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ALISON CROGGON AND DAVID
BIRCUMSHAW
ALISON
CROGGON
A digression
Being proved
non-existent, I rejoiced in the delicious air. Alas, an angel grabbed me
by the heel and started whispering flatteries. I floated to the ground in
order to hear him more clearly.
As the dust cleared, I saw the
usual disasters were taking place on a huge screen in the city square. A
hundred children vanished in a puff of smoke. A magician pushed his
goggles onto his forehead and scratched his nose. A woman sang the same
words over and over again.
Then I noticed how many people were
shopping. They walked indifferently past a man who was weeping on a
unicycle. Everything they bought turned to rubbish in their
hands.
I realised I must be at a fairy ball and that all those
masks were futile defences against enchantment. Only the clown bought
nothing. He ground a pomegranate into pulp with his oversize heels but not
one coin clattered into his hat.
I thought he must be very joyful,
to be weeping so copiously. But as I approached to ask his secret, he
turned and vanished into a department store. A beggar started foaming at
the mouth and ran down three fat children with a knife and fork. A mangy
dog with worms drilling its back was fossicking in a bin.
What is
this? I asked the angel. And who dictates these horrors? But the angel was
trying on a new tuxedo.
From this level I could see how each smile
dissipated into the dust of reflections. Again I demanded, What is this?
An answer came back to me like confetti on a cold wind. It is called the
Real World, the angel said.
It doesn't look real to me, I
answered, but he had already
gone.
Medea
Forgetting what is
mine as rain sheds its petals I will show you everything falling
away like water
As rain sheds its petals in this endless night
falling away like water from my callussed hands
In this
endless night I think of knives blooming from my callussed
hands and a vast exile
I think of knives blooming
treacherous as lips and a vast exile numbing every
prayer
Treacherous as lips curling inside the body's
love numbing every prayer in blood's filthy clamour
Curling
inside the body's love forgetting what is mine in blood's filthy
clamour I will show you everything
Child's
play
What grieves terminally in that warm angle of sun
fat with voices vapourised from play? You know the calculation of
angles, the nice cut to the cushion: arcs of panicky alternatives,
weighted at the edge of what is possible. The play beggars choice: a
willed act cleaves trajectories where eyes turn, and the
hand opens thus and the mouth speaks doubtlessly. Luminous, like
a memory of god, you can believe in it, knowing it is everything
there is. Making the true, even if it's pointless. But no gripe
this, just the courage it gives you. Hold that feather close: it's
all you've got. Days might dribble through your hands, leaving their
tried sediment, each morning might seem heavier, but it's how images
flicker past you faster and faster without touching, that drills
you coreless, insubstantial. You have to reach further inside,
through deeper skins: the animal curls up, refuses your call: and
then nothing. But still you hear its breath, a bristle of shock,
walking unwarily on a lightless road or perhaps in the
sudden gesture of a leaf. Only that eyes flower all over you, and
forget your name, and you hollow and replete. How damaged, that this
is so little, this lightness, that we must inhabit names. What
matters most is least, and that refuses us shelter. How slight we
are, wrens running on a skin of rubbish over a dark river: but still
distinct, like actors costumed as kings. A kiss will do in lieu of
meaning, its violent unselving which tumbles us out,
unlovely, rotting, the blind dream forging itself, intricate dumb
chemicals, and we their flickering screen. If language infects us,
our unease, it's one of our few beauties. No solace there: what
hones us makes us war. So the Word muscles in to save us, warping to
false order the desperate ignorance on which we stand our vanities,
only to crumble on the cusp of speech. Music might be us, deeply,
but we can't bear it: our instruments are too crude. We
have our hands, our lips, our eyes. Nothing. Each other? Only what
is released briefly into lit arms. If we could hold the dream of
play and vanish in the shimmer of that blinding stream.
Silence
Silence broke my
mouth: the crumbs flew out the window like paper butterflies or
those magnolias nonchalantly shattered on the grass. These mirrors
are confusing, so cold and expensive, they ripple out noiselessly
like the sweet curve of water from a cliff where I am looking down,
seeing further out that blue point beyond any
voice.
Lamps
I might have lifted out
of the day small tremulous lamps to guard the night. But day's
centre is dark.
Nevertheless the lamps are there, flaring
discontentedly like my daughter's marine sleep.
She is as silent
as hands. Her breath peoples the sea with fins of rose and
lavender.
The lamps go out and reveal a horrible beauty. The
sea curls back.
I push my tongue into
silence.
