Screenwriting Course Notes  

 
   Genre
 

What is genre?

A genre film belongs to a particular group of films that are similar in their subject matter, thematic concerns, characterisations, plot formulas and visual settings. Genre then is a term loosely used to describe a method of classification. Just as you can boil most stories down to one of seven basic plots, most films have some connection with an existing genre. The main ingredients of a genre are:

Formula: a plot based around a familiar conflict. What happens in a strongly generic film is often predictable; we don't so much get surprises as small doses of suspense as the plot works itself out.

Conventions: the way in which a formula plot is translated into specific visualised units of action within a particular genre (ie. a gunfight in a western, a love duet in a musical)

Iconography: a short-hand use of visual symbols or icons that instantly communicate meaning to an audience familiar with the genre (ie. a black hat worn by a baddy.)

Genre is a complex subject and the methods of categorisation have become highly refined as the film industry has developed. As well as instantly recognisable genres like the war film, the thriller and the love story, a host of other categories have developed:

A Sub-Genre describes a specific variation on a well known genre; for example, the Spaghetti Western; which has established its own set of sub-conventions
A Cross-Genre film combines two different genres to create an original combination. ("Star Trek" was once provisionally entitled "Wagon Train to the Stars".)
A genreęs conventions may also be Subverted for comic effect to create a spoof like "Blazing Saddles" and "Airport".

 

Why is genre useful?

The existence and popularity of genres underlines an important principle of screenwriting: audience appeal.

What is an audience hoping for when they go to see a film? Something familiar, a point of reference with their own lives that connects them to the action, combined with something unfamiliar; a unique or surprising insight on their world. It is the balance between these two that makes a successful film; not just in terms of novelty or entertainment value but also power and truthfulness.

Accept that your film idea, however original, belongs to a genre or a sub-genre of some kind and exploit the fact if you can. The expectations that an audience will bring to your film should be a resource rather than a handicap.