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The
marbled beast is the prototype I wrote about, with
sloppy marbling (didn't stir it enough, didn't dip it in
right), but still you can see the effect, it fools many
into thinking it is made of stone. The two-tier design
was meant to address that worrisome rumble aspect which
I later found out wasn't an issue. I removed the motor
entirely from the top-plate and mounted it on the large
bottom plinth, which is made of a sandwich of 1 1/2"
chipboard, drywall (for plaster's resonance-killing
properties when sandwiched: an experiment) and Baltic
Birch-ply. This is very difficult to do, as the motor
must be in precisely the same orientation without a
millimetre's deviation, or there will be serious wow.
The motor rests on the original Lenco springs inside the
large non-resonant box, for which a space sufficient for
the motor was cut out. I later found that all this
trouble was not necessary, as I could not hear any more
noise (which is none) leaving the Lenco as is in a
single solid plinth. Much simpler, much easier. The top
plate is mounted on a simple piece of Baltic Finnish
birch-ply, to reduce total mass (mass being reserved to
kill motor resonances/energy only) so as not to store
energy. That was the design brief for my prototype: a
mix of the advantages of high-mass design with the
advantages of low-mass design. The top tier is further
isolated from the bottom tier by lossy silicone putty,
held in place by nuts and washers. Rudimentary, but
effective. It may in fact be superior to a
single-plinth design, but all Lencos I have tested in
all systems were so awesome that no one ever worried
about it.
Looking at
the second photo, one can see the "open concept" of the
architecture of the Lenco plinth, which allows at least
some of the motor vibration to escape into the air. In
my simpler single plinth design, the large cut-out area
for the motor accomplishes the same thing. Note that
instead of TipToes, I use acorn-headed bolts for feet,
which have a large and firm contact area with the
plinth, but a small contact area with the surface on
which they rest, same as TipToes for a fraction of the
cost. The bolt "towers" make the table fully
adjustable, and the second "storey" also fully
adjustable via the bolts separating the top tier from
the bottom. I have been using this 'table for more than
10 years without having to replace or adjust a thing.

Here the
amount of space around the motor can be clearly seen on
a single-plinth design, along with the acorn-headed
bolts/TipToes. The air also allows the Mighty Lenco
Motor to run cool, and prevent any possible warpage of
the idler wheel as well as overheating from the motor.
A sort of inverted open-architecture plinth, the box
being a single non-resonant mass of MDF and Corian, cut
to accommodate the motor and the tonearm and bolts, and
so not in fact a box but a slab. One can see one of the
four bolts holding the Lenco to the plinth screw
directly into the top-plate where the suspension springs
were originally attached. Easy and effective.
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