November burning
yesterday
the world came to visit it was easter and the sky split in two with
the grief of an old crime
tomorrow will be christmas and the same
birth opening again with the same desolation
what is it that I
cannot remember if I was old if I was wise I am neither my hands
close on nothing my womb is tired my fingers are scarred with old
scrubbings I have tried staring out of the window all I can see are
old griefs
the old gods walking in the garden and the child
holding a flower in the painting on the wall of a chapel where the
afternoon sun is a memory already ancient confusions the blood that
refuses the hunger that will not listen I would like to know some
answers but can barely shape the questions out of fear there are no
new questions only questions that have always gone unanswered must
I ask them every night and every morning of my life must I ask them
although there are no answers every night and every morning
in
the difficult night of prayer when the gods do not attend in the
washings away of afternoons in each crumb of solitude given and
wasted in the tough bitter bread of love that grazes your mouth and
leaves you gasping in the halfheard voices and the cheek offered
and withdrawn the city's voluble inattention the penances of
ignorance and sobriety perhaps the humble one ignites his presence a
balm of water on a fevered forehead that evaporates before it is
sensed no withdrawal but further and harder and without
colour holding all colour within it
or perhaps the pure white
that one dreams past exhaustion in a crumpled bed after all the
interactions that demanded one be other than you are merely an
erasure of pain
o you who were fragrant as Lebanon the groves of
your undoing now pumped up irrevocable chimneys the sky a burning
glass and the lands wasted
the child with a flower in the
chapel who was once a child bribed with sweetmeats scratching
lice and the flower long dust and the promises made and unmade and
forgotten living in the glance how easy to lament to stare with
grief across the dying garden it was always dying
never for my
children or my children's children will Adrasteia, Amalthea, Ida and
Cynosura bend white studious brows in the college of the bee the
deep caves of water are poisoned never will the
spring
..............................
did it travel the
oceans from Olympus heeled with the spite of the dead is it socketed
by ranks of heavy skulls icythosaurus diplodocus tyrannosaurus rex a
schoolyard chant of bones mounting up to the delicate mammalian
intelligence is it daubed with hair and ochre on the rock near the
rainy season water and carved in relief in the tombs of kings to
gaze forever over a dry sea remembering the stare of a jewelled
woman and the light windowed on her globed eye measured by a bored
painter each shut of the lid and each dust mote moist with millenia
of blinkings how far is a glance as it flickers and rests and moves
on
what is it that I cannot remember if I was young if I was
ignorant the door suddenly still in its movement and afterwards
crystalline with light that never shone there as if a god had
stepped in that common place shared by mites and cockroaches and
ants and a mouse running its stink over the floor as if a child long
mute spoke a word and its echo budded into flame in the minds of
those who heard suddenly humbled by an unexpected
or weight of
the lamb on a burnt tongue or the twisted tap in a smoking
garden a single wing flapping a lone dog howling a bent
nail
in the bleak Novembers when the first winds roar from the
northern deserts bringing flame to tinder forests and ash falls in
the suburbs like soft black stars where frail old women read their
fortunes
ravens tilt outside shuttered houses summoning a red
moon through the blasted twilight
humble wooden houses up
like a match ash black and grey ash in the black garden
and
the door swinging on its hinges in a late damp breeze from an ocean
far away in the cold south
who died? who died? and next door
untouched the wind seasonally capricious and the stars
unfavourable Venus low and urgent in the west yet fifty metres
south honeysuckle dips a curling tongue into cool air
in such
a November I come to the same questions in another place formed
by irreversible losses a landscape of bloated corpses walls crumbled
to ruin and no sign of rain
she who touches the forehead of the
virgin child sleeping with her hands closed beneath her cheek as if
in prayer to brush back a lock that has fallen and moves on a slow
breath
she may not perfectly step between the chasms of
illchoice she may have betrayed herself again and again she may
be foolish and no longer hope for redemption
she may shiver with
an awe in a stained church where no one is waiting
she may know
a wren is moulting into the blue of his wedding on the wasteland
past the powerstation where melancholy scrub bends down before a
salted wind that whips the endless complaining of seagulls into a
troubled sky
she may know nothing she is bitten with anger at
the old curse thickening about her throat she has been silenced too
often her voice rang clear across the silent fields and then her
lids shot open to the choking stain on the sky the
choked sky
she has spoken excellently modest and low she has
been gentle in the ungentle nights she has bled on the sheets giving
birth
she is forced to blame herself there is no one else to
blame
she should never have been silenced
o
you applefoot eyewing starfreckle when did you
vanish
o moth sprayed to its final agony crumbling its
wings on a table
you were always a mute star lost in
brash sodium
useless
the wires spat you out the
smart dollars laughed in the bars
forget
nothing
remember how you lifted the child running for a
train strong as a god in the sweet
rain
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DAVID BIRCUMSHAW
For the Kit-kat Boys a Diction
It being not a discrete occasion. It being its large and overflow,
shaggy-dog and story, its fur walking slum. That is hot breath, fetid,
a yellowed tongue fur licking, on waiting a feather douche a pa
palpledge a kiss. Which is too close. It being
a speechstream,
baby, and sun of Anon. It being mal a diction, nat grey plumage
pluckt by feddirs taught. It being what wood, honey, its
wodwo horny, what trees seal, babel, its home way out way out and,
trailing, root. That's the dark containment, port, babe, the hug-it
clothes in the leave tangle. Foot
stand me up, reddy to abort,
and now some one out walking his head herd to remake this rheum's
outside drawing
The Collected Poems of Joshua Nene
(1955-99)
(i) Walk Dead Still
You modulate a
Court, with all its summoned. Who's in, who's out, who has the King's
ear. Who the judgement. Behindbacks, snipes, En attendant
Gagool. Good Laud, I refuse
your forensic, your sting-pull,
your herd-manage talk.
