|
1972 was a busy year. There was much dancing
without the guiding hand of Colin Shaw who had been with the side
from the outset! There were also to be two weddings, two engagements
and a stag night that only just made it before the New Year bells
rang out.

Ian Stewart on 5 Row Hohner and
Laurence Platt on concertina.
Both photographs taken at a
practice session in early 1972 at Kingston village hall.
11th February 1972 and NTMC newsletter number 116 carried
the advert:
‘Join the Dolphin Morrismen for health,
open-air activities, barked
knuckles,
and lumps on the head, no money, hard work, turning out
at least once per week, sweaty
shirts, mud stained trousers to
wash. We think it’s great!!
See windowsill squad or Roy Dyson’
On Sunday 2rd April 1972 the ‘Folk on Sunday Ceilidh’ on
Radio 2 was to be broadcast. Dolphin Morris Men were approached to
take part and agreed to do so, for a fee/expenses of £15. The date
for the recording of the show was set for Monday 13th
March 1972 and eleven Dolphins were taking part and had to attend at
6.00pm for rehearsal. The Pennine Hotel, Macklin Street, Derby was
the venue and the side was asked to prepare a dance that would have
‘plenty of appeal for radio’,
and one which preferably included a ‘short song’.
NTMC newsletter 121 of 17th March 1972 is full of praise
for how well the recording session went and saw it as the start of a
series of such collaborations.
The same newsletter announces the engagement of Mick Couldry (of
‘Owd ‘Oss and Dolphin) to Sue Guest.
A
letter dated March 21st 1972 from the B.B.C.’s Frances
Line, producer of Folk on Sunday, was sent to Roy Dyson. The letter
indicated that Dolphin’s second dance had been cut from the
broadcast. The letter explains that: ‘On
listening to the tape I found the song contained the words, “Off
with their knickers for starters”, I have found in the past that
this sort of lyric tends to give offence to some listeners and this
phrase would I am sure draw adverse comment on an Easter Sunday
afternoon’.
And so it was that the Dolphin Morris became the first Morris side
to have part of their performance cut from a radio programme by the
B.B.C. for reasons of obscenity!
 |
There were no such qualms from the
Mansfield Ladies Circle who Dolphin had entertained the
previous October, they wanted more.
The ladies were holding an area rally
at Sutton-in-Ashfield and wanted Dolphin Morris for
another performance.
|
Saturday 25th March 1972; and Terry
Paling married Marge at Nottingham Registry Office, Shakespeare
Street.
 |
As NTMC newsletter
number 123 dated 31st March 1972 puts it:
‘The
Mummers and the Dolphin Men were out in full force and
full dress. With typical imperturbability, the good folk
milling around in the vicinity of the Registry Office
ignored the brightly clad eccentrics in their midst, as
if it were quite an everyday occurrence to have St
George and Little Devil Doubt hanging around Shakespeare
Street at 9.45am on a Saturday morning.’
|
 |
Dolphin performed the traditional
wedding dances and Terry Paling joined in with ‘Getting
Upstairs’.
Terry recalls that:
'Dolphin turned up even though
we didn’t invite them’.
Jan Whitelaw reflects that: ‘Most
of us who attended Marge and Terry’s wedding were there
in body only at that unearthly hour. The people going by
at the time seemed unsure what was happening because of
all the different outfits’.
|
It
was a year for weddings and on 15th April 1972 Squire of
Dolphin, John Baxter married Toni at St Jude’s Church, Mapperley.

The traditional guard of honour
was performed by Ian Stewart, John Whitelaw, Bob Hine, Ted Hutchby,
Roy Dyson, Colin Shaw, John Sweeney, Wocko, Laurence Platt and
others.

