Ian
Latimer
Vocals & lead guitar
Founder member Ian has been a professional musician for over 20 years
and is responsible for much of the authenticity and detail that goes
into THE PIGGIES shows in the United Kingdom and THE BEATLES REVOLUTION
SHOW which ran for 17 weeks at the Folkan Theatre in Stockholm in
1999/2000. Ian also had the unenviable task of re-creating some legendary
guitar sounds for GLORY DAYS , switching between the styles of Mark
Knopfler, Eric Clapton, Brian May and U2s The Edge to name but
a few.
Yeah, it was quite a tall order as they are all obviously incredible
players with totally different sounds and styles.

Greg Webb
Vocals, bass & guitar
Newest member of THE PIGGIES, Greg has been playing
guitar since a very early age and has always been a massive Beatles fan.
His technical ability on a variety of instruments suits the band
perfectly as he is able to switch from a rockin' Paul McCartney to the
heavier style of The Who's John Entwhistle with ease.
Greg's arrival also sees the return of Cliff Richard to
the show after a five year Summer Holiday!

Mitch
Deighton
Drums & Percussion
Mitch’s talent is legendary in his hometown of Cleethorpes in
Lincolnshire, England and he had played drums for THE PIGGIES on many occasions before
finally joining in 2000.
Not only is Mitch an amazing technician but his ability to mimic the drum
styles of the greats is essential to the authenticity of the GLORY
DAYS show. From the thunderous beat of Springsteens Max Weinberg
to the intricacies of The Polices Stuart Copeland and
the heads down, see you at the end aproach of Status Quo,
Mitchs powerhouse drumming holds the whole thing together.
Ricky
Barber
Vocals, Guitar and Bass
THE PIGGIES have come full circle with the arrival last year of Ricky
Barber. It was actually his father, Lee, who formed the band with Ian
some twenty odd years ago. A talented guitarist and vocalist, it fell
upon Ricky to take on the double role (among many others)of John Lennon
and Mick Jagger whom he portrays with a wicked accuracy.
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