(ii) Constable
Every
so often I go mad, and climb a tree with squirrels. It is an English
tree. Its fruit pucker from the skin like gargoyles on a Goth. Look,
there's a Blake face, or here a Smart. Clare? It is a moral
tree:
in a breeze it shakes so, its periwig its peruke, dusty,
as if an insect judgement woke. Once we thought it a Liberty tree,
sang of it, too. Still, it gives me fresh perspective.
Arrested,
still. See?
(iii) The Possibilities of
Rhyme
Ashbery has 'Orpheus, a bluish cloud with white
contours'. A voice from the speaking crowd, too, a noise among the
heard. I saw
a man once in a rhetoric cloud, punneling his
escape. He went anon and anon until he disappeared in the
daze.
Optional Ending Extra
Ys. Aitch.
Giving Pronouns Head
Yip, whip, I'se a zho
glee scrabblers, my pro nomina sunt CAP ital
I'zd agen. Dough a police Man dis stapf watch stop ME on the
screed out side today to say
Why is it that you are
carrying those Corinthians on your back?
7 ich wz
trick ee butan sed
hits just the wait of traditionsir O
cifer
al right / then / carry on / but dont / let it
/ hap pen / again
AND I said well thought really
mama that's liberation law domercy fee o lo gy
While Raskolnikov sleeps,
fevered
(for
A)
Razumikhin is drunk, and the room blurs with too much
vodka, strasny mir, as God slips out through a door that isn't
there. Sonya would plead with him, or Avdotya, if only for the
neighbours, but Reason is shouting at a bodyheap of
bedclothes, Wake you, wake. I'm mad with everyone, bar you,
it's an argument with my skin.
Dostoevsky's ill today, gone like
God, though still I feel his anxious fingers tapping in my ears.
Like a typist's drums. Razumikhin's quiescent now, pissing in a
potplant. Plastic. The office light's too harsh here, like an Emden
hausfrau who scalds their ears for rent, coming from a book
elsewhere on guttural steps
as if a Poland wedged in her
throat.
I think she will die from her cancer. Russian scholars
should wash more, neglect steams from hot damp linen. This sure is
some party not to crash. Here in a coffin-let between a stale of
uncertain divinity, and an anger black as an overcoat, a torn
student's.
Discurse Alpha Lyrae Remold
The
man of the lyreways, Orpheus, after-being torn apart by a
song and a woman's hands, was at a loose end and discoalescent,
an almost converstation in a not quite clowd and
occasions, disparts, a happenings to me. I mean biography,
write. I mean ice. I mean a dark mater. I mean cosmocrator
loiter.
He had a loud visions in the mud reeds, flesh, old
stills on star-plates, life to remind him of his skin, aways from
here, the rite strain caught, almost late, mirrors that
nuzzled like warm pronouns
to look in from the veerside of
yes he remembered his head.
But, like parachute jumps off the
day's brink (that is a passport backwards to the Shire) the
things stayed metaphor almosts, quoits
until no more. No
more than that he was that, met her more each selving wrapped
now
on a pressure hold of light a gravity beat song print an
inplose whirl'd a waltz to a starberth
a Glowball warming a
quickfire
slow
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