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Few
musicians have embodied the romantic, and ultimately tragic, jazz figure
as totally as Chesney "Chet" Baker. A fast liver who somehow managed to
survive for nearly six decades, the Baker mystique has only reinforced
one of the most haunting trumpet styles and ingenuous approaches to jazz
singing.
Baker, who never learned
to read music, was born in Oklahoma and got his training in army bands.
His first big break came through a short tour with Charlie
Parker in 1952. Later that year; he began working with Gerry
Mulligan in a quartet that established an instant personality through
the absence of a piano and the intriguing counterpoint between trumpet
and baritone sax. An early recording of "My Funny Valentine" by the Mulligan
quartet caused a national sensation and made the fragile sound of Baker's
horn emblematic of an entire "cool" attitude.
In 1953, Baker began
a recording and performing relationship with pianist Russ Freeman that
solidified his status as a major jazz star: One key to this success was
Baker's singing, which sustained
the vulnerability of his trumpet work. A growing number of drug
incidents soon began to overshadow Baker's playing, yet somehow, Baker
was able to keep his music under control.
While the cool label
became a Baker trademark, he was in fact a modern trumpeter who could
play with the hardest boppers, as several recordings made in New York
during the late Fifties demonstrate. After living in Europe for a while,
Baker returned to the US in 1964, where he made several fine albums with
George Coleman and Kirk Lightsey. Then his career seemed permanently ended
in 1968, when Baker lost his teeth in an altercation with other junkies
in San Francisco. He stopped playing for two years, then resurfaced again
in New York in 1973, where he renewed his recording career: Much of his
final decade was spent in Europe, often working with a trio completed
by guitar and bass. Prior to his mysterious death in Amsterdam, where
he felt out of a hotel window, Baker was the subject of Bruce Weber's
film Let's Get Lost, a fascinating study of hero worship and self-destruction.
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