Image Entertainment
Region : 1
Format : 1.66:1, Black and White
Sound : PCM Mono
Bing Crosby....Duke Johnson
Bob Hope....Chester Hooton
Dorothy Lamour....Sal Van Hoyden
Hillary Brooke....Kate
Douglass Dumbrille....Ace Larson
Jack La Rue....LeBec (as Jack LaRue)
Robert Barrat....Sperry
Nestor Paiva....McGurk
George Anderson....Townsman (uncredited)
Stanley Andrews....Joe, Official at Boat (uncredited)
Bobby Barber....Bartender (uncredited)
Robert Benchley....On-Screen Narrator (uncredited)
William 'Billy' Benedict....Newsboy (uncredited)
Al Bridge....Boat Captain (uncredited)
Romaine Callender....Top Hat (uncredited)
Larry Daniels....Ringleader (uncredited)
Edgar Dearing....Official (uncredited)
Jimmie Dundee....Ringleader of Henchmen (uncredited)
Edward Emerson....Emcee (uncredited)
Al Ferguson....Cop (uncredited)
Maxine Fife....Girl (uncredited)
Art Foster....Husky Sailor (uncredited)
Don Gallaher....Man at Zambini's (uncredited)
Charles Gemora....Bear (uncredited)
Eddie Hall....Man in Saloon behind Hope and Crosby (uncredited)
Bud Harrison....Man at Zambini's (uncredited)
Al Hill....Man (uncredited)
Brandon Hurst....Man at Zambini's (uncredited)
Claire James....Girl (uncredited)
Ethan Laidlaw....Saloon Extra (uncredited)
Arthur Loft....Purser (uncredited)
Jimmy Lono....Eskimo (uncredited)
George McKay....Waiter (uncredited)
Frank Moran....Bartender (uncredited)
Ferdinand Munier....Santa Claus (uncredited)
Paul Newlan....Tough Ship's Purser (uncredited)
Allen Pomeroy....Henchman (uncredited)
Ronald R. Rondell ....Hotel Manager (uncredited)
Jack Rutherford....Man (uncredited)
Lee Shumway....Cop (uncredited)
Jack Stoney....Henchman (uncredited)
Jim Thorpe....Passenger (uncredited)
Pat West....Bartender (uncredited)
Charles C. Wilson....Official (uncredited)
Will Wright ....Mr. Latimer (uncredited)
Produced by…Paul Jones
Original Music by…Leigh Harline Jimmy
Van Heusen (songs) (as James Van Heusen)
Johnny Burke....lyricist
Non-Original Music by…Heinz Roemheld (stock music) (uncredited)
Cinematography by…Lionel Lindon
Art Direction by…Roland Anderson Hans
Dreier
Set Decoration by…George Sawley
Costume Design by…Edith Head
Wally Westmore...makeup supervisor
Alvin Ganzer....assistant director (uncredited)
Hugo Grenzbach....sound recordist
Philip Wisdom....sound recordist
Special Effects by
Farciot Edouart....process photography
Gordon Jennings....special photographic effects
Daniel Dare....dance director (as Danny Dare)
Robert Emmett Dolan....musical director
Jerry Fairbanks....animator
Stuart Gilmore....editorial supervisor
Joseph J. Lilley....music arranger: vocals
The ‘Road’ films started in 1940 with ‘Road to Singapore’ this was
conceived as a musical using the talents of three Paramount contract stars –
Bing Crosby, Dorothy Lamour and Bob Hope. As the production commenced both Bing Crosby and Bob Hope got
their own scriptwriters (people who worked on their Radio shows) to help liven a
rather flat script. The result was
a gentle humorous romp that proved very popular – even in wartime Europe.
Studios have never been slow to do follow-ups. So 1941 saw ‘Road to
Zanzibar’ and 1942 ‘Road to Morocco’.
Because of the war there was a gap of 4 years before Crosby, Hope and
Lamour were reunited in ‘Road to Utopia’
After the first film the characters are always the same, a vaudeville duo and a
femme-fatale (Crosby, unsurprisingly, is a smoother song-and-dance man than Hope).
