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The Mediumship of John Myers The work of John Myers is possibly little-known as the activity of spirit/psychic photography has come to be viewed as dubious by many. Nonetheless, in the case of this medium, Maurice Barbanell states that in his career of investigating Spiritualism, he had not encountered 'a more dramatic example of what spirit power can achieve'.(1) In fact, although the name of John Myers is almost wholly linked to the activity of spirit photography, his mediumship also included remarkable healing and clairvoyance.Barbanell only heard of John shortly before the Psychic News began in 1932. This was after a test s‚ance in which John successfully brought about 'extras' in the photographs that were taken. In John's dental surgery in London, with nine persons present, A. W. Palfrey broke the seals of some photographic plates that he had purchased, and loaded them into slides: 'All that Myers was allowed to do was to release the shutter of the camera. Palfrey alone handled the plates and their development'.(2) When the photographs were developed, two 'extras' were included on them. On hearing about the incident, Barbanell became interested in John's work and subsequently met him on many occasions. Of his knowledge of John, Barbanell states; 'Technically, he knew nothing about photography, and this ignorance of the subject still largely obtains today'.(3) Events during John's childhood were clearly relevant to what would follow. At the age of five, living in East London, he was bitten by a rabied dog and almost died. After lapsing into a coma and delirium, his family gathered around him, awaiting his death. However, he suddenly recovered and 'to the doctor, the boy's dramatic recovery was capable of no medical explanation'.(4) It was after this event that John began to be aware of another world and its inhabitants, that could not be seen by others e.g. he saw children, and a woman whom he described as his 'guardian angel'. Years later, John saw a notice by the Victoria
Psychic Research Society and attended one of its meetings. A number of factors
then occurred that made him consider and pursue the subject. One of the
significant events was when he attended a s‚ance by Mrs Deane, a spirit
photographer: the s‚ance was a failure and John asked whether he might try to
bring about some results, and on doing this, extras appeared on the plates. The
Society was willing to help him and consequently formed a circle to achieve
this. Shortly afterwards, Barbanell sent A. W. Austen, a
sceptical journalist to undergo a test with John. Austen purchased plates that
he kept in his possession until they were placed into the camera; this was done
in his presence, as was the development. Additionally, each plate was signed
when loaded. In the presence of a number of people, including Barbanell and
Austen, John exposed the plates. After the first one was blank, he then walked
about the room in a semi-trance and further ones were exposed. During this time,
he referred to persons whom he believed were attempting to communicate; one of
these was someone whom Barbanell had known. A further test was then conducted with members of the
Press Portrait Bureau. They were to purchase the plates and be present when
loaded, together with signing them and monitoring the development. Before the
test, John advised Barbanell that he believed the playwright, Edgar Wallace,
would make himself known and asked for Hannen Swaffer, who had known Wallace, to
be present at the test. This took place with the two representatives of the
Press Portrait Bureau, who not only took all the precautions outlined, but,
without informing others who were involved, went further and marked the plates
as well as signing them to ensure they could not be exchanged with any others.
