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were painted by three members of Chelsea Art College; and commissioned by
the manager of Steeleye Span, Tony Secunda, a kind of ageing enfant terrible
in the area of outlandish publicity stunts.
But as with his
other ideas - e.g. the £8,000 give-away at Steeleye's Hammersmith gig
last November - Secunda has contrived a situation where his band is not
the only beneficiary.
Theoretically
Secunda should have applied for planning permission, but did not do so.
He acquired only the sanction of the cafe proprietors of said wall, but
after all, his activities indirectly helped to attain the very objectives
that the council (in this case, the Royal Borough of Kensington And Chelsea)
should have been seeking themselves. The site is now reason- ably attractive,
and certainly colourful.
"The wall
looked very ugly, with bits of wallpaper hanging off," said Secunda.
"We had to fill the wall to level it off, and in the process we've
made it completely watertight for the cafe owners.
The cost of the
whole operation, which took only three days, was, Secunda reckons, about
the same as for a full-page ad in NME.
He now has ideas
for expansion, as well as plans to move north, and is eyeing suitable
sites throughout the country, He presently has in mind a gigantic 300'
by 60' space, as well as one wall which he has subsequently discovered
is Crown property.
The Shepherds
Bush murals have been hugely visible for a fortnight now (there is also
a smaller version along the Harrow Road), and Secunda now anticipates
no bureaucratic problems. "l think something would have happened
by now if it was going to."
It is, in any
case, unlikely that the council will take any precipitate action. When
l rang them last week, it took them ten minutes to establish whether or
not the walls in question were located in their borough. And they
still haven't called back with the promised comment ...
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