Key Quotations from Letters 31 - 45 

Click on the links below to read information on the key quotations for . . .

Letters 1 - 15

Letters 16 - 30

Letters 46 - 60

Letters 61 - 75

Letters 76 - 90


 

 


Below are the ten most important quotations from letters thirty-one to forty-five in the novel. Learning, knowing and having the ability to recall important quotations in an AS Level examination puts you in an advantageous position, as it saves you the time of having to search through the book in attempt to find a relevant reference.

"What he beat you for? She ast.
For being me and not you"
Letter 34, Celie begs Shug to stay after revealing her domestic torture.

"Do his business. Why, Miss Celie. You make it sound as if he going to the toilet on you."
Letter 35, Celie and Shug compare each other’s sexual experiences with Albert.

"Why Miss Celie, she say, you still a virgin."
Letter 35, Shug informs Celie that to have sex is to enjoy it. There is no other way.

"All your children so clean, she say, would you like to work for me, be my maid?"
Letter 37, Miss Millie presumes the ‘black mammy’ stereotype to be true.

"Every time they ast me to do something, Miss Celie, I act like I’m you."
Letter 38, ‘Women’s work’ at the laundry forces Sofia in slave-like submission.

"Good behaviour ain’t good enough for them, say Sofia. Nothing less than sliding on your belly with your tongue on they boots can even git they attention."
Letter 38, profound comments from the browbeaten Sofia, comments that interestingly coincide with Letter 87’s reference to black people being the "serpent."

"God all white too, looking like some stout white man work at the bank."
Letter 39, Celie’s believes like Miss Millie, that only white people can ‘save colored.’

"Harpo say, I love you, Squeak. He kneel down and try to put his arms round her waist.
She stand up. My name Mary Agnes, she say."
Letter 41, After her rape Mary Agnes knows that men should see women for who they are not what they look like. Calling one by their real name emphasises this.

"They calls me yellow
like yellow be my name"
Letter 42, Mary Agnes’ song reflects the labelling that people use to ‘box’ people.

"They have the nerve to try to make us think slavery fell through because of us."
Letter 44, Sofia compares her time with Miss Millie with those of her ancestors.

"Have you ever seen a white person and a colored sitting side by side in a car?"
Letter 44, Miss Millie, unable to refer to Sofia as a ‘person,’ exemplifies racism.

Written by Matthew Kane [2001]

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