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The Mediumship of Mme. d'Esperance The mediumship of Elizabeth Hope (1855-1919), who worked under the pseudonym of Mme. d'Esperance, is not only an example of the quality evidence available through physical mediumship, but also, the problems that occurred in respect of female mediums in Victorian England. Spending her early childhood in London, she claimed to see 'shadow people' that no one else could see, and consequently, she was viewed as mentally ill. Her problems were made worse by having an absent father and a mother who scolded her for the stories that she told about those whom she saw. After consulting a physician and being told of similar people who had been imprisoned in asylums, Elizabeth related how: 'I shivered with fear, and prayed almost frantically that I might be kept from going mad'.(1)Her encounter with the 'shadow people' continued, only bringing about more doubt about her sanity and the increasing possibility of being taken to 'the mad house'. By the age of fourteen, she had suffered a complete nervous breakdown. After a period of having little encounter with the 'shadow people', this was interrupted when she was at school; one morning she awoke to find that an essay to be submitted, had been produced in her own handwriting during the night while she had been asleep. Due to its excellence, she was interrogated at school regarding its source, and after further questioning by the rector, it was accepted as being her work, despite it apparently originating through another source. She married when aged nineteen, and resided in Newcastle, and the 'shadow people' then reasserted themselves in her life. It was about this time that Elizabeth heard of Spiritualism from a friend, although she was initially unable to accept the phenomena claimed for it. Despite her apprehension, she joined a circle in the early 1870s, and
attempted table-tipping and, 'there seemed to be a tremendous vibrating movement
in the wood of the table-top...which gradually spread itself to all parts of
it'. When the others removed their hold of the table, 'still it moved'.
Elizabeth then experimented with this activity and discovered that a basic
communication could take place with the unseen table-mover. Following this, she
was able to also demonstrate an ability in clairvoyance. Having had her interest
motivated, she began to read about the subject that she found 'all very
bewildering'.(2) Further progress was made when Elizabeth was able to draw refined pictures of
communicators in the darkness; one of which was completed in about thirty
seconds. When others heard of her ability, she found herself besieged by
requests to witness her mediumship. In time, she travelled to other countries,
e.g. France, Norway, Belgium, Sweden and Germany, due to the demand for her
mediumship. There was clear progress in the production of materializations; Walter, a frequent visitor, 'seemed to make himself rapidly familiar with all the company'. At the conclusion of this particular series of seances, one next-visitor who began to make an appearance was Yolande, a young Arab girl, and Elizabeth pointed out that she, 'soon became, as it were, the leading feature of our seances'. Elizabeth also related how on one occasion, Yolande 'gradually dissolved into mist under the scrutiny of twenty pairs of eyes, [her] shawl was left lying on the floor...the shawl would itself gradually vanish in the same manner as its wearer'. During these occasions, Elizabeth did not fall into the usual trance-state and also became aware of the link between herself and the materialized person, and stated: 'There seemed to exist a strange link between us...I seemed to lose, not my individuality, but my strength and power of exertion, and though I did not then know it, a great portion of my material substance'.(5) Elizabeth's mediumship also fulfilled the purpose of Spiritualism, i.e. to
reunite the bereaved with those who had died, and demonstrate their continuing
existence. She recorded how on one occasion, a young sailor materialized and 'I
heard cries and exclamations of joy'. The boy had walked towards one of the
sitters and 'flung his arms around her'. The sitter told the circle: 'It is my
son...my only child, whom I never thought to meet again. He is not altered...He
is just my boy'. Another instance cited was when a Mrs Bitcliffe came to one of
Elizabeth's seances, shortly after her husband had died; the seance was almost
at an end when her husband materialized. A statement was drawn up by one of the
sitters, and signed by others present, saying 'Not only did I recognise him, but
his wife, my wife, and another lady present, all knew him immediately he
appeared'. Additionally, there were two more sitters who acknowledged him. At a
later seance, Mrs Bitcliffe brought her two young daughters, and their father
materialized for them. The girls embraced him and and asked questions, e.g. from
where had he obtained his 'white clothes'? Elizabeth also narrated how a woman
materialized only days after her funeral and 'was instantly recognised by
several' who had known her.(6) During the tests conducted by Oxley, he decided to place plaster casts on the
wrists and legs of the materialized figure of Yolande: this would demonstrate
that Yolande was indeed a genuine materialization as she would have to
dematerialize to exit from the casts. This was, as Inglis noted, 'a test which
"Yolande" passed'.(8) Oxley wrote a number of books
concerning materializations and these included his observations regarding those
produced by Elizabeth. In fact, others had remarked on how a medium would vanish from sight during
materializations: for example, in Light (1882, p.197), Stainton Moses
detailed how, in one seance, materialized forms joined the circle and were
recognized by the sitters, being followed by the male form of the one of the
medium's controls, and yet the medium could not be seen. Curnow refers to
similar occasions, e.g. when Colonel Olcott secured Mrs Compton, the medium, to
prevent movement; when materialized forms appeared, Olcott found no trace of the
medium. The situation became even more bewildering when he weighed a
materialized girl and on request, she even made herself considerably lighter.
Following this, Mrs Compton was weighed and found to be nearly twice the weight
of the materialized being.(10) The question of the relationship
between the medium and those who materialize is obviously an important one that
remains unexplored, and it is regrettable that despite so much 'investigation'
of physical mediums for so many years, so much remains unexplained. Elizabeth was acutely aware of the duality of her role as a medium and the
unresolved conflict brought her to despair at certain times; eventually, she
developed ideas not in mainstream Spiritualist thinking at the time. Her book Shadow
Land reveals her melancholic nature, and the distress with which she so
often found herself confronted. In addition to her own problems, she also
highlighted the outrages to which young female mediums in Victorian England were
subjected, invariably by middle-aged, middle-class male academics, saying: 'My
blood boils within me when I hear of sensitive mediums...being subjected to the
indignities and insults of these "investigators"'.(13) Owen
notes how Elizabeth 'spoke, too, of spy holes and surprise strippings; in
addition to the usual ropes, bolts, and screws, as "the investigator of
this class" sought to catch out the unsuspecting medium'.(14) The life of Mme. d'Esperance is an adequate example of some of the problems
faced by gifted mediums, particularly female mediums, in Victorian Britain. It
was through their trials and tribulations that modern Spiritualism came into
being; the price that they paid was considerable, and surely one that twentieth
century Spiritualism should never forget. NB. This article appeared in the October 1997 NAS Newsletter. (C) Noah's Ark Society |
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