Rescue Examples
Example 1. Example 2. Example 3.
Say for example you are presented with a group of children standing in the rubble of what was once their home, you're aware it's wartime and you then sense their emotions and gauge their level of awareness, frequently they're oblivious to the passage of time as it's always 'now' and there's nothing to intrude on their situation and surroundings.
You may be aware that their surroundings are as grey and lifeless as they often appear and it is this you begin to change to hook their attention and get them thinking and feeling, it's a vibrational adjustment you're looking for which can often be perceived as feeling them becoming lighter and more animated.We need to find a simple and effective beginning and this could be something as apparently trivial as getting them to be aware of what they're standing on, guides then work with us to provide the shifts in the scene and you may then see that they are now standing on grass of the most incredibly vibrant green colour, you also know what it feels like and therefore encourage them to feel it barefoot, anything which introduces sensory extras to what they've previously only known.
Change the weather too, be sure to introduce light, colour and life, and you should then already see the change in them such that they are now taking an interest in things where they might previously have been standing rather still and distant.The scene can often be viewed as having something like an overhead spotlight throwing light onto a dull scene, so expand the light outwards to include all of them as best you're able, though depending on the situation some cannot or won't wish to be included.
Sometimes I've seen an extensive scene such as a park as being like a large pool of light gradually fading to dark edges, pay attention to who stays in the dark as some need encouragement to enter while others of an unsuitable or predatory nature may be kept out by a circle of protective spirit helpers.Be aware of the inclusion of sounds from spirit as a clue to what to make them aware of and what to add to the scene, laughter is a good indication of a lively inclusion of perhaps other children whose injection of life into this scene never fails to get a positive response, after a while they should be at the point where they will accept and relate to the presence of other spirit, and it is at this point that you will generally see whoever spirit deems most suitable to assist in this particular scenario.
I've seen a collection of children respond to the sense of order and trust an Edwardian schoolmistress projected, therefore enabling her to gather them into line before walking them off to a happier place, and as I mentioned earlier children are often used to assist in this manner, but take the time to sense them further as you'll often find they are very much more than what their appearance would indicate and that they are very capable and aware spiritually.This concerns WW1 troops in a desolate battlefield scene, replete with trenches, barbed wire and mud, it's grey and cold and you can see a collection of soldiers of various nationalities keeping their heads down in the trenches, there's one young German boy lying face down in the dirt, he's caught in a state of complete panic as he presses himself to the ground waiting for the next shell to kill him, (and in all probability it did just that.)
He's been that way for over eighty years and exists in an endless 'now' condition where his emotional state has blocked out any other thoughts and has kept him oblivious to the passage of time, or the attempts by others in spirit to reach him, he's quite literally frozen in a snapshot of time of his own making.Again keep it simple, be aware of the nature of his projected reality, his feelings and expectations,
and begin to modify his world by stilling the sounds of battle he perceives, changing the grim weather to something brighter, warmer and quite pleasant.
Change the soil beneath his face to soft spongy grass of the most amazing green and bring his attention to it, give him the reassurance he needs to look beyond his terror to include the new things, as with their recognition and acceptance he'll naturally forget the old bad things in preference to the good things he's missed for so long.Once he's looking around, thinking and feeling differently he'll be open to even more so be sure to include it, and one thing that often works well is a dual scene, a contrast between old and new. So this could be the original but now improved battlefield and another scene of bright green fields right next to it, sometimes the line between them is so obvious you can step from one to the other.
When you've brought him to the point of standing and taking an interest in things (even a bewildered interest) see who spirit provides to assist in gathering the soldiers to take them away?
In this scene I've seen stretcher bearers moving in to assist which I thought was rather clever in what they would represent to those in need, there were also officers and NCOs provided as trustworthy authority figures they could relate to, I've even seen spirit provide a field kitchen as an additional attraction complete with some wonderful cooking and coffee smells.To round off this scenario the men were gathered into a column before being marched off into the pleasant scene next to the battlefield, they were animated and chatting, their colour and life returned and for many a full understanding of their previous situation had come over them while others still needed a more gentle transition to full awareness, something they would receive further on.
Casting my 'eye' back into the trenches I saw another German soldier huddled beneath his heavy steel helmet, he looked gaunt, grey and lifeless, there was nothing behind his eyes and he was too withdrawn and mentally numb for us to reach this time, hopefully in some way the situation and opportunity would touch him and help rekindle an urge to experience something more, and he might then be reachable in the future.
Further to that example you may perceive others of that type as being more insubstantial and faint, in fact it can be easy to overlook them unless you broaden your awareness to take in their particular vibration, and unfortunately they may require some quite substantial work to access them and bring them forward if in fact they can be reached at all.This then highlights that we can't reach them all and some have to be left behind until a later time, you'll also see them out on the periphery of the scene and beyond it in the dark, so encourage those who need it, perhaps even taking the arm of those who can be led forwards, and work with your team of helpers to gather all those accessible.
Eventually the rescue must end and you may see the pool of light receding until it's gone, it's saddening to see those who can't be reached left behind but this must be so, but then there is also the contrast between this and the emotion that is frequently projected from those who you have been able to help, I've often termed it as the 'gratitude bomb' and the strength and sincerity of that gratitude which comes from deep within them can move even the most unemotional to tears when it's dropped on us.Again this involved children though it wasn't initially apparent that the situation was a rescue.
I run a church open circle and one lady there had picked up on a small group of three children, I tuned into them and having sensed their nature I was quite happy for her to continue working with them for the experience of describing them and whatever else she could learn about them, as I believed they had been provided by spirit for that purpose, so we carried on and gained a wealth of descriptive information from them.
Then quite out of the blue the lady said she thought the children were trying to help another child and coax them out from hiding, so I again tuned in and could sense a young boy hiding in the dark beneath a table, it was obvious he was quite traumatised and terrified of discovery, so there was therefore little chance of him venturing out of his refuge particularly as he had a deep distrust of adults and even to a lesser degree the other children.It transpired that he had been killed by a family member and was now locked into a perpetual snapshot of time where he remained terrified and determined to hide for his own safety, and this was all he knew and could feel.
Even the other children were unable to encourage him out and all we in the circle could do was to try to instil in him the sense of protection we could generate in relation to his plight, then I was suddenly aware of the inclusion of a puppy provided by guides into the scene, it was something like a Labrador pup and extremely cute, so I brought it to the attention of the circle while the spirit children sent it off under the table to meet the boy.
This was then the toehold we needed to break him out from his projected reality and begin to make him open to new possibilities, as once their focus is on something good and inviting they will usually move away from and forget their previous negative focus and preoccupation.Once he was engaged with the puppy we could sense a shift in him as he became lighter and more aware, eventually he was able to accept the children and they were then able to bring him out from his hiding place and into the open, which was quite an achievement considering his earlier state and testimony to how effective the simplest things can be in reaching them.
Soon he was open to the inclusion of adults in spirit and was then able to move on to the point where he was met by someone he knew and accepted them with open arms.This was an excellent ending to what was something of a surprise as no one had anticipated a rescue being presented, especially as it was heralded by the appearance of seemingly ordinary spirit children during normal circle work.
It was also interesting to sense those children further and discern their deeper nature, as apart from their appearance as children, getting eye contact with them clairvoyantly provided an instant insight into their spirituality and knowledge regarding this type of work, therefore showing that they were rather more than they first appeared.