The occasion even made it onto the
pages of the Nottingham Evening Post. |
NTMC newsletter
number 126 dated 21st April 1972 records the
event.
‘SECOND
NTMC WEDDING OF THE YEAR – JOHN AND TONI…hard on the
heels of Terry and Marje’s hitching a few weeks ago came
the wedding last Saturday of John and Toni.
The
Dolphin Morris Men were out in full force to celebrate
the wedding of their Squire. During the church service,
the Morris men had completely drowned out not only the
choir but all the rest of the congregation, with their
lusty rendering of hymns, starting half a bar ahead of
everyone else’ and,
‘putting in a wealth of folky twiddles’.
At the
reception, the Morris men discovered that £5 had been
put behind the bar for them, and they proceeded to do it
justice while ‘boogalarising’ the wedding guests with
continuous dancing and singing’. |
| Weddings couldn’t
stop the march of Morris to the masses and the dancing
season kicked off with a tour of The White Lion and The
Double Top at Bramcote and The Cadland at Chilwell. The
date was Thursday 4th May 1972.
We see the recently married John
Baxter on the left with Wocko, and Roy Dyson with his
back to the camera.
A correspondent informs us that,
‘It was bollock freezing cold
and the set had only four men in it’
This photograph
appeared in the Nottingham Evening Post the next day. |
 |
One week later, on Thursday 11th May 1972, Dolphin’s were
at the Magna Charta at Lowdham. It was another photo opportunity.


Laurence Platt played concertina and Bob Hine
looked resplendent with fresh flowers.
Saturday 20th May 1972; and a jointly organised day of
dancing saw Dolphin with Colin Shaw’s new team Manchester Morris
Men.
Starting at Buxton the men danced at Chapel-en-le-Frith, Castleton,
Hathersage, Baslow, Bakewell and finished at Matlock Bath near to
the petrifying well. The record shows that the total cost of putting
on the day was £93.30p and that collections amounted to £81.50 so
each team lost £5.90, good value for an enjoyable day out.
The June 1972 issue of ‘Platform’ carried an article: ‘The Morris’
in which ‘Roy Dyson, Bagman of The
Nottingham Dolphin Morris Men, discusses the history and survival of
Morris Dancing’. The article contains photographs of
Dolphin Morris Men outside The Magna Charta, Lowdham on 11th
May 1972 and a full page photograph of Wocko in his smock and
holding the remains of a pint…


Wocko as he appeared in
‘Platform’ in June 1972
June 2nd - 4th 1972; and the annual trip to Thaxted Ring Meeting saw
Dolphin on tour B with: Shakespeare Morris, Winchester Morris and
Kennet Morris Men. Dance spots included, Radwinter, Ashdon, Linton,
Hadstock and R.A.F. Debden. Roy Dyson, in his letter of thanks,
makes mention of two ‘outstanding features’
of the meeting: the food and the provision of a coach for
the Saturday tour!
On Saturday June 24th 1972 Dolphin organised a day of
dancing at Kingston-on-Soar and Sutton Bonington. The day Started at
10am in Kingston Village Green and finished at a Garden Party at
Middleton Crescent, Nottingham. The intervening period filled with
dance spots at, ‘Marl-pit Hill corner’, ‘opposite Park
Lane Farm’, ‘opposite bus stop’, ‘Sewage Station’ and
some of the more ‘usual’ places, The Anchor, The King’s Head,
and The Station Hotel.
 
