Videos


Instructional videos on learning the Violin and Guitar


cover A step-by-step guide to learning to play the violin. Presented by Jools Holland and Ric Sanders

cover Learn to play the basics and techniques of popular music on acoustic guitar with Michael Thompson

coverComplete Fingerstyle Guitarist, The - Six Guitar Lessons - Series One : Complete Beginner

Violin Performances

cover Tchaikovsky Violin Concerto & other pieces:David Oistrak

David Oistrakh was one of the greatest violinists of our time but received very little exposure in the media. This programme has been re-mastered from original film held in the archives of Soviet TV. David performs a number of works by Kreisler, Lalo, Schubert, Tchaikovsky, Locatelli, Beethoven and Sibelius. With the Moscow Radio Symphony Orchestra and the Moscow Philharmonic Orchestra conducted by Gennady Rozdestvensky.

coverYehudi Menuhin : The Violin of the Century - A look back over the famous violinist's career with comments by Menuhin himself and his colleagues.

cover The Art Of Violin.

A documentary film by Bruno Monsaingeon devoted to the 20th century's greatest violinists, The Art of Violin really cannot be faulted. The same, incidentally, can also be said of the similar volumes which cover the piano and singing , so there's never been a better time to collect a personal audio-visual archive of some wonderful historical performers. The added dimension provided by the painstakingly collected film material (here featuring no fewer than 20 outstanding soloists) is of course of exceptional value when observing violin technique, and the diversity of approaches presented here in loving detail is in itself a subject for endless comparison. The material mixes archive performance footage, much of which one might never have dreamed existed, with interviews and documentary commentary. However, rather than turn the project into a museum piece, Monsaingeon includes contributions from contemporary figures such as Perlman and, shrewdly, Hilary Hahn--not that there'd be any doubt of the huge relevance of the material to any contemporary player or lover of the repertoire. An absolute must. --Roger Thomas

cover The Red Violin (Video) coverThe Red VIolin (DVD)


Review by Michael Jacobson

The Red Violin is a nearly perfect film, with a structure that allows it to encompass the best of two worlds. It combines the sumptuous beauty of a romantic period film with a modern fable of price versus worth.

The magnificent instrument that is the title character, of sorts, is the centerpiece of the film. Through flashbacks and bits and pieces, we see the story of the violin, beginning with its creation, and ending in an auction house in Montreal, and its 300 year journey in between. The story of the violin is, of course, the story of those whom the instrument touched over the years, and naturally, those who touched it as well.

The violin is created by a maestro in 17th century Italy, meant as a gift for his unborn son. But when his beloved wife and the child both die during the birth, he finishes the instrument by applying red varnish, then sets it aside.

Over the course of the film, it ends up in many different hands...and some of the movie's most well-conceived sequences demonstrate this notion. During one memorable series, the violin remains in exactly the same position in front of the camera, as the backgrounds and musicians who play it dissolve from one to another. Terrific use of editing, and demonstrates a way to exposit in a purely cinematic way.

The journey begins when it first goes to a monastery, and is used by a child prodigy, who is taken to Vienna by a poor but gifted teacher. I don't want to give away the terrific transitions in the story, but from there, the violin winds up in the hands of an English virtuoso, who uses its music in both public concert and private seduction, and later, goes to China, where under the Communist revolution, it becomes a symbol for evil Western cultural infiltration.

Each story is brief, and sketched with broad strokes, but all of them seem full and satisfying. The reason is the music. We may not get histories or exposition with the characters involved, but when they pick up the violin and play, the notes that weep from it give us more information about these people, and what emotions are in them, than any ten pages of written script. The violin is one of the most expressive instruments...the music that pours from it can seem like mirthful laughter or mournful tears. The notes can calm and sooth, or they can slash through the silence like a scream. This is one of the most masterful uses of music you'll find in a motion picture.

And eventually, the story culminates in the auction, which is hinted at throughout the film. By the time we actually experience it near the end, we know a little something about the people bidding on the violin, too, and how each one has some kind of connection with the stories we've experienced. As a modern day appraiser (Samuel L. Jackson) begins to probe the mysteries the violin has kept over the course of three centuries, we fully realize that the value of the instrument stretches far beyond its worth as an antique or item of historical importance...or for that matter, even beyond the stories attached to it, and the individuals who expressed their passion, sorrow, fear or love through its music.

Please understand, I'm purposely avoiding as many specifics as I can in outlining the film. To deprive viewers of experiencing the masterful way the picture unfolds and reveals itself over the course of a setting would be criminal. It needs to be experienced first hand to be fully appreciated.