) (Working title: Revolution)  S: John  W:  John Lennon (Written in India)  Slower album version with "count me in".  Paul on piano and organ, John and George on lead guitar, John dubbed his lead vocal in while lying on the floor, Derek Watkins and Freddy Clayton on trumpets, Don Lang, Rex Morris, and J. Power and Bill Povey on trombones.  This was the first time Yoko was present during a recording session. (No takes were bootlegged.)  A-11/22/68 (UK), 11/25/68 (US)

Fri. 5/31/68  RECORDING SESSION: EMI Studio #2
Dubbing session of Paul's bass and John's vocals onto take 18 of "Revolution 1".   A-11/22/68 (UK), 11/25/68 (US)

Late May/68  RECORDING: John and Yoko record "Two Virgins" for "Unfinished Music No. 1 - Two Virgins".  UNK location  A-11/11/68

Tues. 6/4/68 RECORDING SESSIONS: EMI Studio #3 
VOCAL BACKING MAMA PAPA   S: Paul and George  W:  N/A "Mama...Dada...etc." sung dozens of times as backing for "Revolution 1" but not used.  Unreleased
REVOLUTION 9 TALK  (23:40)  Yoko Ono's personal experiences and observations taped during and overdub and playback session for "Revolution 1".  Bootleg

Wed. 6/5/68  RECORDING SESSION: EMI Studio #3  Session time:  2:30pm-1:30am.
DON'T PASS ME BY  (Takes 1-3) (Working title: "Ringo's Tune (Untitled)", then "This Is Some Friendly")  S: Ringo  W:  Starkey .7, Lennon .1, McCartney .1, Harrison .1  Ringo on sleigh bell, Paul and Ringo on the piano, George on violin?, and Jack Fallon on violin.  This was the first recording of a Ringo composition.  (A remix take was bootlegged.)  A-11/22/68 (UK), 11/25/68 (US)  CD-10/26/96  Bootleg

Thurs. 6/6/68  RECORDING SESSIONS: EMI Studio #3
REVOLUTION 9  (Takes 1-12)    S:  Sound collage.  (Much backward stuff towards the end.)  W:  John Lennon .75/Yoko Ono .25   A-11/22/68 (UK), 11/25/68 (US)
Dubbing session onto take 18 of "Revolution 1" and bass and Ringo's vocal onto "Don't Pass Me By".   EMI #2   A-11/22/68 (UK), 11/25/68 (US) CD-10/26/96
INTERVIEW FILMING and RECORDING: Interview with John filmed for BBC 2's "Release".  He talks about the different stages he has lived when writing his two books.  EMI UNK Studio  Aired 6/22/68  Unreleased
INTERVIEW RECORDING: Interview of John taped at Abbey Road Studios by Kenny Everett for BBC Radio's "The Kenny Everett Show".  EMI #2   Aired 6/9/68  Released 7/85  Bootleg
RECORDINGS:   Short improvised versions of songs sung at the interview above.  EMI #2
COTTONFIELDS  S:  John  W:  Ledbetter  Aired 6/9/68  Released 7/85
RIVER DEEP, MOUNTAIN HIGH  S:  John  W:  UNK   UNK airing  UNK release
GOODNIGHT SWEETHEART  S:  Ringo  W:  UNK  UNK airing  UNK release
APPLE AND SGT. PEPPER S:  Ringo and Kenny Everett, London DJ.  Aired UNK  Bootleg
GOODBYE JINGLE S:  Two versions with Kenny Everett.   Aired UNK  Bootleg
GOODBYE KENNY   S: Ringo and Paul  W:  Richard Starkey   Ringo singing and on drums with Kenny Everett, and Paul singing in falsetto.   Aired UNK  Bootleg
GOODBYE TO KENNY EVERETT   S:  John and Paul with Kenny Everett.   Aired UNK  Bootleg
TINY TIM FOR PRESIDENT  S:  John with Kenny Everett  W:  John Lennon  Aired UNK  Bootleg

Fri. 6/7/68   George and Ringo (and Pattie and Maureen) fly to Hollywood as guest artists for a Ravi Shankar film.  It's the first trip of a Beatle out of England while sessions are in progress.  Unreleased if filmed or recorded

