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Bibliography

(See also writings and articles)
Nigel Simeone and Peter Hill are working on a major new book,
Messiaen in Words and Pictures,
which will publish extracts from the private diaries and papers of Olivier
Messiaen for the first time, along with several hundred photographs.
This project has been awarded very significant Research Grant funding
by the Arts and Humanities Research Board.
The book will be published by Yale University Press in late 2004 or early 2005.

Nigel Simeone is also working on further books and articles:
A Messiaen Reader (book, in progress, co-author: Peter Hill). Due for completion in 2006
'Messiaen and the Ballet', [article in volume of Messiaen Studies,
ed. C. Dingle, Ashgate]
'Messiaen and "Les années noires": a French composer during the German Occupation of Paris', [article in volume of Messiaen Studies, ed. R. Sholl]

!!!BOOKS COMING SOON!!!

MESSIAEN'S FINAL WORKS: developments in style and technique
by CHRISTOPHER DINGLE(Ashgate, 2005, ISBN 0754606333)
When Olivier Messiaen completed the vast opera Saint François d'Assise in 1983, he was mentally and physically exhausted, believing that this monumental work would be his final compositional statement. Coaxed at first by his wife, Yvonne Loriod, he began to write a series of miniatures - a rarity in his output. Then, in the last years of his life, Messiaen composed a final large orchestral cycle, Éclairs sur l'au-delà..
Messiaen's Final Works examines the seven works which Messiaen completed after Saint François and argues that, following the crisis provoked by the opera, his music underwent a discernible change in style. In addition, the book uses the works in question to examine the characteristics of Messiaen's music, with a particular emphasis on an often overlooked aspect of his technique: harmony. In the process, many other questions are addressed, such as the ways in which Messiaen utilizes birdsong within a larger structure.
Messiaen's Final Works is in three parts. Part I begins with a brief historical survey before discussing Saint François d'Assise as the work which defines everything that follows. Part II examines the series of miniatures whose significance belies their (relatively) modest proportions. Not only do they provide an indication of Messiaen's artistic self-confidence, but they also contain important links with his final masterpiece, Éclairs sur l'au-delà.. This sublime eleven movement work for large orchestra is the subject of Part III, and is the focus of the book. Each movement is analysed in turn, before the work is considered as an entity and its hidden structure and motivic cohesion is discussed.


THE LIFE OF MESSIAEN
by CHRISTOPHER DINGLE (Cambridge University Press, Autumn 2005, ISBN 052163220X / 0521635470).

OLIVIER MESSIAEN- Christopher Dingle & Nigel Simeone (editors)
Music, Art and Literature (Ashgate, Autumn 2005, ISBN 07546 5297 1).
Including contributions from Jean Boivin, Stephen Broad, Robert Fallon, Edward Forman, Allen Forte,
Christopher Dingle, Peter Hill, Caroline Potter, Nigel Simeone and Jacques Tchamkerten.

OLIVIER MESSIAEN: A GUIDE TO RESEARCH. by VINCENT BENITEZ.
Routledge Music Bibliographies, ed. Brad Eden.
New York and London. (2006)

OUT NOW!!
A major new document focusing on the Quatour pour la Fin du Temps
FOR THE END OF TIME: THE STORY OF THE MESSIAEN QUARTET
by REBECCA RISCHIN
published by Cornell University Press




