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In this stage the photos of the subject are considered. I will suggest a couple of poses and discuss them with the client. We will also discuss background options. When the customer is satisfied stage 2 can proceed.

This is an important stage in getting the likeness of the subject. Errors in the placement of features at this stage will be difficult to correct later. I use charcoal for the drawing because it dissolves with the turpentine wash in the next stage so it does not leave harsh pencil lines to show through to the finished picture.

I use a fluid wash of turpentine and pigment to define the form, shape and light of the subject. The colours that I use are warm and cool colours. I use different colours to suit the individual subject.

When the picture is finish you will not notice the under painting unless you look very closely. But never the less these colours do influence the final picture.

Stage 4 is the small areas that need special attention to detail such as eyes, ears, nose, mouth collars

Stage 5 is to fill in the background. I usually add an abstract background that does not compete with the subject. I will usually chose a colour to suit that of the subject, quite often the client chooses a colour to match their decor.

Stage 6 The main areas of the painting are painted using thicker paint to try and achieve life. Attention is given to keeping the colours lively and giving recession to the painting. As the painting develops the features can be seen in their context so further adjustments can be made.

One of the most important stages is the drying time. I now leave the painting to dry and try not to look at it. This gives me the opportunity to look at the picture with 'a fresh eye' so that when I come to stage 7 I can see what adjustments need to be made objectively.