Mon. 6/10/68  RECORDING SESSIONS: EMI Studio #3  Session time: 2:30pm-5:45pm.
REVOLUTION 9 (Takes 1-3)   S:  Sound collage.   W: John Lennon .75/Yoko Ono .25 A-11/22/68 (UK), 11/25/68 (US)
Dubbing session onto take 18 of "Revolution 1". EMI #2   A-11/22/68 (UK), 11/25/68 (US)

M. 6/10-Tu. 6/11/68   FILMING: George shoots a cameo for film "Raga" in Hollywood.  UNK location  UNK release.
RECORDING: EMI UNK Studio
RAGA (1:48) S: Instrumental  W:  UNK   George and Ravi Shankar play.  Bootleg

Tues. 6/11/68  RECORDING SESSIONS: EMI Studio #2
BLACKBIRD  (Takes 1-32) (Master take: 32)   S: Paul  W:  Paul McCartney .95/John Lennon .05  Paul alone on guitar tapping one foot, then the other, in time to the song.  The film dated 6/13/68, which was shown in the “Anthology” video, confirmed this.  (Take 32, a rehearsal and alternate mono mix were bootlegged.)  A-11/22/68 (UK), 11/25/68 (US) CD-10/26/96  Bootleg   Released on video 1996
BLACKBIRD/IT'S JOHNNY'S BIRTHDAY ("CONGRATULATIONS")/BLACKBIRD   S: Paul  W:  Paul McCartney .95/John Lennon .05-UNK   Paul sings an improvisation during takes of "Blackbird".  It's not John Lennon's birthday, so it's unknown whom he was singing to.  Bootleg
REVOLUTION 9   Unnumbered takes of sound effects.      EMI UNK Studio  A-11/22/68 (UK), 11/25/68 (US)
Dubbing session onto take 18 of "Revolution 1". A-11/22/68 (UK), 11/25/68 (US)

Thur. 6/13/68  FILMING: Film of Paul doing these songs is shot by Tony Bramwell to promote Apple records.  Also a film is shot of the Beatles at a business meeting.  ("Blackbird" segment was shown on the  "Anthology" video.)  EMI UNK Studio   Partially released on video 1996
HELTER SKELTER S: Paul  W:  Paul McCartney  (Soundtrack bootlegged)
GONE TOMORROW, HERE
TODAYS: Paul  W:  Paul McCartney  (Soundtrack bootlegged)
BLACKBIRD   S: Paul  W:  McCartney .95/Lennon .05  (Soundtrack bootlegged)

Sat. 6/15/68  FILMINGS: John and Yoko are filmed planting "peace" acorns outside Coventry Cathedral after appearing on the "National Sculpture Exhibition".  Aired UNK  Unreleased

Sun. 6/16/68  BROADCAST RECORDING: Appearance by Paul on "David Frost Presents....Frankie Howard" is taped.   Paul, who will be 26 in two days, introduces Mary Hopkin.   UNK location.  Aired 2/23/69  Unreleased.

Thurs. 6/20/68  RECORDING SESSIONS: EMI Studios # 1, 2 and 3
REVOLUTION 9   (Takes 1-2) John on backwards Mellotron.  (All mono mixes were bootlegged.) A-11/22/68 (UK), 11/25/68 (US)  Bootleg
Dubbing session onto take 18 of "Revolution 1". EMI #2   A-11/22/68 (UK), 11/25/68 (US)

Fri. 6/21/68  FILMING: Film of Paul attending the Capitol Records convention in L.A.  Paul announces that the next records of the Beatles will be on the Apple label throughout the world.  UNK location  Aired UNK  Unreleased
RECORDING SESSION: EMI Studio #2
Dubbing session onto take 18 of "Revolution 1" and "Revolution 9".   A-11/22/68 (UK), 11/25/68 (US)

Sat. 6/22/68  INTERVIEW RECORDING: John is interviewed for BBC-TV.  He talks about writing his two books.  UNK location  Aired UNK  Unreleased