Read reviews

For the End of Time
The Story of the Messiaen Quartet
Rebecca Rischin

The premiere of Olivier Messiaen's Quartet for the End of Time on 15
January 1941 at -4 degrees Fahrenheit in Stalag VIIIA, a Nazi prison camp
near Görlitz, in Silesia, has been called one of the great stories of
twentieth century music. "We were 30,000 prisoners (French for the most
part, with a few Poles and Belgians)," recalled Messiaen. "The four
musicians played on broken instruments: Etienne Pasquier's cello had only
3 strings; the keys of my upright piano remained lowered when
depressed...It's on this piano...that I played my Quartet for the End of
Time, before an audience of 5000 people...Never before have I been listened
to with such attention and understanding."
This book is the first comprehensive history of the composition and
premiere of Messiaen's Quartet for the End of Time. Based on testimonies
by the musicians and their families, witnesses to the premiere, former
prisoners, and documents from Stalag VIIIA, For the End of Time examines
the events that led to the Quartet's composition, the experiences of the
musicians in the camp, the contradictory accounts, the composer's
interpretive preferences, and the musicians' problems in execution and how
they affected the premiere and subsequent performances. Rebecca Rischin
explores the musicians' life in the prison camp, their relationship with
each other and with the German camp officials, and their intriguing
fortunes before and after the momentous premiere.
For the End of Time is distinguished by Rebecca Rischin's extensive
interviews and intimate correspondence with survivors of the Quartet's
premiere and members of the Messiaen circle, many of whom had never before
been approached and most of whom are no more. Among them are the cellist
Etienne Pasquier and the violinist Jean Le Boulaire, relatives of the
clarinetist Henri Akoka, and Messiaen's widow, Yvonne Loriod. Told through
the reminiscences of the participants and their families, this dramatic
story is directed at the general reader no less than the learned musician.
The book is generously illustrated with photographs of the musicians, press
releases from the 1941 premiere, autographs, letters, and pen-and-ink
drawings of the camp's layout. Included are wartime photos of the camp and
its prisoners along with present-day photos of the camp site, which Rischin
visited in 1995.
Rebecca Rischin is Associate Professor of Music at Ohio University in
Athens. Her research for this book was aided by a Harriet Hale Woolley
Scholarship for study in Paris, awarded in 1993 to only two other American
artists and musicians. Rischin is an award-winning clarinetist who
performs throughout the United States and Europe.

 

Since his death Yvonne Loriod-Messiaen has been compiling all of Messiaens' writings which will be published in 7 volumes
entitled 'Traité de Rythme, de Couleur, et d'Ornithologie' (Paris, Leduc)



The Messiaen Companion: edited by Peter Hill (London, Faber and Faber 1995)

Olivier Messiaen a Bibliographical Catalogue: Nigel Simeone (Hans Schneider Verlag)
(see review by Dr David Morris of University of Ulster)


Olivier Messiaen: L'homme et son oeuvre. Pierrette Mari (Paris, Segheres, 1965)

Das orgelwerk Messiaens:Sieglinde Ahrens ,Hans-Dieter Möller, and Almut Rössler, (Duisburg, Gilles and Francke, 1976)


Contributions to the Spiritual World of Olivier Messiaen: Almut Rössler (Gilles & Francke 1986)


Olivier Messiaen: Claude Rostand (Ed. Ventadour,1952/57)

Olivier Messiaen: Carla Bell (Boston, Twayne 1984)

Messiaen: en handbog: Paul Borum & Erik Christiansen (Copenhagen, Egtved,1977)


Recontres avec Olivier Messiaen: Antoine Goléa (Paris, Julliard 1960-reprinted Slatkine Genéve-Paris 1984))


Olivier Messiaen and the Music of Time:
Paul Griffiths (London/Boston, Faber and Faber 1985)


Olivier Messiaen: Harry Halbreich (Paris, Fayard/SACEM 1980)


Olivier Messiaen: Leben und Werk: Theo Hirsbrunner (Laaber-Verlag 1988)


Messiaen:
Robert Sherlaw Johnson (London. Dent 1976. R/1989)


Olivier Messiaen: une poetique de merveilleux: Brigitte Massin (Aix-en-Provence, Alinéa, 1989)


Portrait(s) d'Olivier Messiaen: Catherine Massip (Bibliothèque Nationale de France)


Messiaen: Roger Nichols (London Oxford University Press 1975 2/1986)


Bien Cher Félix..Letters from Olivier Messiaen and Yvonne Loriod to Felix Aprahamian (Cambridge, Mirage 1998)

L'œuvre pour piano d'Olivier Messiaen: Michéle Reverdy (Paris, Leduc 1978)

L'œuvre pour orchestre d'Olivier Messiaen: Michéle Reverdy (Paris, Leduc 1988)


Messiaen: Quatuor pour la Fin du Temps: Anthony Pople (Cambridge University Press 1998 ISBN 0521585384)


Entretiens avec Olivier Messiaen: Claude Samuel (Paris, Belfond 1967 Eng. translation 1976)

