At a time when most of jazz's revered figures are historical, Sonny Rollins continues to create, dominate, and inspire. His brilliance as a musician was documented from his teenage debut to well into senior citizenship. He was born Theodore Walter Rollins in 1930, a child of Harlem who hung out on the near- by stoop of his idol Coleman Hawkins. While still in high school, Rollins caught glimpses of Charlie Parker on 52nd Street and rehearsals in the kitchen of Thelonious Monk.

 

He was the brightest light in a neighbourhood group of future jazz stars that also included Jackie McLean, Kenny Drew, and Art Taylor; and before he turned 20 he was working and recording with Babs Gonzalez, J.J Johnson, Bud Powell, and Miles Davis. A 1951 session with the trumpeter led to his own recording contract, and for the next three years, until he withdrew to conquer a too common drug problem with uncommon finality, he became acknowledged as the most brash and creative young tenor on the scene in work with Davis, Monk, and the Modern jazz Quartet. When Rollins re-emerged in Chicago at the end of 1955 as a member of the Clifford Brown-Max Roach quintet, he was an even more authoritative presence. 

His trademarks became a caustic, often humorous style of melodic invention, a command of everything from the most arcane ballads to calypsos, and an overriding logic in his playing that found him hailed for models of thematic improvisation. He continued to record classic sessions, and to work under his own name beginning in 1957, often in a trio setting without piano that provided still greater freedom to his imagination. Rollins's first examples of the unaccompanied solo playing that would become a specialty also appeared in this period; yet the perpetually dissatisfied saxophonist questioned the acclaim his music was attracting, and between 1959 and late '61 withdrew from public performance.
While the 1962-64 period saw him returning to action and striking productive relationships with Jim Hall, Don Cherry, Paul Bley, and his idol Hawkins, Rollins again grew dissatisfied with the music business and his own output, and disappeared again for a period of travel and study that took him to India and Japan. Since returning to recording and performing in 1972, he has released a steady yet by no means excessive stream of recordings (all on the Milestone label), performed a constant though modest schedule of concerts, and gained worldwide acknowledgement as the greatest living jazz soloist. Such hyperbole is all the more impressive for the fact that Rollins has sustained his reputation at the top of the heap for nearly a quarter-century.

 

Recommended recordings:

* Newk's Time  Blue Note 84001
* Tenor Madness OJC 124-2 - Prestige 7047
* Saxophone Colossus  OJC 291-2 - Prestige 7079
* Worktime  OJC 007-2 - Prestige 7020
* Plus 4 OJC 243-2 - Prestige 7038
* The Sound of Sonny OJC 029-2 - Riverside 241
* Way Out West OJC 337-2 - Contemporary 7530
* Silver City 25 years on Milestone Milestone 2501
* Thelonious Monk & Sonny Rollins OJC 059-2 - Prestige 7075
* Moving Out OJC 058-2 - Presitge 7058
* With the Modern Jazz Quartet OJC 011-2 - Prestige 7029
* Rollins Plays for Bird OJC 214-2 - Prestige 7095
* Freedom Suite OJC 067-2 - Riverside 258
* Alternatives Bluebird
* A Night at the Village Vanguard Blue Note
* Best of the Blue Note Years Blue Note
* All the Things You Are Bluebird
* Sonny Rollins and Co. Bluebird
* The Bridge RCA 
* Sonny Meets Hawk RCA
* The Complete RCA Victor RCA
* Alfie Impulse
* East Broadway Rundown Impulse
* Plus Three Milestone
* Global Warming Milestone
* Milestone Jazzstars in Concert Milestone
* The Freelance Years Riverside
* On Impulse! Impulse

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