| At a time when most of jazz's revered figures are historical, Sonny Rollins continues to create, dominate, and inspire. His brilliance as a musician was documented from his teenage debut to well into senior citizenship. He was born Theodore Walter Rollins in 1930, a child of Harlem who hung out on the near- by stoop of his idol Coleman Hawkins. While still in high school, Rollins caught glimpses of Charlie Parker on 52nd Street and rehearsals in the kitchen of Thelonious Monk. | ![]() |
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He was the brightest light in a neighbourhood group of future jazz stars that also included Jackie McLean, Kenny Drew, and Art Taylor; and before he turned 20 he was working and recording with Babs Gonzalez, J.J Johnson, Bud Powell, and Miles Davis. A 1951 session with the trumpeter led to his own recording contract, and for the next three years, until he withdrew to conquer a too common drug problem with uncommon finality, he became acknowledged as the most brash and creative young tenor on the scene in work with Davis, Monk, and the Modern jazz Quartet. When Rollins re-emerged in Chicago at the end of 1955 as a member of the Clifford Brown-Max Roach quintet, he was an even more authoritative presence. His trademarks became
a caustic, often humorous style of melodic invention, a command of everything
from the most arcane ballads to calypsos, and an overriding logic in his
playing that found him hailed for models of thematic improvisation. He
continued to record classic sessions, and to work under his own name beginning
in 1957, often in a trio setting without piano that provided still greater
freedom to his imagination. Rollins's first examples of the unaccompanied
solo playing that would become a specialty also appeared in this period;
yet the perpetually dissatisfied saxophonist questioned the acclaim his
music was attracting, and between 1959 and late '61 withdrew from public
performance.
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