M. 6/24-Tu.6/25/68 RECORDING: George plays guitar on Jackie Lomax's recording of his song, "Sour Milk Sea".  UNK Studio  UNK release

Wed. 6/26/68  RECORDING SESSION: EMI Studio #2
EVERYBODY'S GOT SOMETHING TO HIDE EXCEPT FOR ME AND MY MONKEY  S: John  W:  John Lennon (and Maharishi)   Rehearsal tape.  The lyrics were mostly phrases the Maharishi said.  Unreleased

Thurs. 6/27/68   RECORDING SESSION:  EMI Studio #2
EVERYBODY'S GOT SOMETHING TO HIDE EXCEPT FOR ME AND MY MONKEY  (Takes 1-6) (Working title: "Untitled")  S:  John  W:  John Lennon (and Maharishi)  John on lead? and percussion, George on lead guitar and percussion, Paul on percussion, Ringo on percussion and all on handclaps.) (Take 11, a dub mix, was bootlegged.)  A-11/22/68 (UK), 11/25/68 (US)  Bootleg

Fri. 6/28/68  RECORDING SESSION: EMI Studio #2
GOOD NIGHT  (Takes 1-5) (Working title - "Untitled")   S:  Ringo  W:  John Lennon   A recorded rehearsal with all the Beatles advising Ringo on the vocal at the beginning. George Martin on piano.  (No takes were bootlegged.)  CD-10/26/96

Sun. 6/30/68 INTERVIEW RECORDING:  Interview with Paul filmed for BBC-TV's "Look North".  Exhibition Road  Aired 7/1/68   Unreleased

Summer/68  RECORDING:John records talking-type song with Yoko about the India trip.   EMI #2  
THE MAHARISHI SONG  (3:09)    S: John  W:  Improvisation.   Bootleg

Mon. 7/1/68  RECORDING SESSION:  EMI Studio #2  Session time: 5pm-3am.
Dubbing session of bass and John's vocal onto "Everybody's Got Something To Hide Except For Me And My Monkey".  A-11/22/68 (UK), 11/25/68 (US)  Bootleg

Tues. 7/2/68  RECORDING SESSION: EMI Studio #2  Session time: 6pm-12:15am.
Dubbing session of Ringo's vocal onto "Good Night".  CD-10/26/96

Wed. 7/3/68  RECORDING SESSION:  EMI Studio #2  Session time: 8pm-3:15am.
OB-LA-DI, OB-LA-DA  (Takes 1-7)  S: Paul  W:  Paul McCartney   Paul on acoustic guitar, three UNK on saxes, UNK on congas. (Take 5 was bootlegged.)  CD-10/26/96  Bootleg

Thurs. 7/4/68  RECORDING SESSION: EMI Studio #2 Session time: 7pm-2:15am.
Dubbing session of Paul's lead vocal and John and George's backing vocals onto "Ob-La-Di, Ob-La-Da".  CD-10/26/96  Bootleg

Fri. 7/5/68  RECORDING SESSION: EMI Studio #2 Session time: 5pm-1:30am.
Dubbing session of saxophones and piccolo onto "Ob-La-Di, Ob-La-Da".   CD-10/26/96  Bootleg

Sat. 7/6/68  A segment of the "Yellow Submarine" film is shown in advance on BBC-TV's "Release" show.  It doesn't contain the real-life Beatles, but I put it here for curiosity's sake.  Aired 7/6/68  Unreleased

Mon. 7/8/68 INTERVIEW RECORDING: Interviews about "Yellow Submarine/Maharishi" in London.  (Released on "Interview" CD Vol. 1.) UNK location  Aired UNK  CD-11/21/95  (Ringo was 28 yesterday.)
RECORDING SESSION: EMI Studio #2   Session time: 3pm-3am.
OB-LA-DI, OB-LA-DA  (Re-make, takes 1-12)  S: Paul  W:  Paul McCartney   Paul on fuzz bass, John on piano including the intro.  (No takes were bootlegged.)  Unreleased
FILMING: Press preview of "Yellow Submarine" attended by Paul, George and Ringo who pose next to life-size cardboard cartoon cut-outs of themselves.  Shown in “Complete Beatles". UNK location   Aired UNK  Released on video UNK date

