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Apostrophise, but then not,
Spectare’s thinking, summoning, a twentieth century as, prostrate under nouns, an Age of Mass, Masses’ Production, of cars, their blank faces, and the gew-gaw brights of this season’s trinkets, of its darke weddynge, the confetti falling like newspaper cuttings, golden-eared the wheat upbending under prairie winds, of speech on thrombosis-spotted celluloid, hoarse from a lifetime of smoke, Bogart, of speech on fist-clenching balconies and torchlit bandstands, Nuremberg, the top-hats burning like books, of speech on little black handsets, dull-eyed with grey, of rebuilt ages like harpsichords, of peanuts, peasants and ring-roaded estates, of the astronauts that went down on the Titanic, of human living flesh stepping out per second of that one woman in the Middle Kingdom, Chin-hua, of guitar chords on barbed wire and that stranger’s kindness and white-walled maternity wards raucous as barns jostling with white (barred) White Christmas turkeys. Gobblers. Of death. And death
and death and death and death yet again yet life ....
li .... fah, soh li
And he thinks too now of echo-effects on a five-stringed cello tuned by Sebastian Bach and a damp late night on an April Thursday in Caerlyr Year 2000 Leicester
of the Meeting House silence last firstday how his words that broke of his eggs fried, his beans, his oven-heated chips of how Ms K -
(of slim waist and mood-turns and pert bum and sharp tongue and jet-black secrecy her hair swings moon-eyed dependency)
did, didn’t was, wasn’t
whatever it was he last thought her. Of how next minute’s
(a spider feels along its trembling line)
as Poland is invading his head and San Francisco is buckling his carpet in c minor on the Richter scale and a buttock-bare Pope lands mitrefirst in a formaldehyde condom, et homo factus est, and Colonel Aberdeen T-bone Angus eyes a hot franchise on Io for truly now God is found in silence
pause will look up from the punctured space of the holed white on his first page:
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