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Themes Familiar

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9. GUEST APPEARANCES ... Page 1



This is a page for Guests.

I welcome original contributions in the form of verse, creative writing, or artwork from those interested in having a slot on this website to give their creation a wider audience.

Anyone wishing to contribute please submit your work to 'Themes Familiar' via the email link on the Links Page ... Section 10




Another place

Submitted by the author,
John Brelstaff


Fallen Leaves

Everyone was talking

like an orchestra forever tuning up,

and I thought of a place we used to go

and I might find a sign of you, a silk square

or the circle your finger might trace in my palm

but there were only bits of your shadow

left among fallen leaves

coming to life now and then

in the sudden pulse of a breath of wind

like the leavings of a garden fire.



Millais Autumn Leaves


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The Journey

Like men of old of sail, becalmed, though not
by lack of wind, we idle, ill at ease.
I think of those who watched us sail from home; they would
not think such change could come about.

We were provisioned well; the boat was sound; the crew
beyond reproach, but what we surely knew would see
us through was this: a man whose faith
had bred our own, and who had led
a life of exploration on these seas
and penned on careful charts each channel, shore and sound
and every place where foolish man might run aground,
this old man of the sea, in love (and maybe envy)
of our youth and spirit, blessed us with his patronage.
His maps and notes he had no further use for:
they were ours.

Long hours we sat into the night, we
and the old man, and he told
of journeys round the good land -
hidden always, so he said, in such thick mists
and buffeted by storms,
that he had never set a foot upon its sand.
Nor would he now.
What hope remained, he would transfer to us.
Our journey would not fail.

In this perhaps we erred: we made
one passing nod to science. We installed
(to reinforce our faith in ancient learning - so
we said) a radar set, and watched its one eye
glare like Satan's at us on the bridge. We learnt
to read (as best we could) its hieroglyphs, its shadows,
points of light, which painted for us on its dark screen
landscapes, barely seen
in faint and unfamiliar images.
Yet still we sailed, our expectations high,
into a world of mists devoid of any shape we knew.
Only in Satan's eye were patterns that made sense
- but untrained eyes beholding sense (or seeming to)
need help from what they know. We sought
to verify the patterns, match
impressions with the charts, but all the while
in Satan's eye, it seemed the maps had lied:
There was no way to reconcile the two. We tried,
and trying, became prey
to every shift of wind and tide. Irresolution
had become the skipper of our crew.

And so the great decision;
how to tell the crew? The land,
the object of the quest, eluded us.
The good did not exist. The best,
we'd found on board, in easy friendships.
Who could now explain that what had made this so
was less than true, and take the rich soil of the life they'd grown
or telling them, part company from the best we'd known -
and thereby be the cause of that old seaman's loss of pride?

Faith for us now, if it can be, must be
not in good causes, lives or better lands,
but in those things that live and make their presence felt
in mist and fog and storm, where lack of definition
baffles indecisive man, where man
encounters chaos,
and in meeting it, finds form.

        Submitted by ... Dave King

Mariner

















Argos

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This poem is inscribed on the Millennium Stone, the first menhir to be erected on Dartmoor for many years. It stands on the open moor near Princetown, Devon

The Touchstone

Inscribed:

'John Powls ... Poet
AD 2000'

Submitted by the author

The Touchstone


Inspiring

This stone touching

Open moor and sky

Granite land mark

Raised to stand

For all times

As one time;

Now, then and ever

In love and beauty

Our story is a book

Always open

At the centre

Half of experiences

Half of

Un-named hopes.

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