Tues. 7/9/68  RECORDING: Ringo arrives early to the studio at Abbey Road and adds handclaps on "Hundred Years or More" and backing vocals to "Somewhere In The Crowd", recordings by Solomon King.  EMI UNK Studio  S-Late/68
RECORDING SESSION:EMI Studio #3 Session time: 4pm-9pm.
OB-LA-DI, OB-LA-DA  (Re-re-make, takes 20-21)  S: Paul  W:  Paul McCartney   Piano by Nicky Hopkins, Paul on drums?, John on piano, Ringo on bongos, percussion, and all on 'vocal percussion' and handclaps, 3 UNK on saxes.  (Take 13?, a rough mix and a remix of the original were bootlegged.)  A-11/22/68 (UK), 11/25/68 (US)  S-11/1/76  Bootleg
REVOLUTION 1  S: John  W:  John Lennon  (Written in India)   Re-make rehearsal.  Unreleased

7/68   RECORDING SESSION: EMI Studio UNK
OB-LA-DI  OB-LA-DA/CHRISTMAS TIME IS HERE AGAIN  (3:35)  S: UNK  W:  McCartney-The Beatles   A take of "Ob-La-Di" runs into a reprise of "Christmas Time...".   Bootleg

Wed. 7/10/68 RECORDING SESSION: EMI Studio #3 Time: 7pm-1:30am.
REVOLUTION 1  (Re-make, takes 1-10) (Master take: 16, a dub)  S: John  W:  John Lennon  (Written in India)  Paul on Hammond organ, John and George on lead guitar, Nicky Hopkins on piano, all on handclaps.  This is the single version, which is louder and faster, "Count me out". (Early mix and overdub take 20 were bootlegged.)  S-8/26/68 (US), 8/30/68 (UK)  Bootleg

Thurs. 7/11/68  RECORDING SESSION: EMI Studio #3   Session time: 4pm-7pm.
Dubbing session of electric piano and bass onto "Ob-La-Di, Ob-La-Da".  CD-10/26/96  Bootleg
Dubbing session of electric piano onto "Revolution 1".  S-8/26/68 (US), 8/30/68 (UK)  Bootleg

Fri. 7/12/68 RECORDING SESSION: EMI Studio #3  Session time: 3pm-11pm.
Dubbing session of violin solo onto "Don't Pass Me By" and other dubs onto "Revolution 1".  A-11/22/68 (UK), 11/25/68 (US)  CD-10/26/96

Mon. 7/15/68  RECORDING SESSIONS: EMI Studio #2 Session time: 9pm-3am.
Dubbing session onto "Ob-La-Di, Ob-La-Da". CD-10/26/96  Bootleg
CRY BABY CRY (approximately 30 unnumbered takes)   S: John  W:  John Lennon   Rehearsal. CD-10/26/96

Tues. 7/16/68  RECORDING SESSION: EMI Studio #2  Session time: 4pm-9pm.
CRY BABY CRY  (Re-make, takes 1-10)   S: John  W:  John Lennon   John on piano and organ, Ringo on tambourine, George Martin on harmonium.  (No boots)  A-11/22/68 (UK), 11/25/68 (US)

Wed. 7/17/68  FILMING:Film of the Beatles arriving at the premiere of "Yellow Submarine" film with their wives.  UNK location  Aired UNK UNK release

Thurs. 7/18/69  RECORDING SESSIONS: EMI Studio #2
Dubbing session of John's vocal, harmonium, tambourine and sound effects onto "Cry Baby Cry". Session time: 2:30pm-9:30pm.  A-11/22/68 (UK), 11/25/68 (US)
HELTER SKELTER  (Takes 1-3)   S: Paul  W:  Paul McCartney (Take 2, which ran for over 12 minutes, was cut down to under 5 for release on "Anthology 3" CD. Take 3 ran for 27 minutes and 11 seconds, making it the longest Beatle recording ever.) (Rehearsal was bootlegged.)  Session time: 10:30pm-3:30am.  CD-10/29/96  Bootleg
BLUE MOON  (Take 3 of "Helter Skelter", 27 minutes and 11 seconds long, jammed in and out of this song.)  S: Paul  W:  Lorenz Hart/Richard Rogers  Unreleased