Two photographs of Dolphin dancing
outside The Playhouse Bar during the Festival. |
At
the Nottingham Festival, Dolphin did dance displays on 8th,
11th, 13th, 15th, 18th,
19th, and 22nd July 1972 and as
well as these dates NTMC ran events on 14th,
17th and 21st July!
|
| NTMC
newsletter number 138 dated 14th July 1972
reports that ‘In the Trip to
Jerusalem last night the Dolphin men performed the
Kingston-on-Soar Horn dance, an ‘obscene ritual’
which was performed to great applause. It was a busy but
enjoyable time for all things folk. |
NTMC newsletter 141 dated 4th August 1972 announced ‘another
noteworthy event’. ‘…this week
was John and Jan’s engagement/birthday party at the Crown Hotel,
well attended by the NTMC members. Towards the end of the evening
there could have been no doubt as to which organisation a large
number of the party-goers belonged, with singing, dancing and
general merrymaking with the true spontaneous “folk” feel about it.
All in all, a grand crack altogether, and no doubt there were some
fine hangovers the next day to prove it. Congratulations John and
Jan’.
7th
October 1972; and eight Dolphins went to Derby Morris Men’s day of
dance and feast. The initial invite was for two representatives of
Dolphin to attend. In the event 40 men sat down to the feast,
followed by dancing and singing and everyone enjoyed the day to the
full. NTMC newsletter number 153 dated 27th October 1972
records, ‘the Dolphin Morris men went to
the Derby Morris sides feast some weeks ago. Derby’s Squire was
wearing round his neck, as a “badge of office”, a chrome plated
bottle opener. Towards the end of the day he was heard to say, “I’ve
had this bottle-opener for a year now, and up till now it’s never
been used, but all this afternoon it’s been in use opening bottles
of Dolphin Men’s ale’.
In 1972 the Shippo’s Ale Song written by Wocko came on the scene and
was ever after associated with the Dolphin Morris Men, at least in
the minds of the Dolphin Morris Men anyway. The song in its
‘unrefined’ form was probably written in about 1969, although this
cannot be confirmed.
Denny Plowman says: 'I think the event
where I first heard Wocko’s song must have been Oct 7th
1972 Derby Day of dance and Feast Stretton Village Hall
(Burton-on-Trent). I don’t recall the dancing at all, though. I
guess this must have been around the time I joined the Dolphin’.
When asked if he remembered the Shippo’s Song during his time as
Squire Colin Shaw says, ‘No. He made do
with "I don't know who you are, Sir....." in various versions
depending on the presence of ladies and vicars’.
The full words, which follow, were supplied by Wocko himself and can
be heard on the CD ‘Loaded for Bear’ produced in 2003 by ‘The
Original Higglers’ Roadshow’. Andy Padmore remembers the song from
the 1970’s when he actually learned the words from the singing of
Wocko and can see the folk process in action with many changes of
words evident. The words as written now are different to the way
they were sung then. In verse one Andy recalls,
‘Instead of Robin Hood, Wocko used to refer
to “Alderman Derbyshire”, and in verse four “pickles” preceded “Bag
of crisps”. Small changes but a bugger when you’re trying to join
in’.
THE SHIPSTONE’S
SONG
Written by Lloyd
Winston Watkins ©date unknown but circa 1969 to 1972
There’s a little
Chinese chipper to the north of Hyson Green
That specialise
in curry and chop suey
There’s a little
trail of horse-muck that’s seldom ever seen
That leads unto
the back of Shippo’s brewery.
There’s a little
man who works there and he wears a shabby coat
He’s responsible
for mixing of the brew
And he’s got a
strap of leather where he ought to have a throat
That’s why
Shippo’s tasted just like it do
So come along you
local lads and listen to my ditty
I song of what’s
peculiar unto our famous city
I don’t mean
(Robin Hood) though he’s very strange I hear
I’m talking of
our local brew the famous Shipstone’s beer
Chorus:
Rule Brittania and God bless Ivory Thirst
We’ll keep
drinking Shipstone’s till we burst
So come on all
you boozers, drink up with full intent
The water for
this brewery is drawn from the sparkling Trent
It’s taken from
Stoke Bardolph just below the sewage farm
Then sterilised
with alcohol so it won’t do you much harm
Chorus
Now when you go
out boozing and you stop off at a bar
Just stop off at
that public house that bears the big red star
It’s not the
Jewish Russians escaping to Israel
It’s Mecca for
the masochists the sign of Shippo’s ale
Chorus
Just step up to
the barman say ‘A pint of Shipstone’s please
And just to take
the taste away a plate of soggy peas
Some mint sauce
and a bag of crisps will cure my misery
But when the
mixture hits your guts just keep away from me