Music and Colour: New Interviews: Claude Samuel (Paris, Belfond 1986)

The Organ Music of Olivier Messiaen:
Stuart Waumsley (Paris, Leduc 1968)

Olivier Messiaen, the Musical Mediator. A study of the influence of Liszt, Debussy and Bartok: Madeleine Hsu (Fairleigh Dickinson UP1996)

Vingt lecons d'harmonie: Messiaen (Paris, Leduc 1944 Eng. translation 1956)

Technique de non langage musical: Messiaen (Paris, Leduc 1944 Eng. translation 1956)


Conférence de Bruxelles: Messiaen (Paris, Leduc 1958)

Conférence de Notre Dame: Messiaen (Paris, Leduc 1978)

Conférence de Kyoto: (Paris, Leduc 1985)

Olivier Messiaen: Heinz-Klaus Metzger and Rainer Riehn. text + kritic (Munich 1982)


Siglind Bruhn, Images and Ideas in Modern French Piano Music:
The Extra Musical Subtext in Piano Works by Ravel, Debussy and Messiaen (Stuyvesant, NY: Pendragon, 1997)


Siglind Bruhn, Musikalische Symbolik in Olivier Messiaens Weihnachtsvignetten.
Hermeneutisch-analytische Untersuchungen zu den “Vingt regards sur l’Enfant-Jésus” (Frankfurt: Peter Lang,1997)


Siglind Bruhn (ed.), Messiaen’s Language of Mystical Love. Volume 1 in the series “Twentieth-Century Studies in Music” (New York
: Garland, 1998).

Jean Boivin: La classe de Messiaen. Paris, Christian Bourgois éditeur, collection " Musique/Passé/Présent ", 483 pages, 1995.


Olivier Messiaen and the Tristan Myth by Audrey Ekdahl Davidson 160 pages (Praeger Pub Text; ISBN: 0275973409)


Messiaen by Alain Périer (Paris, Seuil 1979)

Olivier Messiaen:Eclairs Sur L'Au-Dela: Die Christlich-Eschatologische Dimension Des Opus Ultimum
ISBN: 3631348460 Author: Tolle, Julian Christopher
Publisher: Lang, Peter Publishing, Incorporated Edition/Year: 1999


STEFAN KEYM: Farbe und Zeit - Untersuchungen zur musiktheatralen Struktur und Semantik von
Olivier Messiaens Saint Francois d'Assise.

Hildesheim: Georg Olms Verlag 2002. - X/557 S. mit zahlreichen Notenbeispielen und Register. ISBN: 3-487-11661-8


Messiaen Les sons impalpables du rêve
Pascal Arnault, Nicolas Darbon. Editeur : Millenaire III
Collection : Compositeurs De Notre Temps ISBN : 2911906055

Rosemary Walker, Modes and Pitch Class Sets In Messiaen. (Music Analysis 8:1/2 Basil Blackwell 1989)

David Morris, A Semiotic Investigation of Messiaen's 'Abîme des Oiseaux'. (Music Analysis 8:1/2 Basil Blackwell 1989)

Messiaen, Gooeyvaerts, Fano, Stockhausen, Boulez. Perspectives of New Music XIII 1974 pp141-16 An in-depth (29 A5 pages) analysis of the musical ideas of the 1940's and 50's. Many technical terms, graphs, note charts etc make this indispensable for all students of composition and interest in Messiaen.

I have included this VHS SECAM video here as I believe it to be an invaluable archive to those of us who
were not lucky enough to experience first hand lectures by the Maitre during his lifetime.
Olivier Milles' film covers a masterclass/lecture given by Messiaen during the 1987 Festival d'Avignon at the Chartreuse de Villeneuve lés-Avignon.


"Les couleurs du temps: Trente ans d'entretiens avec Claude Samuel". INA/Radio France 211848, 2CDs
Claude Samuel met Messiaen in the late fifties and from then grew a most fertile professional relationship that
produced many landmark interviews and discussion throughout the composer's life. Thirty years of interviews
are represented here on 2CDs in French.

 

maldrummer1@netscape.net

 

 

 

 

 

 

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