7/68  RECORDING:EMI UNK Studio
HELTER SKELTER S:  Paul  W:  Paul McCartney   Acoustic version recorded and aired on Dutch TV's "Vara's Puntje".  Aired 9/27/68  Bootleg

Fri. 7/19/68 RECORDING SESSIONS: EMI Studio #2
SEXY SADIE  (Takes 1-21)   S: John  W:  John Lennon   George plays Eric Clapton's red Gibson Les Paul guitar.  (Take 6 was bootlegged and included on the "Anthology 3" CD.)  CD-10/29/96  Bootleg
MAHARISHI   A jam where John showed Paul how the song really was supposed to be, complete with expletives.  Unreleased
UNTITLED LENNON JAM aka BRIAN EPSTEIN BLUES   (1:02 or 1:06)  S: John  W:  John Lennon   A two verse ditty about Brian Epstein and his brother Clive.  Bootleg
SUMMERTIME   S: Instrumental  W:  George Gershwin  Instrumental jam lasting about six minutes.  Session time: 7:30pm-4am.  Bootleg or Unreleased

Mon. 7/22/68  RECORDING SESSIONS: EMI Studio #1
GOOD NIGHT  (Re-make, takes 23-24)   S: Ringo  W:  John Lennon   George Martin on the Celeste, the Mike Sammes Singers on backing vocals, 12 UNK on the violins, 3 UNK on the violas, 3 UNK on the cellos, UNK on the double-bass, 3 UNK on the flutes, UNK on the clarinet, UNK on the horn, UNK on the vibraphone and UNK on the harp.  John's acoustic guitar backing eventually was taken off, so no Beatles play on this song.  (Take 12, a mono mix, was bootlegged.)  A-11/22/68 (UK), 11/25/68 (US)  Bootleg
A BEGINNING   W: George Martin   Short introduction for "Don't Pass Me By" arranged and recorded by George Martin using the same musicians above in the studio for the Good Night" background.  Session time: 7pm-1:40am.  CD-10/26/96
Dubbing session onto "Good Night".  The orchestra is dubbed, 7pm-10:30pm, choir, 10:30pm-11:50pm and Ringo's vocal is dubbed from 11:50pm-1:40am.  A-11/22/68 (UK), 11/25/68 (US)  Bootleg

7/68  RECORDING: EMI UNK Studio
RINGO'S EFFECTS TAPE   For "Don't Pass Me By", see "Untitled" below.  This is possibly the same recording.  Sometimes called the “Freak Beatles”  It’s backwards playing with the “Don’t Pass Me By” ending violin at the end of the mix.   Bootleg

Tues. 7/23/68  RECORDING SESSION: EMI Studio #2   Session time: 7pm-2:30am.
Dubbing session of John's lead vocal, backing vocals/ handclaps onto "Everybody's Got Something To Hide Except For Me And My Monkey".  A-11/22/68 (UK), 11/25/68 (US)  Bootleg

Wed. 7/24/68 RECORDING SESSIONS: EMI Studio #2
SEXIE SADIE  (Re-make Takes 25-47)    S: John   W:  John Lennon   Session time: 7pm-2:30am.  Unreleased
UNTITLED  (Sound effects take 1)  Unreleased or Bootleg

Thurs. 7/25/68 RECORDING SESSION: EMI Studio #2 Session time: 7pm-3:15am.
WHILE MY GUITAR GENTLY WEEPS  (Take 1)  S: George  W:  George Harrison   Acoustic version with Paul on the organ. (George says "piano".)  The song was written around the phrase, "Gently weeps".  George saw it in a book. (The take was bootlegged.)  CD-10/26/96  Bootleg

Fri. 7/26/68  RECORDING Paul and John work on "Hey Jude" in Paul's home recording studio.  Unreleased if recorded

