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Home > Poetry submissions > the briefcase
Shane Allison In his own words: Shane Allison has been called a nigger, a fag and a genius. He hates and lives in Tallahassee, Florida. He has been published in a shit load of e-zines, magazines and anthologies. His chapbooks "Black Fag" and "Cock and Balls" is out and tearing up ass. the briefcase We tumble out of the lift he catches the original smile from a pert clerk on lunch, disappearing into the ether of a deserted reception, while I struggle for words with security again. Still he left his briefcase which I stealthily identify as part of the Good Hope Business Collection, brown leather with triple gusset flap brief, slightly scuffed but not without re-sale possibilities. Of course I open it, hoping to find a forwarding address... tssk as ever no address but find the following items: 1. New York, the entire lower eastside Then I remember the scrappy bit of blotting paper he handed me in the lift and retrieve it from my blazer pocket. I unravel and find the following words and links scrawled hastily in blue biro: www.eastvillagepoetry.comwww.futuretensebooks.com www.friggmagazine.com www.zygoteinmycoffee.com and remember to mention So no forwarding address as usual but thankfully a floppy disk with selected work on. Phew.
They’re Coming To Get You
There’s no hiding behind walls No crawling on your hands and knees Ducking flashlights peering through The sliding glass door.
You can’t keep sheriffs behind padlocked fences with guns loaded, cocked and pointed to your head. They twirl handcuffs around their fingers like hula-hoops, waving night sticks in Saturday night fever.
It’s only a matter of time. That cop said, I’m gonna get ‘em one way Or the other, if I have to hunt him down. You’ll be in an 8x10 cell by the end of this week
Eating jail-issued dinners, wearing those ugly, plastic sandals, Become a seven numbered prison bitch for the courts. I’d rather die than go back to jail,
He says crying in the living room. Ma will wait by the phone for your collect calls. What will be your promise this time? Lord how I’m gonna pay these bills, Mama asks
as she paces the kitchen floor, snot trickling out of her nose, her eyes red and puffy. I can’t take this; I’m going back to New York.
Hiding is futile. Car chases will never do. They got four warrants and U.S. Marshals Out on u. Sent to the door.
Tell ‘em I ain’t home. Have the balls to answer their calls. I’m done lyin’, through denyin’. They’re gonna bust up this family
with their razorblade suspicions. Wake up the whole neighborhood with sirens of emergency. They gonna put you under the jail this time.
I just know it.
The Night My Sister and I Boycotted Crow
Pitch black flocks resting on the wires of telephone poles. My Daddy couldn’t resist bringing them to their deaths with a pellet gun. They were like shooting paper ducks at the North Florida Fair.
Pelted by pellets in their crow hearts. One final caw, caw before tumbling into a thicket of blackberries. Thorns stuck into silken wings.
“No need to let a good bird go to waste”, Daddy says. Thrown into the sink, Mama digs out innards and pellets. She tosses the head
in the blue trash can, plucks the feathers as they pile at her feet, cloak her leopard-printed bedroom shoes.
Tender pink meat rinsed beneath scalding water, baptized in seasoning salt, slices of celery over the eyes like pennies. Crow drifts on a raft of bell pepper,
carrots, fresh potatoes in the pot. Nothing like the scent of crow permeating through the house. “Yall can come on eat now, the food’s done,” Mama yells from the kitchen.
She spoons mountains of rice, baby corn on our plates. A buttered roll is the great wall between the two. My sister refuses to eat the meat. She cries for the crow.
“Hush gal and eat,” Mama tells her, but she refuses. Instead she makes a crucifix out of her knife and fork and mourns. So I too, follow suit, 'cause I never wanted it dead
Anyway. Daddy sucks the bones whole, sops up its juices with them buttered rolls. He looks at us with greasy lips and says, “If you kill what you don’t eat, that’s a sin.”
My sister and I refuse to give in and ask to be excused. “No,” Mama yells. “Not until you don ate every bitta that bird.” All I do is pick at it, push it around with my finger.
