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2nd
August 2005
Serifos to Naxos

One night in the Hotel Anna on the waterfront,
the proprietor enthusiastic at meeting an Irishman, congratulating Peter
on the Decommissioning. 45e aircon ensuite, sounded okay to us. A blue
bedspread with daisies, a balcony over a flowery alley.
How to check out, though? Mine host not around.I
went to buy ten postcard stamps, from the Post Office just around the
corner, where my pidgin Greek was received (amazingly) with smiles.
How easy everything is in Serifos, and how quiet and small. We had breakfast,
tiny rounds of grilled
bread, butter and honey, at Passagio restaurant, the pretty, sad waitress,
maybe she just had a hangover... Spotted our patron in another bar and
checked out, leaving the Vaio packed inside a rucksack for added (!)
security. Buy postcards. I bought a scarf, which turned into a sarong.
The bus stop on the waterfront. The busride across the centre of the
isle turned out to be mainly for the use of tourists wanting to see
a different beach, not many
actual roads or actual settlements on this island (more going on in
the north). We took pictures from the windows, of the parallel walls,
the crisply browned terraces where once -in ancient times- wheat and
grapes were grown. The iron mines and mine machinery everywhere, Serifos
is rotten with the stuff. I don't know what I'll do with these photos,
there's not much relationship between now and four thousand years ago,
not even in the shape of hills and valleys in this earthquake zone but
it's a ritual. It had significance. Alas, I won't get to the cave with
the underground lake. Koutala beach, it's just another beach, rusty
brown sand, a western facing bay, the bikinis and chiffon disembarked,
we explained to the driver we'd only come for the ride.
Back at Xhora the wind blew us down the hill,
we looked around again, found a meeting going on in the fancy 1908 town
hall building (must have been their heyday) with the green-painted wrought
iron griffin balconies:
walked past the door and glimpsed all the people inside, talking in
earnest voices. Not much choice for lunchspots. Too timid to return
to the very arty café across the square, where the menu has Monet
thumbnails and Cavafy poetry between the lattes and the cappucinos,
we repaired to Manoulis, a cosy dive decked in pub oddments, puffer
fish, football posters, plastic-backed tablecloths, strange mining and
agricultural implements, strings of smoked pork. I had the chickpeas
cooked in wood oven (not great). Nice service, including a power outage
that gave people much amusement.
Are there shops? Not really; but there's a
mining museum, very country, very Irish, lot of faded photos of straggling
work teams outside black holes. Lot of tiny memorabilia items, lucky
stones, shawls and skirts, old bottles. The minder-girls were drawing
posters for another event. Really nothing
now, but precipitous blue and white streets under a blue sky, and the
little pink carnation which is native to this island growing in mounds
along the walls. We take the rough road, long way round back to the
port (Livadi) via the big reservoir. The cemetery, all on its own on
the hillside, a silent walled field of the dead. Crispy maquis, gleaming
mules with intelligent eyes watch
us pass between their fields. Peter said, what's this thing on the map,
this Stone Bridge? It looked impressive. So we went to see, and found,
around the shoulder of the hill, just a valley, just a white-washed
arch of stone, but beside the track there was a tank, a well-house and
a spring. There was clear water running under the herbs, mint and fennel;
and green green frogs, which we chased (inadvertantly and then deliberately)
through the drainhole in the tank... Stone steps, white domed cistern,
red dragonflies, a droning of bees. I climbed on the roof of the cistern
to pick dark red cherry plums. Frogs! Most appropriate, and unexpected
as we'd imagined the island would be a desert in August. Not mute, however.

On to the reservoir, where we cut down to the
inlet which was formed by our frog stream coming in, and here, from
the big tumble of sun-heated boulders, we watched the turtles, swimming
up from dark weedy depths, poking their snakey heads out of the water,
stretching their chequered throats at us, diving indignantly out of
sight. Turtles! Definitely find of the day. Big biplane turquoise dragonflies,
most ancient insects, and a painted lady on the hemp agrimony. Onwards
across a dried flood-pan grown with eucalyptus scented scrub and cannabis
scented hemp, where a very sinister looking scarecrow peered down over
no crop that we could see... and thence to the tarred road, which we
followed pretty well all the way back to the waterfront. Saw another
tourist couple, and one man who must be local, he took a short cut by
the vividly painted blockhouse (odd little building). The Yacht Club,
greek coffees served the old way, in little brass pots and with a piece
of loukum. We took out our books -one of the rare occasions when carrying
the books turned out worthwhile- and spent the best part of two hours
here, under the tamarisks, the young sailing-community beach bums also
waiters watch the tourists come and go, the huge French party, all young
and hip, but making an immemorial French business of ordering
the drinks and snacks; the bigshots in fancy yachting gear, from that
gangsta looking boat called The Magnificent Escape (later, Peter would
spot the biggest cheese actually smoking his show-off cigar, in another
bar).