Mon. 7/29/68  RECORDING SESSION: EMI Studio #2 Session time: 8:30pm-10:45pm.
HEY JUDE  (Takes 1-6)   S: Paul  W:  Paul McCartney  (Written on 7/26/68)  Rehearsals.  Paul on piano, and John and Paul "intro" the song like night club singers.  Paul says "Save The Last Dance For Me" inspired this song that he wrote originally as "Hey Julian" on his way to see and console Julian after John divorced Cynthia.  (No takes were bootlegged.)  One of the recording sessions for “Hey Jude” was taped for BBC-TV's "Experiment in Television" which was shown on 8/30/68.  CD-10/26/96
TUTTI FRUTTI   S.  Paul (Spoken)  W:  Richard  Penniman  Bootleg

Tues. 7/30/68  RECORDING SESSIONS: EMI Studio #2  Session time: 7:30pm-3:30am.
HEY JUDE  (Takes 7-23)   S: Paul   W:  Paul McCartney  (Written on 7/26/68)  Paul on piano.  It was filmed for a feature on the music of Britain called "Music !", released to theaters 10/69 and aired on NBC-TV on 2/22/70 on "NBC Experiment in Television".  (Rehearsal takes 7, 8 and 9 were bootlegged.) ("Anthology")  Aired 2/22/70  CD-UNK/96  Bootleg
LAS VEGAS TUNE aka LAS VEGAS JUDE/ST. LOUIS BLUES aka I HATE TO SEE (THE EVENING SUN GO DOWN) 1:02)  S: Paul  W:  Impromptu/Handy  Impromptu lines during taping of Hey Jude".  Bootleg

Wed. 7/31/68 RECORDING SESSION: Trident Studios  Session time: 2pm-4am.  The engineer is Barry Sheffield.
HEY JUDE  (Re-make, takes 1-4) (Master take=take 1)  S: Paul  W:  Paul McCartney (Written on 7/26/68)  Recorded at Trident Studios, it was the first Beatles song recorded on an eight-track recorder.            Paul on the piano, Ringo on the tambourine, 10 UNK on the violins, 3 UNK on the violas, 3 UNK on the cellos, 2 UNK on the double-bass, 2 UNK on the flutes, 2 UNK on the clarinets, UNK on the bass clarinet, UNK on the bassoon, UNK on the contrabassoon, 4 UNK on the trumpets, 2 UNK on the horns, 4 UNK on the trombones, UNK on percussion, and all UNK on backing vocals and handclaps.  The second longest single to reach number one at 7:11.  The longest was "American Pie" at 8:22.  This was the Beatles biggest seller.  It reached number one on 9/28/68.   A curse at 2:58 can be heard.  S-8/26/68 (US), 8/30/68 (UK) A-2/26/70 (US)

Jul.-Aug./68 RECORDINGS: The Beatles compile studio outtakes and talking onto a tape they called "Beatles Chat".  EMI UNK Studio.   Unreleased
THE LONG AND WINDING ROAD    S: Paul  W:  Paul McCartney   A demo taping at the grand piano in Abbey Road studios.  EMI UNK Studio   Unreleased
LET IT BE    S: Paul  W:  Paul McCartney  A demo taping at the grand piano in Abbey Road studios.  EMI UNK Studio  Bootleg
SOMETHING   S: George  W:  George Harrison   A demo taped at Abbey Road studios.   George says he was thinking of Ray Charles singing it when he wrote "Something".  EMI UNK Studio  Bootleg

Thurs. 8/1/68  RECORDING SESSION: Trident Studios
Dubbing session of Paul's bass, vocal and the lead onto "Hey Jude". Session time: 5pm-8pm.
Dubbing of the 40-piece orchestra onto "Hey Jude".  Session time:  8pm-11pm.   S-8/26/68 (US), 8/30/68 (UK). A-2/26/70 (US).