Chorus
Now in the
General Hospital there is a special ward
For Shipstone’s
alcoholics who never can be cured
They’re seldom
ever sober they’re always in their cups
It isn’t that
they like it, they just daren’t sober up
Chorus
Onward
Shipstone’s drinkers, have another hair of the dog.
Keep your legs
and fingers crossed…onward to the bog
Wake up in the
morning – raging diarrhoea
That’s what comes
of drinking famous Shipstone’s beer
There’ll always
be a Shipstone’s, while there are masochists,
And we’ll keep
drinking Shipstone’s ale until we all get…drunk
16th December 1972 was the date of the NTMC Christmas
fancy dress ceilidh at which Dolphin performed. No further
information has come to light except the date.
|
The next day, Sunday 17th
December 1972 the Dolphin Men performed at the
Nottingham Co-operative Folk Club at The Crown Hotel.
The man in charge of the Folk Club was Wocko who
supplied the illustrated ‘contract’ left.
John Whitelaw in his 30th
birthday write up for the Tiger Folk Club had written
(in June 1998):
‘We were
performing at the Co-op Folk Club when 'Flowers of
Edinburgh' was called, a dance which has a chorus of
dropping down onto one knee with the other leg stretched
out wide. Although John Baxter was up to it, his
trousers weren't and split from waist-band to bells,
revealing white underwear. His wife, Toni, was only
grateful that she had persuaded him to put some on!
There had, prior to this,
‘been a long meeting to decide on
kit. After much discussion we thought that we had
covered everything until someone said, "knickers!”
"Purple" decreed
Squire John Baxter.
|
The last Dolphin event of 1972 was the stag night which took place
on Saturday 30th December and is recorded in the NTMC
newsletter 163 dated 5th January 1973 thus…
‘Last Saturday…wasn’t an official NTMC
function, but it was a memorable evening none the less, because it
marked Mick Couldry’s stag night (piss-up, pub-crawl, call it what
you will). This crawl takes in some of the seamiest pubs in central
Nottingham of a Saturday night, and the circuit which is followed
has become virtually traditional for the Morris and Mummers when one
of their number succumbs to the marriage bug. Unfortunately I can’t
list the pubs concerned in full detail, since after the first three
or four I’ve always found it a bit doubtful where we actually are.
Controversies rage about whether Mick actually broke the record for
endurance on this crawl – as Colin Shaw, whom you’ll remember as
past Squire of the Morris, got to the same stage as Mick, namely he
got to the Indian restaurant after pub closing before he collapsed.
But there are all sorts of technicalities, such as the question of
just how many vodka’s got poured into each pint drunk by the
bridegroom-to-be on each occasion. So suffice it to say that Mick
did at least as well as any before him, if not better.’
John Whitelaw recalls: ‘Re Mick’s stag
night – proceeding along Fletcher Gate we came across a red and
white plank obstructing the footpath. So as not to disturb this
aforesaid plank the prospective groom leapt over the obstacle before
landing in an unseen hole on the other side; thus receiving a severe
injury to his ankle’.
Dai Lees recalls: ‘Mick’s stag night was
the drunkest affair I’ve ever been on, I think. He certainly fell
down a hole in the road and emerged wearing a traffic cone like a
clown’s hat, but I remember very little apart from that’.
1972 ended with John Baxter two months into his second year as
Squire and Roy Dyson into his fifth year as bagman.

Roger Grimes |

Lawrence Platt |
|
Caricatures drawn
by Mick Scott |
Information to hand suggests that new members for 1972 included Ian
Ambrose, Peter Hemsley (but Peter may have joined in 1974?), and
Denny Plowman.
Mick Scott became a Dolphin around 1972 but although the exact date
is not known Mick recalls how it happened, ‘I
returned to Nottingham after a brief work spell in Dundee in 1970
and shortly after became a regular NTMC attendee. At the time, if
you failed to get to the News House soon enough, the full sign was
put on the door…Anyway on occasions Laurence Platt would dance on a
table and Dolphin tours would be announced and I was interested.
I obtained a duet concertina
around this time, and via various contacts, Laurence called round to
our Sherwood address to give his opinion and advice. At the time I
had in stock a powerful home-brewed ale, and not a great deal of
concertina work-shopping took place. At the end of the night, I
remember (just) pointing Laurence in the general direction of home,
and hoping he reached there safely. I had trouble finding the stairs
for bed. The event convinced me that Morris Dancing could be for
me’.
|