| RICHARD STEINFELD...

At the age of six, Richard Steinfeld began piano lessons. He got
carried away and broke the piano, so he fixed it. Emboldened, he
took apart his record player and put it together again. He's
been riding these three horses ever since.
After conservatory study, he acquired two music degrees. He
spent three years as New York's leading harpsichord technician,
preparing historic instruments for recordings and occasionally
consulting on microphone technique, for every major record
company and broadcasting network (it's likely that you've heard
his work). Between degrees, he did a stint as a classical music
radio announcer/operator in a medium-sized American radio
market. He was an audio specialist for a college and a
university totalling ten years. He also spent a few years
running a "semi-custom" stereo business. Recently, he's worked
in the trenches of Silicon Valley turning out technical
publications -- explaining things in plain English ("I love
teaching."). It's now back to music, with the teaching specialty
of technique mastery -- using a method he invented when faced
with the urgent need to teach himself the English Horn in a
two-week crash course, when asked to replace another musician
before going on the road with a touring orchestra.
Richard has had a lifelong interest in performing traditions and
trends, as captured in the grooves of LPs ("The introduction of
the LP was a revolution in classical music -- it was a blast of
liberation for the performer in the recording studio. The LP
introduced a forum for modern jazz, too."). He's been
fascinated, seemingly forever, with viscous-damped tonearms and
non-magnetic cartridges. As an oboe player, as well as having
worked with the technologies of other musical instruments, he
has developed "intelligent hands" when it comes to "things that
vibrate for a living." Because of his rounded background that
encompasses the entire audio chain from the instruments through
the loudspeakers, he's acutely aware of what's practical -- what
can be reasonably attained, as opposed to when the audiophile is
barking up the tree ("...often howling incoherent mantras while
spraying the forest with money.").
He developed a keen interest, too, in professional phonograph
cartridges and styli after experiencing their properties during
his short radio career. Because of this experience, his stereo
business included Stanton Magnetics; he spent many years
studying the company's products and discussing their
characteristics with the company's engineers, even visiting the
factory. His discussions with them often centred on the
requirements and problems of reproducing real-world recordings
(as opposed to test records and audiophile pressings); Stanton
engineers regarded him as an expert.
Having come into a repair batch of nine Lenco headshells and a
few tonearm parts during the mid 1980s, he hoarded these parts,
scheming while biding his time, resenting the customers who
brought him Lencos for servicing, trying unsuccessfully to trick
them out of their machines. He recently acquired his Lenco L-75
and is now struggling to turn it into what he calls "a
production turntable." "The headshell collection will allow me
to use this single machine to compare different cartridges and
styli, which includes the ability to pick a point in time and
listen to what we considered normal or excellent back then."
He's long enjoyed the Lenco's unique elegance and would like to
see people preserve and enjoy these unusual machines, especially
taking advantage of the full range of what the machine offers.
"I have no idea how good this machine will be when I'm done with
it. I'm determined to make an honest woman of her!"
He confesses that he wrote this biography himself near San
Francisco, California, alternating between first and third
person, Steinfeld laughs, "...as if this were a normal way of
writing. One does not usually get an opportunity to write about
oneself as if doing an article. I have found myself to be an
good subject for an interview. I had no idea that I was so
fascinating. I must interview me more often," Steinfeld said. |
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