Tue. 8/6/68 INTERVIEW RECORDING: Interview with John and Pattie Harrison recorded for BBC Radio 1 and 2's "Late Night Extra".  UNK location   Aired 8/6/68  Unreleased

Wed. 8/7/68  RECORDING SESSION: EMI Studio #2  Session time: 8:45pm-5:30am.
NOT GUILTY  (Takes 1-46) (Three mixes were bootlegged.)  S: George  W:  George Harrison  Bootleg

Thurs. 8/8/68  RECORDING SESSION:  EMI Studio #2   Session time: 6:40pm-6:30am.         
NOT GUILTY  (Takes 47-101) (Master take: 99 or 102)  S: George  W:  George Harrison  This was the first Beatles song to exceed 100 takes, only 21 of which were seen through to conclusion.  (No takes were bootlegged.)  CD-10/26/96  Bootleg

Fri. 8/9/68  RECORDING SESSIONS:  EMI Studio #2   Session time: 7:30pm-2am.
Dubbing session of more drums, a second lead guitar and another bass track onto "Not Guilty".  CD-10/26/96  Bootleg
MOTHER NATURE'S SON  (Takes 1-25) (Master take: 24) (Take 2 on "Anthology 3" CD)  S: Paul  W:  Paul McCartney (Written in India and originally called “Country Boy”.)  Only Paul on acoustic guitar, drums, bongos? and timpani, two UNK on trumpets and 2 UNK on trombones.  (Take 24 and an alternate mono mix were bootlegged.)  A-11/22/68 (UK), 11/25/68 (US) CD-10/29/96

UNK/68  FILMING: Filming during the recording of the "White Album"  EMI #2  Unreleased

Mon. 8/12/68  RECORDING SESSION: EMI Studio #2  Session time: 7pm-4:15am.
Dubbing session of George's lead vocal onto "Not Guilty".  CD-10/26/96  Bootleg

Tues. 8/13/68  RECORDING SESSIONS:  EMI Studio #2 Session time: 7pm-5:30am.
SEXY SADIE  (Re-remake, takes 100-107) (Master take: 107)  S: John  W:  John Lennon   Paul on the piano, John on the Hammond organ, Ringo on the tambourine.  (Dub take 111 and an alternate mix were bootlegged.) EMI #2/annex  A-11/22/68 (UK), 11/25/68 (US)  Bootleg
YER BLUES  (Takes 1-14)  S: John  W:  John Lennon  (Written in India)  John and George on lead guitar.  (An alternate mono mix was bootlegged.)  A-11/22/68 (UK), 11/25/68 (US)  Bootleg
UNTITLED JAM  (Take unnumbered)  S: Instrumental  W:  N/A  Paul is not present.  (Not bootlegged.)  Unreleased

Wed. 8/14/68  RECORDING SESSIONS: EMI Studio #2 Session time: 7pm-4:30am.
Dubbing session of John's vocal onto "Yer Blues".  A-11/22/68 (UK), 11/25/68 (US)  Bootleg
WHAT'S THE NEW MARY JANE (Takes 1-4) (Master take: 4 on "Anthology 3" CD.)   S: John  W:  John Lennon (w/Alexis Mardas?) John, on piano, and George only, with Yoko Ono sharing vocals. Sound effects by Yoko and Mal Evans.  (Take 4 and alternate mixes were bootlegged.) CD-10/29/96  Bootleg                      

Thurs. 8/15/68  RECORDING SESSION: EMI Studio #2   Session time: 7pm-3am.
ROCKY RACCOON  (Takes 1-9) (Master: 10 , a reduction on 9) (Take 8 on "Anthology 3" CD.)  S: Paul  W:  Paul McCartney  (Written in India)  "Rocky" was once called "Rocky Sassoon" from Minnesota.  Paul on acoustic guitar, John on bass, harmonica and harmonium, and George Martin on honky-tonk piano.  (Remix take 1 bootlegged.)  A-11/22/68 (UK), 11/25/68 (US)  CD-10/29/96  Bootleg

Fri. 8/16/68  RECORDING SESSION:  EMI Studio #2   Session time: 7pm-5am.
WHILE MY GUITAR GENTLY WEEPS  (Re-make, takes 1-14)   S:  George  W:  George Harrison   John on organ.  (No takes were bootlegged.) Unreleased

Copyright © 2001 Terry R. Shaw All rights reserved.

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