The style of ‘Road to Utopia’ makes fun of some film styles that were
getting rather overused in the 1940’s – the framing of the story as
flashback and the use a narrator/commentary; in this film the narration
is by the unforgettable Robert Benchley.
The story is the simple ‘Lost Treasure Map mark 1’.
San Francisco, Sperry and McGurk (Robert Barrat and Nestor Paiva) – their
names alone are enough to clear a street – kill – and steal a map to a
Klondike gold mine. The map belongs
to Sal (Dorothy Lamour) who is told to go to Skagway and find Ace Larson
(Douglass Dumbrille) who will help her get it back.
Ace Larson, of cause, want the mine for himself.
Duke Johnson (Bing Crosby) and Chester
Hooton (Bob Hope) are performing in a variety hall (trying to scam the audience)
when Sperry and McGurk, chased by police, destroy their show. Chester and Duke
have to leave town and eventually find themselves on the steamer to Alaska.
Chester and Duke find the map and, disguised as Sperry and McGurk, hit
town. Sal, duped by Ace Larson into
working for him, tries to get the map, her map, away from what she thinks are
the killers.
Much merriment and double-crossing ensue, after all poor old Hope is always
being put upon by Crosby, and neither trust each other in two particular areas
– money and women – and not necessarily in that order.
Never ones to worry about the logic of the situation, in one scene the
two of them are stoking the ship’s boiler, when a man in full evening dress
walks through and they ask “Are you in this picture?” “No,” he replies, “I’m
taking a short cut to Stage 10”. Later
on while on a dog sled in Alaska Hope looks up and says “Ah! Bread and
Butter” Crosby says “It’s just a mountain” while Hope says that it might
be a mountain to you its bread and butter to me;
the shot of the mountain turns into the Paramount Logo.
As in all the films Hope and Crosby are the only ones to make jokes – and
actually its mostly Hope. Everyone
else plays mostly straight – if slightly over the top. You cannot have everyone making jokes if you want to have any
sort of plot. Although the
principals all sing songs from Johnny Burke and James Van Heusen it’s Dorothy
Lamour and ‘Personality’ that became a hit away from the film.
‘Road to Utopia’ is the only ‘Road’ film where Hope ‘gets the girl’
and it provides a final joke that's about as racy as anything you'll find in a
1940’s studio film.
The periodic narration by Robert Benchley, famous to 1940’s audiences for his
charming, dry shorts that frequently preceded feature films, opens the film with
the caveat: “For one reason or another the motion picture you're about to see
is not very clear in spots. As a matter of fact, it was made to demonstrate how
not to make a motion picture, and win an Oscar”; and at one point he's looking down at the action and remarks,
“This seems to be a scene they put in after I saw the picture at the
studio”.
The screenplay was nominated for the ‘Best Original Screenplay’ Oscar.
The DVD is from Image Entertainment under their deal with Universal. The film it
is not a restored print but still Image have managed to get an excellent copy,
the black and white picture has wonderful contrast with solid blacks and even
the ‘day for night’ scenes look clear.
With very little scratching, and in the original 1.66:1 ratio this is
just as a 1946 film should be. The
sound is Uncompressed PCM, which quite frankly, sounds very good in Mono – and
a lot better than some Dolby mono tracks.
This is my favourite of the ‘Road ‘ films and one of my top twenty on ymdb,
therefore it will not surprise the reader when I say that I would recommend this
film to everyone.
Trivia Note
The first of the series ‘Road to Singapore’ has the credit ‘Bing Crosby,
Dorothy Lamour, Bob Hope’; ‘Road
to Zanzibar’ has ‘Bing Crosby, Bob Hope, Dorothy Lamour’; ‘Road to
Morocco’ has ‘Bob Hope, Bing Crosby, Dorothy Lamour’ and ‘Road to
Utopia’ is back to ‘Bing Crosby, Bob Hope, Dorothy Lamour’