Thence to the harbour mole, via a last look
around for 'Serifos, The Unknown Isle'. I bought the French version.
Patience at the cattle gates. The bulldog and the poodle, the elegant
little black and white cat curled in the wind's eye. And they're here.
It's neck and neck, which will dock first? The mighty Hellenic Lines
Afroditi, carrying on down to Thira, or the Panagia, which will take
us across the open sea to Paros. In the end it doesn't matter, there's
nothing in it. Ouzo 4 me, Mythos 4 Peter and we stand with our drinks
by the rail, with the sun setting behind the island, and the lights
of the Chora, (which stands on the hilltop in front of the ancient
Chora) becoming visible in the twilight. A beautiful ride, ride of the
day, the breeze stiff enough to make the C-Link Panagia lively, nothing
too fierce. Antares burning like a beacon fire in Scorpio, down in the
southern sky. We reached Paros about ten pm, it looks the same as it
did, strolling crowds, carpet of lights in the dark, got off the boat,
crossed the road, bought two tickets on to Naxos on the 11pm Naxos Blue
Star (charged 1e each booking fee, shock horror). And a gyros portion
for sheer greed, lovely heap of glistening grilled pork fragments, tsatsiki,
tomatoes, chips; busy place right on the port with a funny landlord
who teased our attempts to speak Greek, ooh, it's not ena bira sas,
it's mia bira. Damn these gendered languages! But you try, he says,
approving, all in good part, and only sorry we had to leap up and gallop
for the dock-
We didn't really need to leap up, but never
mind, better safe than sorry. Blue Star Naxos is a vessel without romance,
not all the mirrored escalators in the world will give the fat creature
a soul. But tonight, half empty, with the Meltemi blowing well above
Beaufort Six, it was pretty good fun. Here's Naxos, and here's the dock
where we spent so many happy hours waiting for the wind to drop, two
years ago. Down the stairs, through the cordon of Port Authority police
in their whites with their whistles. The starry, breezy dark, the touts
offering us hotels and apartments and studios, The first taxi we came
to agreed to take us to Kastraki. A shared ride, but we still pay 20
euros. Oh, shocking, indefensible, but what the hell. This summer we
have a dispensation, we are allowed to ruin the game for other tourists
rather than kill ourselves scrapping over £3.We've come up through
the ranks, we can rest on our laurels for a while, same as everyone
else does. So, anyway. First we go to through the town, familiar sights
flashing by, amazing how much we remember, then we head out to Camping
Maragas (Hello! We're back! But not going to pitch our flysheet under
the figtree this year), where we drop the two young women. Then we take
to unmarked, unpaved roads. In the dark. The taxi leaps and jumps, how
the hell will we know where we are, we aren't approaching the locale
from the right direction at all! Allow yourself plenty of daylight to
find your way to the house...it says here. Oh well, too bad. Sand lanes
between sheaves of rattling reeds, the Milky Way in blackness overhead.
Oh! Hey! There's the baker's! Stasis! Drop us here! Drop us here!
Oh well, thinks the taxi driver, taking the
money, scratching his head, not my responsibility.
So wired the packs on our backs were featherweight
we trotted up and down, craning our necks to see the stars, stars, stars,
the wealth of them, the riches of that glittering scarf. We are alone
in the dark, it's one am, we are armed with a good torch, our directions
from Gilly Cameron Cooper, three words of greek between us and two landmarks
in a houseless, sea-murmuring farmland. The baker's, strangely isolated
on its big lot, vaguely reminiscent of a pink Western saloon. And the
'building with the curved balconies', which we nail down after a couple
of false starts. Down the track beside it, and here are the big green
gates, here is the 'big' pine tree (not really big; this is a country
without trees), tumbled over with white jasmine, sweet scented in the
warm breezy night. The gates are open, the key is in the fusebox just
as promised. We're in! This is our domain! The front door opens, the
window shutters open. Looking good. Dump the bags, walk around. What
a day. Has there ever been such a smooth day? Sweet,L sweet. Look, outgoing
tenants left us the rough red wine of the country, in a plastic bottle.
Tastes just fine cold from the fridge.
Oh, they left rather early, wonder why?
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