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Feature
|
Baroque |
Classical |
Romantic |
20th
Century |
Rhythm
/speed
|
In fast music strong and relentless |
Clear time signatures associated with forms e.g. minuetto 3/4 |
Rubato and accelerando for effect |
Changing time signature/ speeds and unexpected accenting |
|
Instruments |
Harpsichordrecorder |
Piano and clarinet introduced Beginnings of the modern orchestra |
Trumpets and trombones added to the orchestra mean many more violins added for balance. |
Unusual combinations. More solos for individual orchestra members |
|
Voices Soprano,
alto tenor bass |
Melismasornaments |
Light balanced style |
Powerful and dramatic trained voices |
Unusual us of vocal techniques including singspiel |
|
Texture |
Often stepped textures thin then thicker |
Mainly clear roles with tune and accompaniment |
Often thicker and a wider ranging register with more sophisticated instruments |
Unusual mixtures. Can be wide or narrow ranging unusual combinations of instruments or use of individual instruments. |
|
Dynamics |
Stepped dynamics |
Tune foreground and accompaniment background Crescendo and diminuendo |
Used for dramatic emotional effect Louder possibilities in the orchestra as well as sudden silences. |
Very wide variety used. |
|
Melody |
Usually long |
Motivic and full of slurs. Well balanced question and answer phrases |
Often simple emotional and memorable performed with some rubato |
Less important in much music and often no melody at all. |
|
Key |
Clear key centre |
Key used to provide structure in sections such as in Sonata form |
Move to unrelated keys more frequent |
Often no clear key centre but also more varied ideas of using key centres |
|
Harmony |
Contrapuntal with few discords. |
Primary chords used often homophonic |
Fuller chords e.g.9ths and 13ths. Chromatic chords |
Chords clashing often used for percussive effects. |
|
Mood |
Usually consistent |
Balanced moods |
Dramatic, often directly linked with human feeling |
Complex and more individual |