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Mary Potter (nee Attenborough) is now
recognised as one of the foremost British women painters of the
twentieth century. After studying at Slade under Professor Tonks,
she later developed a distinctive style and was not closely allied
to any group or movement. Her paintings were matt oils on canvas and
were usually preceded by watercolour sketches. Her subjects were
landscapes, still lifes, portraits and, latterly, abstracts.
Mary Potter's elusive colours, fugitive shapes and textures convey
the ephemeral quality of the air and light. Many of her pre-war
paintings are of the Thames at Chiswick, as seen from her window,
while her later work responds to the spare coastal landscape around
Aldeburgh, Suffolk, where she lived for many years.
Her husband was Stephen Potter, author
of Gamesmanship and Oneupmanship.
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