Photographs were then taken and when they were developed, 'there was a perfect
likeness of Wallace'. Apart from the sensation that John was causing, he,
as a medium, provided assurance of survival to those who were grieving for loved
ones who had died. In one case, Sidney Arnold sat with John, and Arnold's late
wife appeared on the photograph prompting Arnold to say that through John's
mediumship, he had received 'the indisputable likeness of my wife', and 'his
psychic power is unique in its achievements'.(8) John accepted a challenge from the Marquess of
Donegall, details of which were supplied by Will Goldston, a leading magician,
who was also present: the account was published in Psychic News (15
October, 1932). The Marquess had offered to make a payment if John was
successful, but the medium, while agreeing to the test, declined the offer of
payment. In the test, John had no involvement in the purchase of the
photographic plates, nor even in the loading or the development. All that was
required of him was to be present when the photographs were taken. After
purchasing the plates, the Marquess went with Harry Folkard, the art editor of
the Sunday Dispatch, who was to develop the pictures, to the location of
the test. Each exposure was of a lengthy period of time that
should have caused the photographs to be blackened. As each one was taken, the
Marquess numbered the plate and as stated, John did not come into direct contact
with them. The Marquess and Folkard then developed the photographs. One had some
form of extra, but because of its vagueness, was dismissed. Another had an image
on it that Goldston said, 'tallies closely with the description that was given
to us [by John]'. In the case of the sixth, there was the image of 'two very
striking faces of women. They are clear and beautifully formed...To sum up, we
may say that Myers' claims were fully substantiated by our sitting'.(10) John's mediumship was particularly interesting as it was sometimes possible for sitters to verify the visual communications with other mediums. One such example was when Mr and Mrs Farebrother had a sitting with John and their eldest son appeared in the photograph taken. Later, during a sitting with Estelle Roberts, Jackie, their youngest son, communicated and mentioned that he had attempted to show himself on the photograph but had been unsuccessful; he further added that on the next occasion he would succeed. When Mr and Mrs Farebrother had another sitting with John, 'To their great delight Jackie kept his promise'.(12) In 1935, R. Laurence Parish, a wealthy American
businessman, became aware of the publicity surrounding John and contacted
Barbanell to enquire about having a sitting with the medium. This was arranged,
and after a preliminary sitting, Parish asked that he have another sitting in
which he would 'handle every part of the process from loading the camera to
taking the pictures, developing the plates and making the prints'. John agreed
to this and the sitting took place in the Savoy Hotel and 'the results turned
out to be even superior to those obtained with Myers' camera. Parish, naturally impressed by John's mediumship, suggested that he go to America to demonstrate his mediumship, and also join him in his business activities. Encouraged by Barbanell to take up the offer, John departed to continue his career abroad. It was not long before he demonstrated his remarkable skill in healing there: one notable instance was Perry Moran who suffered from a spinal injury that was steadily worsening, and even with morphine, was often unable to move about. In front of witnesses, John visited Moran in his hotel room and 'touched his leg, foot, spine, and asked him to try and walk...Of his own accord Moran walked around the room and out into the hall...'. Consequently, 'the talk about this cure spread like wild fire. Soon the Hotel was ablaze with excitement. Newspapers wanted to have the story'. In fact people were even enquiring about whether 'there was "an English Jesus Christ in the hotel"'.(14) As noted, confirmation of the authenticity of John's
mediumship was given through the medium Estelle Roberts. She confirmed that, 'on
several occasions, through my direct-voice mediumship, spirit communications
confirmed that they had appeared on John's spirit photographs'.(15) In
Barbanell's He Walks in Two Worlds, detailing John's work, Estelle
supplies details of several instances of when John's mediumship was verified in
communications that were unconnected with the spirit photography. An example was
when E. A. Reeves, a geographer who often sat with Estelle: on one occasion,
Gino Watkins, an explorer who had died while on expedition in Greenland and
someone well-known to Reeves in view of his work in the Royal Geographical
Society, communicated. One of those who had the benefit of sitting with John was Fodor, a New York psychoanalyst and psychic researcher. Barbanell refers to how he had been left unimpressed with what he had witnessed in his research, but 'his outlook, however, dramatically changed when Myers invited him to a demonstration'.(17) In Fodor's Encyclopaedia of Psychic Science, he mentions how extras would appear on plates while John was in a light trance. There is also reference to the Marquess of Donegall's accusation in the second sitting that he had with John, but Fodor says that while this did cast a cloud over John's mediumship, this 'left part of his previous admissions unaffected'.(18) Publicity of John's mediumship resulted in the medium appearing on television. After seeking Barbanell's view about whether he should do this - something that Barbanell did encourage him to do - he took part, but rather than being a discussion of his mediumship, it became a test of same. During this time, the interviewer, who had purchased photographic papers at a shop unknown to John, discovered that extras had appeared even though John had no physical contact with them. Even more startling was that fact that, 'all the extras appeared as negatives instead of positives, thus reversing the normal process'.(19) The name of John Myers is one that can undoubtedly be associated with both spectacular physical phenomena and the evidence these can supply. In 1964, Barbanell completed his book about John's mediumship, and he rightly summarizes John as someone who 'continues to be that rarity among human beings, one who walks in two worlds at the same time'.(20)
(C)Noah's Ark Society
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