A Chide's Alphabet Issue 3  

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      MARK WEISS
                  
                  
      THE MOMENTARY GODS
      
      So many white birds on that flat blue water.
      
      That
      stone
      that very
      stone
      that piece of water.
      
      No pillow no
      familiar place   a little money
      to stay alive
      for chance.
      A thread of chances.
      
      Fat water.
      
      Cold   so
      cold that the heart
      itself as if it
      beat in my hand
      before it quit. 
      
      Pithed.
      Slit.
      The small heart,
      the frog
      pinned to the board.
      
      All the seed of the meadow.
      
      All things that fly
      linnet, cicada, grasshopper
      that saws air
      
      saws this!
      
      swallows    the temple
      exploding at every doorway.
      
      So the narrative is the process of finding the god    let me tell
      you what I saw there what spider
      in the dank
      shadow
      beneath the cracked
      pane etched
      with dust and the little light
      that made it 
      through so many leaves
      this blue darkness
      and the reticent spotted bug    its web,
      that it walks the way a pianist's hand
      walks the music, a part
      of its body, that
      integral, 
      the gestures of its many legs that form fabric
      always the same
      always the pattern    the light
      fractured for it    complex
      as the vision of its many eyes the matrix
      of multiple vision. In and out of the light
      the reassuring smells, the
      tendrils at the doorway.
      It was always moonlight there, it was always
      about to happen.
      
      The momentary gods wait
      at the corner, and at the corners of days and nights. The momentary gods
      are where you find them.
      
      I named the sail
      and it carried me.
      ..
      .
      FLOATING THROUGH BROOKLYN, AGAIN
      
      A dog barks by the cemetery three blocks away, barks interminably in the 
               brittle darkness
      his presence known
      to whatever walks there. In my high bed with its books
      and its amber lamp and its shelves
      with more books
      the great splintered night in the silent branches across the glass at my head 
               and the sad light
      of the street-lamps on the paint-and-chrome bodies of cars. I have a geode
      so large that I sleep there, so large
      it becomes the street, so large with
      its trees and stones, its stones   glowing, 
      it seemed, from within.
      a property of marble
      or of white.
      
      I have a bonnet made of blue
      made of clouds
      made of darkness. All night long
      I float.
      
      ..
      .
      
      RIDDLE
      
      I wear
      the hair
      of a sheep
      and a dog
      and the skin of a frog.
      I open a hole in the ground
      go down
      come back
      with a map.
      
      
       
      Missing Bandwidths | Manuskripte | Germania | Philip Nikolayev |Gregor Laschen |Chris Jones | Peter Riley | Mark Weiss | Douglas Barbour | Sheila E.Murphy | Harriet Zinnes | Angela Gardner |Paul Croucher |Robin Hamilton |Nachoem Wijnberg | Tom Bell | Jonathan Taylor |Dee Rimbaud |Jeff Harrison |Pierre Joris |Jill Jones |Patrick Herron |A March Hare |The Carousing Duck |Notes on Contributors|The Ghost Machine Sampler |Return To Introduction |
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