Daddy tires of our boycott and says, “Gone scrape out your plates.” We leave them to fight and holler amongst themselves, realizing we have won this good fight.
It's a Sin
I Dreamt You Took Me to
the Movies Cuz my folks didn’t know about you and the fact I was half your age. We left in your hot tamale-red convertible. Flying down the street with the sugar baby-brown top, Cruising to the tunes of Bruce Willis’ blues band. The parking lot of the cineplex was packed. Thought we would never find a space. We needed to hurry; the movie was about to start. Don’t worry, you said. There’s about seven minutes of previews, But what you didn’t understandWas that the previews are the best part. The marquee lit up across from Garfield’s Bar and Grill. A line of people slithered around walls, department stores. I bought the tickets ahead of time. The usher with dreadlocks, That went down the back of his paisley vest, Tore our tickets. You wanna get some popcorn, you asked. We stood in line at the concession stand. Next in line, the girl yelled. You wanna get a large popcorn together, you asked. We stared at the menu Of meal deals, Nachos, Hotdogs, Soft drinks. Okay, let’s get that, I said. You want butter? the concessionist asked.” It didn’t matter to me. We decided to go without. Anything else, she inquired. I looked down into the candy case Craving Chocolate-covered peanuts, Gummi Bears, Sour Patch Kids, Junior Mints by the hand full. She shoveled crisp popcorn in a glossy bag. You got a diet Coke and I a Sprite I grabbed napkins, as you stood with cold drinks in your hand. The theatre was pitch. We could only see when the lights from the screen shined On the shirts and blouses of people in the seats they chose. I hate coming to the movies late. Having to say excuse me, sorry, pardon me. We found two vacant chairs in the fifth row. My mother always said it's bad for your eyes if you sit too Close to the screen. But I didn’t care about my eyes Or the closeness of movie screens As long as I was with you.
At Andy’s Deli
‘Bout lost my mind when I didn’t see the usual. Where the pies at? I asked the cute, East Indian man Standing behind the counter. We sold out, he said. I didn’t know Hostess Apple Pies were so popular Among the masses of Greenwich Village. He knows how much I like my real fruit filling, The preservatives and artificial flavors. My world ain’t nothin’ but a flaky crust, A cream-filled Twinkie.
Gotta get somethin’. My sweet tooth is killin’ me. What’s it going to be: Snowballs? Ho Ho’s? Zingers? Crumb Coffee Cakes? None of this I like. Wait, this look good: Coconut Crunch Donut Delites. Six in a row. I’ll take these, I told the clerk. Place two quarters in his hand. Pull open the wrapper, Took the first one out for a taste test, And right then I knew, this was the last snack cake That was going to take the place of my everyday routine.
No One Calls Me
Tallahassee Needs a Bathhouse For there are too many queerboys For there are too many teenage boys Walking lustfully and loveless down the lonely street of Park Avenue Are preachers and teachers and college boys who seek the joys of gay sex Where cops hide out, unmarked in plain clothes Waiting to catch and cuff prominant figures in the buff. Preachers and teachers and college boys seek the joys of gay sex On the hardwood benches in Tom Brown Park, But cops await to seal the fate of prominant figures in the buff With their stainless steel handcuffs. On the hardwood benches of Greene Peck Park, Sitting stark naked is a man named Clark He’s about to catch heat by a cop on the beat
What I Remember About Jarret I remember when I first saw you. You were wearing dark I remember black hair that was somewhat curly. I remember your lips. I remember regretting cashing that check. I remember you saying something about wanting to stick I remember asking you if you were into fat chicks I remember being kicked out of the office. I remember the picture of a woman on a green cover I remember calling and asking, “Did you get any hits?” I remember you calling and telling me you found a I remember the smell of honey mustard and the sight of I remember a box filled with fat envelopes of poetry submissions. I remember walking in on you with your shirt off. I remember how quickly you put it back on when you saw it was me. I don’t quite remember the day you left Tallahassee.
© All poems copyright Shane Allison 2004 and all are reproduced with kind permission. Please email me if you want to contact the author. |
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